Maia Kotrosits – författare

Our lives are filled with objects—ones that we carry with us, that define our homes, that serve practical purposes, and that hold sentimental value. When they are broken, lost, left behind, or removed from their context, they can feel alien, take on a different use, or become trash. The lives of objects change when our relationships to them change.Maia Kotrosits offers a fresh perspective on objects, looking beyond physical material to consider how collective imagination shapes the formation of objects and the experience of reality. Bringing a psychoanalytic approach to the analysis of material culture, she examines objects of attachment—relationships, ideas, and beliefs that live on in the psyche—and illustrates how people across time have anchored value systems to the materiality of life. Engaging with classical studies, history, anthropology, and literary, gender, and queer studies, Kotrosits shows how these disciplines address historical knowledge and how an expanded definition of materiality can help us make connections between antiquity and the contemporary world.

Our lives are filled with objects—ones that we carry with us, that define our homes, that serve practical purposes, and that hold sentimental value. When they are broken, lost, left behind, or removed from their context, they can feel alien, take on a different use, or become trash. The lives of objects change when our relationships to them change.Maia Kotrosits offers a fresh perspective on objects, looking beyond physical material to consider how collective imagination shapes the formation of objects and the experience of reality. Bringing a psychoanalytic approach to the analysis of material culture, she examines objects of attachment—relationships, ideas, and beliefs that live on in the psyche—and illustrates how people across time have anchored value systems to the materiality of life. Engaging with classical studies, history, anthropology, and literary, gender, and queer studies, Kotrosits shows how these disciplines address historical knowledge and how an expanded definition of materiality can help us make connections between antiquity and the contemporary world.

Our lives are filled with objects—ones that we carry with us, that define our homes, that serve practical purposes, and that hold sentimental value. When they are broken, lost, left behind, or removed from their context, they can feel alien, take on a different use, or become trash. The lives of objects change when our relationships to them change. Maia Kotrosits offers a fresh perspective on objects, looking beyond physical material to consider how collective imagination shapes the formation of objects and the experience of reality. Bringing a psychoanalytic approach to the analysis of material culture, she examines objects of attachment—relationships, ideas, and beliefs that live on in the psyche—and illustrates how people across time have anchored value systems to the materiality of life. Engaging with classical studies, history, anthropology, and literary, gender, and queer studies, Kotrosits shows how these disciplines address historical knowledge and how an expanded definition of materiality can help us make connections between antiquity and the contemporary world.  

Theory is not a set of texts, it is a style of approach. It is to engage in the act of speculation: gestures of abstraction that re-imagine and dramatize the crises of living. This Element is a both a primer for understanding some of the more predominant strands of critical theory in the study of religion in late antiquity, and a history of speculative leaps in the field. It is a history of dilemmas that the field has tried to work out again and again - questions about subjectivity, the body, agency, violence, and power. This Element additionally presses us on the ethical stakes of our uses of theory, and asks how the field's interests in theory help us understand what's going on, half-spoken, in the disciplinary unconscious.

Theory is not a set of texts, it is a style of approach. It is to engage in the act of speculation: gestures of abstraction that re-imagine and dramatize the crises of living. This Element is a both a primer for understanding some of the more predominant strands of critical theory in the study of religion in late antiquity, and a history of speculative leaps in the field. It is a history of dilemmas that the field has tried to work out again and again - questions about subjectivity, the body, agency, violence, and power. This Element additionally presses us on the ethical stakes of our uses of theory, and asks how the field''s interests in theory help us understand what''s going on, half-spoken, in the disciplinary unconscious.

Theory is not a set of texts, it is a style of approach. It is to engage in the act of speculation: gestures of abstraction that re-imagine and dramatize the crises of living. This Element is a both a primer for understanding some of the more predominant strands of critical theory in the study of religion in late antiquity, and a history of speculative leaps in the field. It is a history of dilemmas that the field has tried to work out again and again - questions about subjectivity, the body, agency, violence, and power. This Element additionally presses us on the ethical stakes of our uses of theory, and asks how the field''s interests in theory help us understand what''s going on, half-spoken, in the disciplinary unconscious.

