M. Travis Lane - Böcker

Lane is allusive, intricate, and technically ranging, while the abiding impulses of her work remain spirituously generous and affirmative. Few contemporary poets have her command of tone, able to shift from intense intellectual attention to private joy, from the ironical to the lyrical.This is poetry both demanding and magnanimous. Reckonings is a very substantial collection which certainly enhances her reputation as one of Canada's finest writers and brings her work to the wider audience she deserves.

In Temporary Shelter, Travis Lane demonstrates that she is one of Canada's finest and most rigorous poets. Yet, she writes with a subtle, sometimes muted, voice and from a position refreshingly removed from current fashion and ideology. Celebrating the open against the enclosed, the wildnerness against the city, the imagination against things tidily nailed down, the poems in this collection might best be seen as separate illuminations.

Winner, New Brunswick Book Award for PoetryA Quill & Quire Best Book of the YearLike the novella in fiction, the long poem is an oft-neglected form. Too long for publication in most literary journals and anthologies, too short to merit book-length publication, the long poem occupies a lonely space in literature. M. Travis Lane is a master of the form, in which her considerable poetic skills reach their apex. There are few that match her brilliance. This volume collects all of her long works — most of them now out of print — from a five-decade commitment to the art.M. Travis Lane has long flown under the radar of Can Lit, crafting luminous poems and sharp literary criticism — much of it published in the Fiddlehead, one of Canada's premier literary journals — but in recent years her work has been drawing the attention it deserves. Evidence of this recognition is her 2015 Governor General's Award nomination for Crossover, a collection the still-vital poet published at the age of 81. Her poetry is modernist, dense, and highly allusive, drawing adeptly on classical and biblical sources, imbued with a feminist and ecocritical perspective. Her musical lines, vivid metaphors, and phenomenological acumen launch her into the company of such poetic luminaries as Don McKay, Jan Zwicky, and Tim Lilburn. In the long poetic form, these qualities reach their highest expression. This volume, an exquisite collection that brings together her long poems for the first time, constitutes an important addition to the canon of Canadian literature and to the canon of feminist literature in North America.

The Crisp Day Closing on My Hand: The Poetry of M. Travis Lane is a collection of thirty-five of her best poems, selected with an introduction by Jeanette Lynes. An environmentalist, feminist, and peace activist, M. Travis Lane is known for witty and meticulously crafted poems that explore the elusive nature of ""home"" in both historical and present contexts and reflect on the identity of the woman poet and what it means to be a writer. Lane's poems exhibit impressive range and variety - long poems, short lyrics, serial poems, poems inspired by visual art - and are richly attentive to the landscapes, both urban and wild, of her New Brunswick home. They voice a sense of urgency with respect to ecological crises and war; her poetic attention fixes unwaveringly on the smallest pebble on the coast of Fundy but is equally attuned to global patterns of destructive domination. In her introduction ""As Opportunity for Grace, This Life May Serve"", editor Jeanette Lynes discusses how Lane's poetry integrates an ecopoetic vision with explorations of the artist's task of mapping her world. Lane's afterword reinforces her sense of the poet's project as a form of mystical play, a search for patterns in the ""unified disunities"" of all things.