The book contains comparative analyses of the development of litanic verse in European poetry, from medieval to modern times. Litanic verse is based on different syntactic devices, such as enumeration, parallelism, anaphora and epiphora. However, it is not to be seen merely as a convention of versification as the popularity of different variants of the verse in Europe reflects the religious, intellectual, social and political history of various European regions. The essays in the second volume focus on litanic verse in the Germanic languages. They discuss predominantly the literatures of Protestant countries (Great Britain, Denmark, Germany, Norway), but also Austrian poetry.

The book contains comparative analyses of the development of litanic verse in European poetry, from medieval to modern times. Litanic verse is based on different syntactic devices, such as enumeration, parallelism, anaphora and epiphora. However, it is not to be seen merely as a convention of versification as the popularity of different variants of the verse in Europe reflects the religious, intellectual, social and political history of various European regions. The essays in the first volume focus on the origins of the Litany (the Near East, Greece, Byzantium, Rome), as well as the emergence of litanic verse in the Iberian languages (Castilian, Catalan, Galician, Portuguese) and Slavic and Central European literatures (Bulgarian, Croatian, Czech, Hungarian, Polish, Serbian, Russian).

Despite the numerous famous examples of «les litanies» in French poetry, the manner in which the structures of this form of worship affect the versification strategies of poems has not previously been discussed thoroughly. Litanic verse, whose origins are as ancient as those of the litany genre, is recognized in works whose poetic diction, in whole or in part, includes the distinctive features of the litany, such as enumeration, parallelism, anaphora, and epiphora. The third volume describes the development of litanic verse from troubadour poetry and Old French religious verse up to World War II. This rich and multifaceted material is presented in chronological order and in the context of different literary genres.

The book contains comparative analyses of the development of litanic verse in European poetry, from medieval to modern times. Litanic verse is based on different syntactic devices, such as enumeration, parallelism, anaphora and epiphora. However, it is not to be seen merely as a convention of versification as the popularity of different variants of the verse in Europe reflects the religious, intellectual, social and political history of various European regions. The essays in the second volume focus on litanic verse in the Germanic languages. They discuss predominantly the literatures of Protestant countries (Great Britain, Denmark, Germany, Norway), but also Austrian poetry.

The book contains comparative analyses of the development of litanic verse in European poetry, from medieval to modern times. Litanic verse is based on different syntactic devices, such as enumeration, parallelism, anaphora and epiphora. However, it is not to be seen merely as a convention of versification as the popularity of different variants of the verse in Europe reflects the religious, intellectual, social and political history of various European regions. The essays in the first volume focus on the origins of the Litany (the Near East, Greece, Byzantium, Rome), as well as the emergence of litanic verse in the Iberian languages (Castilian, Catalan, Galician, Portuguese) and Slavic and Central European literatures (Bulgarian, Croatian, Czech, Hungarian, Polish, Serbian, Russian).

Despite the numerous famous examples of «les litanies» in French poetry, the manner in which the structures of this form of worship affect the versification strategies of poems has not previously been discussed thoroughly. Litanic verse, whose origins are as ancient as those of the litany genre, is recognized in works whose poetic diction, in whole or in part, includes the distinctive features of the litany, such as enumeration, parallelism, anaphora, and epiphora. The third volume describes the development of litanic verse from troubadour poetry and Old French religious verse up to World War II. This rich and multifaceted material is presented in chronological order and in the context of different literary genres.