Examining contemporary films, sculptures, and graphic novels influenced by the Gospel of Mark, Hal Taussig and Maia Kotrosits break new ground in ways of understanding traditional religious texts. The authors avoid traditional dogmatic assumptions, and use the Gospel of Mark as a resource for coping and healing.

Examining contemporary films, sculptures, and graphic novels influenced by the Gospel of Mark, Hal Taussig and Maia Kotrosits break new ground in ways of understanding traditional religious texts. The authors avoid traditional dogmatic assumptions, and use the Gospel of Mark as a resource for coping and healing.

Examining contemporary films, sculptures, and graphic novels influenced by the Gospel of Mark, Hal Taussig and Maia Kotrosits break new ground in ways of understanding traditional religious texts. The authors avoid traditional dogmatic assumptions, and use the Gospel of Mark as a resource for coping and healing.

In After Transformation, Maia Kotrosits offers a lyrical history of Christian late antiquity as it lives on in and with the present. Recasting the monumental changes that occurred between the second and fourth centuries, when Rome transitioned from pagan to Christian worship, Kotrosits presents a condensed and evocative meditation on the profound effects of Christian imperialism across time and geography. She employs a collection of forms ranging from micro-essay and vignette to poem and fragment to capture human struggles with time and change, showing how the mundane and intimate details of our lives can themselves be conduits of historical knowing. Arguing for lyricism as a method, Kotrosits reclaims vulnerability, urgency, and storytelling in historical work to model new ways of writing the past and experiencing ourselves more fully in time. Above all, After Transformation is about the ironies of the ways that history is written against the reality of the ways that history is lived.

In After Transformation, Maia Kotrosits offers a lyrical history of Christian late antiquity as it lives on in and with the present. Recasting the monumental changes that occurred between the second and fourth centuries, when Rome transitioned from pagan to Christian worship, Kotrosits presents a condensed and evocative meditation on the profound effects of Christian imperialism across time and geography. She employs a collection of forms ranging from micro-essay and vignette to poem and fragment to capture human struggles with time and change, showing how the mundane and intimate details of our lives can themselves be conduits of historical knowing. Arguing for lyricism as a method, Kotrosits reclaims vulnerability, urgency, and storytelling in historical work to model new ways of writing the past and experiencing ourselves more fully in time. Above all, After Transformation is about the ironies of the ways that history is written against the reality of the ways that history is lived.

In After Transformation, Maia Kotrosits offers a lyrical history of Christian late antiquity as it lives on in and with the present. Recasting the monumental changes that occurred between the second and fourth centuries, when Rome transitioned from pagan to Christian worship, Kotrosits presents a condensed and evocative meditation on the profound effects of Christian imperialism across time and geography. She employs a collection of forms ranging from micro-essay and vignette to poem and fragment to capture human struggles with time and change, showing how the mundane and intimate details of our lives can themselves be conduits of historical knowing. Arguing for lyricism as a method, Kotrosits reclaims vulnerability, urgency, and storytelling in historical work to model new ways of writing the past and experiencing ourselves more fully in time. Above all, After Transformation is about the ironies of the ways that history is written against the reality of the ways that history is lived.

This essay is an attempt to do an intellectual history, one of affect theory both within and without biblical studies, as an ecology of thought. It is an “archive of feelings,” a series of thematic portraits, and a description of the landscape of the field of biblical studies through a set of frictions and express discontentments with its legacies, as well as a set of meaningful encounters under its auspices. That landscape is recounted with a fully experiential map, intentionally relativizing those more dominant sources and traditional modes of doing intellectual history. Affect theory and biblical studies, it turns out, both might be described as implicitly, and ambivalently, theological. But biblical studies has not only typically refused explicit theologizing, it has also refused explicit affectivity, and so affect theory presents biblical studies with both its own losses and new and vital possibilities.