Malcolm Jones – författare

Manufacturing managers are still focused on the short-term tactical issues related to their business. Strategic issues tend to receive less attention. However, manufacturing can play an important strategic role. This book helps managers consider the strategic roles their operations can play and to provide guidance as to what actions can be taken.

The print repertoire of the 16th and 17th centuries in England has been neglected historically, and this remarkable book rectifies a major oversight in the history of English visual art. It provides an iconographic survey of the single-sheet prints produced during the early modern era and brings to light significant recent discoveries from this visual storehouse. It publishes many works for the first time, as well as placing them and those relatively few others known to specialists in their cultural context. This large body of material is treated broadly thematically, and within each theme, chronologically. Portents and prodigies, the formal moralities and doctrines of Christianity, the sects of Christianity, visual satire of foreigners and “others,” domestic political issues, social criticism and gender roles, marriage and sex, as well as numerical series and miscellaneous visual tricks, puzzles, and jokes, are all examined. The book concludes by considering the significance of this wealth of visual material for the cultural history of England in the early modern era.Published for the Paul Mellon Centre for Studies in British Art

For Malcolm Jones, his parents’ disintegrating marriage was at the center of life in North Carolina in the 1950s and 60s. His father, charming but careless, was often drunk and away from home; his mother, a schoolteacher and faded Southern belle, clung to the past and hungered for respectability. In Little Boy Lost, Jones—one of our most admired cultural observers—recalls a childhood in which this relationship played out against the larger cracks of society: the convulsions of desegregation and a popular culture that threatens the church-centered life of his family. He richly evokes a time and place with rare depth and candor, giving us the fundamental stories of a life—where he comes from, who he was, who he has become.

From the Trade Paperback edition.

This collection of essays was first published in 1978. They commemorate the 150th anniversary of Tolstoy's birth in 1828. The range in subject matter is great and includes a reconsideration of the problems of translating Tolstoy into English, fresh approaches to his major fiction (War and Peace and Anna Karenina), a study of an underrated later work (Hadji Murat) and reassessments of Tolstoy as a thinker. The final essay records an attempt to establish a 'Tolstoyan' colony at Purleigh during Tolstoy's own lifetime. There is also a bibliographical survey of British work on Tolstoy up until the 1970s. The whole collection was conceived as a specifically British contribution to the 150th anniversary celebrations. The book is illustrated with a number of little-known photographs of Tolstoy.

Manufacturing managers are still focused on the short-term tactical issues related to their business. Strategic issues tend to receive less attention. However, manufacturing can play an important strategic role. This book helps managers consider the strategic roles their operations can play and to provide guidance as to what actions can be taken.

Manufacturing managers are still focused on the short-term tactical issues related to their business. Strategic issues tend to receive less attention. However, manufacturing can play an important strategic role. This book helps managers consider the strategic roles their operations can play and to provide guidance as to what actions can be taken.

The Middle Ages are known as a god-fearing time, a time of hard work and of squalid living conditions for the majority of the population – or as a time of opulence that graced only the courts and halls of the reigning monarch. In The Secret Middle Ages, Malcolm Jones presents a completely fresh view of the medieval world that will blow all stereotypes out of the water.Using a wealth of little-known and recently discovered artefacts, and drawing particularly on humbler artworks, Jones paints a compelling picture of the visual environment of the great mass of ordinary people between 1200 and 1550. The picture that emerges is of a civilisation that is both like and unlike our own – one that teems with the richness of life and its contradictions. We find beliefs and traditions rendered memorable by the vivid, creative imagination and strong visual culture of the Middle Ages. Love, hatred, crime and punishment, proverbs, heaven on earth, husband-beating – all feature in the jewellery, tableware, illustrations, carvings and textiles of the period.A major reassessment of the high medieval period, this revised and updated edition of The Secret Middle Ages is essential reading for anyone curious about their ancestors. As Jones writes, gems and precious metals may dazzle the eye, but a pewter brooch – tawdry as it may appear – has the power to reveal far more of the real medieval world.

'Dostoevsky and the Dynamics of Religious Experience' deals with the religious dimension of the novelist’s life and fiction. The book is structured through six clearly defined and self-reliant essays that take into account past and current criticism and offers a close textual analysis on Dostoevsky's works, including 'The Double', 'Notes from Underground', 'Crime and Punishment', 'The Idiot', 'The Devils' and an in-depth study of 'The Brothers Karamazov'.

'Dostoevsky and the Dynamics of Religious Experience' deals with the religious dimension of the novelist’s life and fiction. The book is structured through six clearly defined and self-reliant essays that take into account past and current criticism and offers a close textual analysis on Dostoevsky's works, including 'The Double', 'Notes from Underground', 'Crime and Punishment', 'The Idiot', 'The Devils' and an in-depth study of 'The Brothers Karamazov'.

While acknowledging Dostoevsky’s personal commitment to the Russian Orthodox faith, Jones argues that it is possible to understand his fictional world only in terms of the interplay of a wide variety of religious experiences and outlooks, including affirmations of faith and expressions of radical doubt and unbelief, and a constant questioning of one by the other. In their neglect of its outward expressions, Dostoevsky’s novels seem to acknowledge that the Orthodox tradition has to die in order to be reborn in the light of the image of Christ and that, to use his own expression, the final ‘hosanna’ must pass through a ‘furnace of doubt’.