Indian American author Manil Suri grew up in a large crumbling apartment in Bombay (now Mumbai) which his parents, who were Hindu, shared with three Muslim families. Their single room, at times a refuge from the religious and territorial tensions pervading the apartment, was also a prison that held them captive—his parents stuck in an unhappy marriage, the author unable to explore the dawning realization he might be gay. At age 20, Suri managed to break free and come to the US, where he finally found the freedom to embrace his sexuality and find a life partner. But the room, which still held his parents hostage, kept wrenching him back to Bombay.By now real estate prices had risen so much that neighbors had begun conspiring to take over the room, causing Suri’s parents to dig in even more. Eventually it was only his mother, Prem, left, who had staked all her happiness on her son but was unable to escape the room’s hold on her. When a rash of mysterious incidents seemed to beset the room, Suri realized how little time he had left to convince Prem that a happier life might await beyond the four walls that both enthralled and imprisoned her.This remarkable, gripping memoir explores how an abode can shape destiny, while delving into the difficult question of how much to prioritize our parents’ happiness over our own. Inspired by over 2,700 letters the author wrote home over three decades, it is ultimately a testament to the abiding, unbreakable bond tying a son to his mother.

Our universe has multiple origin stories, from religious creation myths to the Big Bang of scientists. But if we leave those behind and start from nothing—no matter, no cosmos, not even empty space—could we create a universe using only math? Irreverent, richly illustrated, and boundlessly creative, The Big Bang of Numbers invites us to try.In this new mathematical origin story, mathematician and novelist Manil Suri creates a natural progression of ideas needed to design our world, starting with numbers and continuing through geometry, algebra, and beyond. He reveals the secret lives of real and imaginary numbers, teaches them to play abstract games with real-world applications, discovers unexpected patterns that connect humble lifeforms to enormous galaxies, and explores mathematical underpinnings for randomness and beauty. With evocative examples ranging from multidimensional crochet to the Mona Lisa’s asymmetrical smile, as well as ingenious storytelling that helps illuminate complex concepts like infinity and relativity, The Big Bang of Numbers charts a playful, inventive course to existence. Mathematics, Suri shows, might best be understood not as something we invent to explain Nature, but as the source of all creation, whose directives Nature tries to obey as best she can.Offering both striking new perspectives for math aficionados and an accessible introduction for anyone daunted by calculation, The Big Bang of Numbers proves that we can all fall in love with math.

At the opening of this masterful debut novel, Vishnu lies dying on the staircase he inhabits while his neighbors the Pathaks and the Asranis argue over who will pay for an ambulance. As the action spirals up through the floors of the apartment building we are pulled into the drama of the residents’ lives: Mr. Jalal’s obsessive search for higher meaning; Vinod Taneja’s longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious divisions of contemporary India, and Vishnu’s ascent of the staircase parallels the soul’s progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, we wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.

In Manil Suri’s debut novel, Vishnu, the odd-job man, lies dying on the staircase of an apartment building while around him unfold the lives of its inhabitants: warring housewives, lovesick teenagers, a grieving widower. In a fevered state, Vishnu looks back on his love affair with the seductive Padmini and wonders if he might actually be the god Vishnu, guardian of the entire universe.

Mumbai has emptied under the threat of imminent nuclear annihilation; gangs of marauding Hindu and Muslim thugs rove the desolate streets; yet Sarita can think of only one thing: buying the last pomegranate that remains in perhaps the entire city. She is convinced that the fruit holds the key to reuniting her with her physicist husband, Karun, who has been mysteriously missing for more than a fortnight.Searching for his own lover in the midst of this turmoil is Jaz—cocky, handsome, and glib. "The Jazter," as he calls himself, is Muslim, but his true religion has steadfastly been sex with men. Dodging danger at every step, both he and Sarita are inexorably drawn to Devi ma, the patron goddess who has reputedly appeared in person to save her city. What they find will alter their lives more fundamentally than any apocalypse to come.A wickedly comedic and fearlessly provocative portrayal of individuals balancing on the sharp edge of fate, The City of Devi brilliantly upends assumptions of politics, religion, and sex, and offers a terrifying yet exuberant glimpse of the end of the world.

