M. S. Silk - Böcker

In this book Professor Silk presents a radically new critical study of Aristophanes. Against the limited view of Aristophanes as Athenian theatrical satirist, Professor Silk identifies him as one of the world's great writers. Through an exploration of Aristophanes' comic poetry, informed by a wide range of theory from Kierkegaard to Adorno, a particular consideration of Aristophanes' own understanding of his medium, and challenging comparisons with modern literature, this book adds a new chapter to the long-standing debate about the nature and potentialities of comedy. Close analyses of Aristophanes' language and style, lyric poetry, presentation of character, organizational structures, and humorous modes, are conducted in this spirit. The enigma of 'serious comedy' and of Aristophanes' complex preoccupation with tragedy is at the centre of a new assessment of Aristophanic comedy as a whole. All Greek in the text is translated; the versions offered seek to convey the distinctive character of the original.

Michael Silk presents a radically new critical study of Aristophanes. Against the limited view of Aristophanes as Athenian theatrical satirist, Professor Silk identifies him as one of the world's great writers. Through an exploration of Aristophanes' comic poetry, informed by a wide range of theory from Kierkegaard to Adorno, a particular consideration of Aristophanes' own understanding of his medium, and challenging comparisons with modern literature, this book adds a new chapter to the long-standing debate about the nature and potentialities of comedy. Close analyses of Aristophanes' language and style, lyric poetry, presentation of character, organizational structures, and humorous modes, are conducted in this spirit. The enigma of 'serious comedy' and of Aristophanes' complex preoccupation with tragedy is at the centre of a new assessment of Aristophanic comedy as a whole. All Greek in the text is translated; the versions offered seek to convey the distinctive character of the original.

This volume is a distinctive critical introduction to Homer's Iliad, the earliest epic poem, and the earliest known work of literature in ancient Greece. Michael Silk deals with the poem's historical context, its composition and its extensive influence, and relates its literary power to the peculiar coherence and inter-relation of such aspects of the poem as its style, character-portrayal and ideology. Through use of quotation from the original and accompanying English translation, close attention is paid to the distinctive texture of Homeric poetry. This revised edition takes account of recent scholarship in the field and includes a comprehensive updated guide to further reading. It is essential reading for students of literature and classics.

This path-breaking book has made an unusual and original contribution to literary theory by means of a study of the literature of ancient Greece. It investigates an aspect of poetic imagery in the practical context of Greek lyric and drama up to and including Aeschylus and Pindar. Several hundred passages are systematically examined, with many passages from English verse introduced to provide illustration. Using these, Michael Silk formulates a new critical concept, 'interaction', which characterises certain features of metaphor and other imagery and explores in detail their nature and significance. He then proceeds to discuss related issues in the fields of stylistics and literary theory, give fresh insights into several features of ancient literature, and – above all – make important contributions to the theory and practice of 'literary lexicography' in a dead language. This reissue contains a substantial new Introduction engaging with critical and scholarly developments since first publication.

This path-breaking book has made an unusual and original contribution to literary theory by means of a study of the literature of ancient Greece. It investigates an aspect of poetic imagery in the practical context of Greek lyric and drama up to and including Aeschylus and Pindar. Several hundred passages are systematically examined, with many passages from English verse introduced to provide illustration. Using these, Michael Silk formulates a new critical concept, 'interaction', which characterises certain features of metaphor and other imagery and explores in detail their nature and significance. He then proceeds to discuss related issues in the fields of stylistics and literary theory, give fresh insights into several features of ancient literature, and – above all – make important contributions to the theory and practice of 'literary lexicography' in a dead language. This reissue contains a substantial new Introduction engaging with critical and scholarly developments since first publication.

The first comprehensive study of Nietzsche's earliest book, The Birth of Tragedy (1872), this important volume by M. S. Silk and J. P. Stern examines the work in detail: its place in Nietzsche's philosophical career; its value as an account of ancient Greek culture; its place in the history of German ideas, and its value as a theory of tragedy and music. Presented in a fresh twenty-first-century series livery, and including a specially commissioned preface written by Lesley Chamberlain, illuminating its enduring importance and relevance to philosophical enquiry, this accessible study has been revived for a new generation of readers.