M. L. R. Smith – författare

With the end of the cold war, perceptions of the role of armed forces in the international environment changed dramatically and led to a critical re-evaluation of defence budgets, defence bureaucracies and defence roles. This volume brings together eminent scholars in the field of defence studies to assess the changing dynamics of military power. It focuses in particular on the move towards joint service co-operation as a way of minimizing costs and increasing efficiency.

A worldwide surge in poaching and wildlife trafficking is threatening to decimate endangered species. This crisis also threatens the security of human beings in ways ignored until recently by decision-makers slow to begin to treat what is typically viewed as a ‘conservation issue’ as serious crime.Over the past decade, as the scale and profitability of poaching and wildlife trafficking have grown, politicians, journalists and campaigners throughout the world have begun to take notice – they are offering striking appraisals of the threat posed not only to endangered species but also to human populations. Many of these appraisals, however, are made in the absence of a detailed body of empirical research and analysis to underpin them. The result is the growth of a range of myths and misperceptions around the security threats posed, particularly as they relate to Africa.Poaching, Wildlife Trafficking and Security in Africa examines the most common narratives on poaching, wildlife trafficking and security. It critically analyses the dominant discourses on poaching and wildlife trafficking as threats to human security, as drivers of conflict, as funders of terrorism and as a focus for organised crime. In doing so, it seeks to sort myth from reality, to clarify how poaching and wildlife trafficking, as much cited threats to security, can most accurately be conceived. Such a study is crucial to the efforts of stakeholders now rightly looking to respond not just to the threat posed to endangered species, but also to the security and wellbeing of human beings.

Twenty years after the terrorist attacks on the World Trade Center and Pentagon, we can now see that the War on Terror profoundly affected Western self-understanding and the secular liberal image it sought to project onto a global canvas at what was widely assumed to be the end of history. The dramatic change in awareness that 9/11 brought about was particularly vivid, this book maintains, in the media that sustained and displayed the West's self-image. In particular, fiction, film, drama, the visual arts, and popular music have all struggled to come to grips with the phenomena of terror, asymmetrical warfare, home grown jihadist activism, and the moral and political dilemmas they evoke. The book further argues that the evolving progressive response to 9/11 assumed an increasingly ideological character via the critical and normative international relations theories that came to dominate Western campuses after 2001. These perspectives gave substance to an increasingly critical depiction of the West's War on Terror and its popular promotion through works of literature, film, music, and the visual arts. Promoted through these popular genres, it combined the ingredients that formed "woke" ideology in an accessible formula that subsequently dominated both the mainstream media, academia, and, in time, government agencies.