Vishnu, the odd-job man in a Bombay apartment block, lies dying on the staircase landing. Around him the lives of the apartment dwellers unfold - the warring housewives on the first floor, the lovesick teenagers on the second, and the widower, alone and quietly grieving at the top of the building. In a fevered state Vishnu looks back on his love affair with the seductive Padmini and comedy becomes tragedy as his life draws to a close.

India, 1955. As the scars of Partition are beginning to heal, seventeen-year-old Meera sits enraptured: in the spotlight is Dev, singing a song so infused with passion that it arouses in her the first flush of erotic longing. But when Meera's reverie comes true, it does not lead to the fairy-tale marriage she imagined. Meera has no choice but to obey her in-laws, tolerate Dev's drunken night-time fumblings, even observe the most arduous of Hindu fasts for his longevity. A move to Bombay seems at first like a fresh start, but soon that dream turns to ashes. It is only when their son is born that things change and Meera is ready to unleash the passion she has suppressed for so long.

India, 1955. As the scars of Partition are beginning to heal, seventeen-year-old Meera sits enraptured: in the spotlight is Dev, singing a song so infused with passion that it arouses in her the first flush of erotic longing. But when Meera''s reverie comes true, it does not lead to the fairy-tale marriage she imagined. Meera has no choice but to obey her in-laws, tolerate Dev''s drunken night-time fumblings, even observe the most arduous of Hindu fasts for his longevity. A move to Bombay seems at first like a fresh start, but soon that dream turns to ashes. It is only when their son is born that things change and Meera is ready to unleash the passion she has suppressed for so long.

An enthralling virtuoso debut that eloquently captures the loves and losses of a dying man''All the elements of great storytelling are here, the mystic transports of Ben Okri with the intimate charm of Arundhati Roy ... enchanting'' Sunday Tribune''Beautifully captures with great tenderness and depth the eternal war between duty and desire. This is a love letter to Bombay and its people'' Sunday ExpressVishnu, the odd-job man in a Bombay apartment block, lies dying on the staircase landing. Around him the lives of the apartment dwellers unfold - the warring housewives on the first floor, the lovesick teenagers on the second, and the widower, alone and quietly grieving at the top of the building.In a fevered state Vishnu looks back on his love affair with the seductive Padmini and comedy becomes tragedy as his life draws to a close.

Armed only with a pomegranate, Sarita ventures into the empty streets of Mumbai, on the eve of its threatened nuclear annihilation. She is looking for her physicist husband Karun, who has been missing for over a fortnight. She is soon joined on her quest by Jaz - cocky, handsome, Muslim, gay, and in search of his own lover. Together they traverse the surreal landscape of a dystopia rife with absurdity, and are inexorably drawn to the patron goddess Devi ma, the supposed saviour of the city. Groundbreaking and multilayered, The City of Devi is a fearlessly provocative tale of three individuals balancing on the sharp edge of fate.

A dystopia like no other, Manil Suri paints a vibrant portrait of an India on the brink of collapse, two figures travelling across the unknown in a world scarily close to the modern day'This vividly imagined book about personal and national destruction – and the possibilities of salvation – lingers long after the final page, showing how it is loss that teaches the value of what is most loved' Anita Sethi, Independent'Consuming, passionate, and ultimately poignant' GuardianArmed only with a pomegranate, Sarita ventures into the empty streets of Mumbai, on the eve of its threatened nuclear annihilation. She is looking for her physicist husband Karun, who has been missing for over a fortnight.She is soon joined on her quest by Jaz - cocky, handsome, Muslim, gay, and in search of his own lover. Together they traverse the surreal landscape of a dystopia rife with absurdity, and are inexorably drawn to the patron goddess Devi ma, the supposed saviour of the city.Groundbreaking and multilayered, The City of Devi is a fearlessly provocative tale of three individuals balancing on the sharp edge of fate.

