Maggie Humm - Böcker

This is the first comprehensive collection of feminist politics and writings by the most influential feminists of the twentieth century, with a full glossary of key terms, section introductions, and entries on individual writers. Contributors include Simone de Beauvoir, Catharine A. MacKinnon, Audre Lorde, Adrienne Rich, Betty Friedan, Gayle Rubin, Laura Mulvey, Elaine Showalter, and Julia Kristeva. Modern Feminisms covers key feminist ideas and perspectives on the family, sexuality, work, education, patriarchy, race, language, culture, and representation, and provides a persepective on the variety of modern feminisms that have emerged in the twentieth century.

Feminist theory has been at the forefront of critical analysis for more than two decades. With dazzling insight, Maggie Humm highlights and explains feminist issues and offers a fascinating array of original film analyses. Feminism and Film is the first book to apply such a broad range of theory to contemporary film.Humm begins with an in-depth historical survey of contemporary feminist theory, visual aesthetics and film theory, with a particular focus on the work of Laura Mulvey, Annette Kuhn, E. Ann Kaplan and bell hooks. Subsequent chapters examine the most pressing questions posed by feminism about reproduction, pornography and the gaze, autobiography and literary theory, postmodernism, Black feminism and "the personal is political" in relation to a variety of mainstream and independent films, including Klute, Dead Ringers, A Question of Silence, Orlando and Daughters of the Dust.

An enthralling portrait of the Bloomsbury Group’s key figures told through a rich collection of intimate photographs  Photography framed the world of the Bloomsbury Group. The thousands of photographs surviving in albums kept by Virginia Woolf, Vanessa Bell, Dora Carrington, and Lytton Strachey, among others, today offer us a private insight into their lives.  Maggie Humm brings together a curated selection of these photographs to offer us a fresh portrait of the Bloomsbury Group, showing them in a new, domestic intimacy. She brings to life the texture of Bloomsbury: their pastimes, children, clothes, houses, servants, pets, holidays. Several photographs are blurred as if taken in a hurried moment of time, and unguarded close-ups reflect complex personal relationships. The Bloomsbury Photographs are not simply documents, but testimonies of relationships, friendships, and the significance of empathetic lives.

This major textbook for women's studies provides an excellent and wide-ranging introduction to feminist ideas and perspectives on issues such as the family, sexuality, work, education, patriarchy, race, language, culture and representation. It brings together over seventy key excerpts.

This introduction to feminist literary criticism in its international contexts discusses a broad range of complex critical writings and then identifies and explains the main developments and debates within each approach. Each chapter has an easy-to-use format, comprising an introductory overview, an explanation of key themes and techniques, a detailed account of the work of specific critics, and a summary which includes critiques of the approach. Each chapter is accompanied by a guide to the primary texts and further reading.

The most comprehensive guide to the terminology and history of feminist theory available.This established and much admired dictionary provides succinct definitions of more than 600 terms, topics, movements and approaches as well as influential feminist thinkers, activists and critics within feminist theory. Entries cover a wide range of cross-cultural issues relating to family, work, sexuality, gender, race, imperialism and representation. There are also explanations of terms within Anglo-American and French feminist literary theory that have come into common usage, including ‘Backlash’, ‘Postcolonialism’, ‘Postmodernism’ and ‘Queer Theory’. From ‘Autobiography’ to ‘Writing the Body’, from ‘Abortion’ to ‘Work’ and from ‘Anzaldua’ to ‘Zimmerman’, the Dictionary is a valuable source for anyone interested in the ideas behind feminism or those approaching contemporary feminist thought for the first time.

This major textbook for women's studies provides an excellent and wide-ranging introduction to feminist ideas and perspectives on issues such as the family, sexuality, work, education, patriarchy, race, language, culture and representation. It brings together over seventy key excerpts.

This introduction to feminist literary criticism in its international contexts discusses a broad range of complex critical writings and then identifies and explains the main developments and debates within each approach. Each chapter has an easy-to-use format, comprising an introductory overview, an explanation of key themes and techniques, a detailed account of the work of specific critics, and a summary which includes critiques of the approach. Each chapter is accompanied by a guide to the primary texts and further reading.

This book principally coheres around a sense of women’s writing as inseparable from its cultural production. The multi-faceted essays here reveal how feminist criticism changed in one academic’s career from 1986 from the publication of her stellar work, Feminist Criticism. Snapshots discusses theories including ‘the anxiety of influence’, écriture feminine, postmodernism, life-writing all informed by a belief that subjectivity and creativity are integral to non-fiction writing. At the centre of these discussions is the work of Virginia Woolf, whose reputation and scholarly status are unique. The book maps Humm's writing on feminism, visual culture and twentieth-century women’s writing across forty transformative years of criticism.Readers and scholars will benefit from the book’s historical and theoretical range, as well as its autobiographical fragments. It demonstrates how feminists try always to be critically innovative, and the ways in which Maggie Humm's work has opened up new avenues into twentieth-century women’s writing, film and feminist criticism.

The spatial turn in the Humanities and Social Sciences has produced a considerable body of work which re-assesses space beyond the fixed Cartesian co-ordinates of Modernity and the nation state. In the process, space has been revealed as a productively contested concept with methodological implications across and between disciplines. The resulting understandings of space as fluid, changeable and responsive to the situation of bodies, both human and non-human has prepared the ground for radical concepts and uses of space with implications for how we conceive of contemporary lived reality.Rather than conceiving of bodies as constantly rendered docile within the spaces of the post-industrial nation state, Radical Space reveals how activists and artists have deployed these theoretical tools to examine and contest spatial practice.. Bringing together contributions from academics across the humanities and social sciences together with creative artists this dynamically multidisciplinary collection demonstrates this radicalization of space through explorations of environmental camps, new explorations of psychogeography, creative interventions in city space and mapping the extra-terrestrial onto the mundane spaces of everyday existence.

The spatial turn in the Humanities and Social Sciences has produced a considerable body of work which re-assesses space beyond the fixed Cartesian co-ordinates of Modernity and the nation state. In the process, space has been revealed as a productively contested concept with methodological implications across and between disciplines. The resulting understandings of space as fluid, changeable and responsive to the situation of bodies, both human and non-human has prepared the ground for radical concepts and uses of space with implications for how we conceive of contemporary lived reality.Rather than conceiving of bodies as constantly rendered docile within the spaces of the post-industrial nation state, Radical Space reveals how activists and artists have deployed these theoretical tools to examine and contest spatial practice.. Bringing together contributions from academics across the humanities and social sciences together with creative artists this dynamically multidisciplinary collection demonstrates this radicalization of space through explorations of environmental camps, new explorations of psychogeography, creative interventions in city space and mapping the extra-terrestrial onto the mundane spaces of everyday existence.