'Who knew numbers could be so charming? ... Suri takes us on a light-hearted journey all the way from nothing (zero) to infinity' Karen Joy Fowler, New York Times bestselling author of We Are All Completely Beside OurselvesOur universe has multiple origin stories, from religious creation myths to the Big Bang of scientists. But if we leave those behind and start from nothing – no matter, no cosmos, not even empty space – could we create a universe using only maths?In this new mathematical origin story, mathematician and award-winning novelist Manil Suri creates a natural progression of ideas needed to design our world, starting with numbers and continuing through geometry, algebra, and beyond. With evocative and engaging examples ranging from multidimensional crochet to the Mona Lisa’s asymmetrical smile, as well as ingenious storytelling that helps illuminate complex concepts like infinity and relativity, The Big Bang of Numbers charts a playful, inventive course to existence.Distilled from almost four decades of teaching experience, and offering both striking new perspectives for maths aficionados and an accessible introduction for enthusiastic novices, The Big Bang of Numbers proves that we can all fall in love with maths.

Mumbai has emptied under the threat of imminent nuclear annihilation; gangs of marauding Hindu and Muslim thugs rove the desolate streets; yet Sarita can think of only one thing: buying the last pomegranate that remains in perhaps the entire city. She is convinced that the fruit holds the key to reuniting her with her physicist husband, Karun, who has been mysteriously missing for more than a fortnight.Searching for his own lover in the midst of this turmoil is Jaz—cocky, handsome, and glib. "The Jazter," as he calls himself, is Muslim, but his true religion has steadfastly been sex with men. Dodging danger at every step, both he and Sarita are inexorably drawn to Devi ma, the patron goddess who has reputedly appeared in person to save her city. What they find will alter their lives more fundamentally than any apocalypse to come.A wickedly comedic and fearlessly provocative portrayal of individuals balancing on the sharp edge of fate, The City of Devi brilliantly upends assumptions of politics, religion, and sex, and offers a terrifying yet exuberant glimpse of the end of the world.

Indian American author Manil Suri grew up in a large crumbling apartment in Bombay (now Mumbai) which his parents, who were Hindu, shared with three Muslim families. Their single room, at times a refuge from the religious and territorial tensions pervading the apartment, was also a prison that held them captive—his parents stuck in an unhappy marriage, the author unable to explore the dawning realization he might be gay. At age 20, Suri managed to break free and come to the US, where he finally found the freedom to embrace his sexuality and find a life partner. But the room, which still held his parents hostage, kept wrenching him back to Bombay.By now real estate prices had risen so much that neighbors had begun conspiring to take over the room, causing Suri’s parents to dig in even more. Eventually it was only his mother, Prem, left, who had staked all her happiness on her son but was unable to escape the room’s hold on her. When a rash of mysterious incidents seemed to beset the room, Suri realized how little time he had left to convince Prem that a happier life might await beyond the four walls that both enthralled and imprisoned her.This remarkable, gripping memoir explores how an abode can shape destiny, while delving into the difficult question of how much to prioritize our parents’ happiness over our own. Inspired by over 2,700 letters the author wrote home over three decades, it is ultimately a testament to the abiding, unbreakable bond tying a son to his mother.

Our universe has multiple origin stories, from religious creation myths to the Big Bang of scientists. But if we leave those behind and start from nothing—no matter, no cosmos, not even empty space—could we create a universe using only math? Irreverent, richly illustrated, and boundlessly creative, The Big Bang of Numbers invites us to try.In this new mathematical origin story, mathematician and novelist Manil Suri creates a natural progression of ideas needed to design our world, starting with numbers and continuing through geometry, algebra, and beyond. He reveals the secret lives of real and imaginary numbers, teaches them to play abstract games with real-world applications, discovers unexpected patterns that connect humble lifeforms to enormous galaxies, and explores mathematical underpinnings for randomness and beauty. With evocative examples ranging from multidimensional crochet to the Mona Lisa’s asymmetrical smile, as well as ingenious storytelling that helps illuminate complex concepts like infinity and relativity, The Big Bang of Numbers charts a playful, inventive course to existence. Mathematics, Suri shows, might best be understood not as something we invent to explain Nature, but as the source of all creation, whose directives Nature tries to obey as best she can.Offering both striking new perspectives for math aficionados and an accessible introduction for anyone daunted by calculation, The Big Bang of Numbers proves that we can all fall in love with math.

At the opening of this masterful debut novel, Vishnu lies dying on the staircase he inhabits while his neighbors the Pathaks and the Asranis argue over who will pay for an ambulance. As the action spirals up through the floors of the apartment building we are pulled into the drama of the residents’ lives: Mr. Jalal’s obsessive search for higher meaning; Vinod Taneja’s longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious divisions of contemporary India, and Vishnu’s ascent of the staircase parallels the soul’s progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, we wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.

In Manil Suri’s debut novel, Vishnu, the odd-job man, lies dying on the staircase of an apartment building while around him unfold the lives of its inhabitants: warring housewives, lovesick teenagers, a grieving widower. In a fevered state, Vishnu looks back on his love affair with the seductive Padmini and wonders if he might actually be the god Vishnu, guardian of the entire universe.

Mumbai has emptied under the threat of imminent nuclear annihilation; gangs of marauding Hindu and Muslim thugs rove the desolate streets; yet Sarita can think of only one thing: buying the last pomegranate that remains in perhaps the entire city. She is convinced that the fruit holds the key to reuniting her with her physicist husband, Karun, who has been mysteriously missing for more than a fortnight.Searching for his own lover in the midst of this turmoil is Jaz—cocky, handsome, and glib. "The Jazter," as he calls himself, is Muslim, but his true religion has steadfastly been sex with men. Dodging danger at every step, both he and Sarita are inexorably drawn to Devi ma, the patron goddess who has reputedly appeared in person to save her city. What they find will alter their lives more fundamentally than any apocalypse to come.A wickedly comedic and fearlessly provocative portrayal of individuals balancing on the sharp edge of fate, The City of Devi brilliantly upends assumptions of politics, religion, and sex, and offers a terrifying yet exuberant glimpse of the end of the world.

Vishnu, the odd-job man in a Bombay apartment block, lies dying on the staircase landing. Around him the lives of the apartment dwellers unfold - the warring housewives on the first floor, the lovesick teenagers on the second, and the widower, alone and quietly grieving at the top of the building. In a fevered state Vishnu looks back on his love affair with the seductive Padmini and comedy becomes tragedy as his life draws to a close.

India, 1955. As the scars of Partition are beginning to heal, seventeen-year-old Meera sits enraptured: in the spotlight is Dev, singing a song so infused with passion that it arouses in her the first flush of erotic longing. But when Meera's reverie comes true, it does not lead to the fairy-tale marriage she imagined. Meera has no choice but to obey her in-laws, tolerate Dev's drunken night-time fumblings, even observe the most arduous of Hindu fasts for his longevity. A move to Bombay seems at first like a fresh start, but soon that dream turns to ashes. It is only when their son is born that things change and Meera is ready to unleash the passion she has suppressed for so long.

India, 1955. As the scars of Partition are beginning to heal, seventeen-year-old Meera sits enraptured: in the spotlight is Dev, singing a song so infused with passion that it arouses in her the first flush of erotic longing. But when Meera''s reverie comes true, it does not lead to the fairy-tale marriage she imagined. Meera has no choice but to obey her in-laws, tolerate Dev''s drunken night-time fumblings, even observe the most arduous of Hindu fasts for his longevity. A move to Bombay seems at first like a fresh start, but soon that dream turns to ashes. It is only when their son is born that things change and Meera is ready to unleash the passion she has suppressed for so long.

An enthralling virtuoso debut that eloquently captures the loves and losses of a dying man''All the elements of great storytelling are here, the mystic transports of Ben Okri with the intimate charm of Arundhati Roy ... enchanting'' Sunday Tribune''Beautifully captures with great tenderness and depth the eternal war between duty and desire. This is a love letter to Bombay and its people'' Sunday ExpressVishnu, the odd-job man in a Bombay apartment block, lies dying on the staircase landing. Around him the lives of the apartment dwellers unfold - the warring housewives on the first floor, the lovesick teenagers on the second, and the widower, alone and quietly grieving at the top of the building.In a fevered state Vishnu looks back on his love affair with the seductive Padmini and comedy becomes tragedy as his life draws to a close.

Armed only with a pomegranate, Sarita ventures into the empty streets of Mumbai, on the eve of its threatened nuclear annihilation. She is looking for her physicist husband Karun, who has been missing for over a fortnight. She is soon joined on her quest by Jaz - cocky, handsome, Muslim, gay, and in search of his own lover. Together they traverse the surreal landscape of a dystopia rife with absurdity, and are inexorably drawn to the patron goddess Devi ma, the supposed saviour of the city. Groundbreaking and multilayered, The City of Devi is a fearlessly provocative tale of three individuals balancing on the sharp edge of fate.

A dystopia like no other, Manil Suri paints a vibrant portrait of an India on the brink of collapse, two figures travelling across the unknown in a world scarily close to the modern day'This vividly imagined book about personal and national destruction – and the possibilities of salvation – lingers long after the final page, showing how it is loss that teaches the value of what is most loved' Anita Sethi, Independent'Consuming, passionate, and ultimately poignant' GuardianArmed only with a pomegranate, Sarita ventures into the empty streets of Mumbai, on the eve of its threatened nuclear annihilation. She is looking for her physicist husband Karun, who has been missing for over a fortnight.She is soon joined on her quest by Jaz - cocky, handsome, Muslim, gay, and in search of his own lover. Together they traverse the surreal landscape of a dystopia rife with absurdity, and are inexorably drawn to the patron goddess Devi ma, the supposed saviour of the city.Groundbreaking and multilayered, The City of Devi is a fearlessly provocative tale of three individuals balancing on the sharp edge of fate.

'Who knew numbers could be so charming? ... Suri takes us on a light-hearted journey all the way from nothing (zero) to infinity' Karen Joy Fowler, New York Times bestselling author of We Are All Completely Beside OurselvesOur universe has multiple origin stories, from religious creation myths to the Big Bang of scientists. But if we leave those behind and start from nothing – no matter, no cosmos, not even empty space – could we create a universe using only maths?In this new mathematical origin story, mathematician and award-winning novelist Manil Suri creates a natural progression of ideas needed to design our world, starting with numbers and continuing through geometry, algebra, and beyond. With evocative and engaging examples ranging from multidimensional crochet to the Mona Lisa’s asymmetrical smile, as well as ingenious storytelling that helps illuminate complex concepts like infinity and relativity, The Big Bang of Numbers charts a playful, inventive course to existence.Distilled from almost four decades of teaching experience, and offering both striking new perspectives for maths aficionados and an accessible introduction for enthusiastic novices, The Big Bang of Numbers proves that we can all fall in love with maths.

Mumbai has emptied under the threat of imminent nuclear annihilation; gangs of marauding Hindu and Muslim thugs rove the desolate streets; yet Sarita can think of only one thing: buying the last pomegranate that remains in perhaps the entire city. She is convinced that the fruit holds the key to reuniting her with her physicist husband, Karun, who has been mysteriously missing for more than a fortnight.Searching for his own lover in the midst of this turmoil is Jaz—cocky, handsome, and glib. "The Jazter," as he calls himself, is Muslim, but his true religion has steadfastly been sex with men. Dodging danger at every step, both he and Sarita are inexorably drawn to Devi ma, the patron goddess who has reputedly appeared in person to save her city. What they find will alter their lives more fundamentally than any apocalypse to come.A wickedly comedic and fearlessly provocative portrayal of individuals balancing on the sharp edge of fate, The City of Devi brilliantly upends assumptions of politics, religion, and sex, and offers a terrifying yet exuberant glimpse of the end of the world.