Manuel Peña – författare

The Mexican American orquesta is neither a Mexican nor an American music. Relying on both the Mexican orquesta and the American dance band for repertorial and stylistic cues, it forges a synthesis of the two. The ensemble emerges historically as a powerful artistic vehicle for the expression of what Manuel PeÑa calls the "dialectic of conflict." Grounded in ethnic and class conflict, this dialectic compels the orquesta and its upwardly mobile advocates to waver between acculturation and ethnic resistance. The musical result: a complex mesh of cultural elements-Mexican and American, working- and middle-class, traditional and contemporary. In this book, Manuel PeÑa traces the evolution of the orquesta in the Southwest from its beginnings in the nineteenth century through its pinnacle in the 1970s and its decline since the 1980s. Drawing on fifteen years of field research, he embeds the development of the orquesta within a historical-materialist matrix to achieve the optimal balance between description and interpretation. Rich in ethnographic detail and boldly analytical, his book is the first in-depth study of this important but neglected field of artistic culture.

Around 1930, a highly popular and distinctive type of accordion music, commonly known as conjunto, emerged among Texas-Mexicans. Manuel PeÑa's The Texas-Mexican Con;unto is the first comprehensive study of this unique folk style. The author's exhaustive fieldwork and personal interviews with performers, disc jockeys, dance promoters, recording company owners, and conjunto music lovers provide the crucial connection between an analysis of the music itself and the richness of the culture from which it sprang. Using an approach that integrates musicological, historical, and sociological methods of analysis, PeÑa traces the development of the conjunto from its tentative beginnings to its preeminence as a full-blown style by the early 1960s. Biographical sketches of such major early performers as Narciso MartÍnez (El HuracÁn del Valle), Santiago JimÉnez (El Flaco), Pedro Ayala, Valerio Longoria, Tony de la Rosa, and Paulino Bernal, along with detailed transcriptions of representative compositions, illustrate the various phases of conjunto evolution. PeÑa also probes the vital connection between conjunto's emergence as a powerful symbolic expression and the transformation of Texas-Mexican society from a pre-industrial folk group to a community with increasingly divergent socioeconomic classes and ideologies. Of concern throughout the study is the interplay between ethnicity, class, and culture, and PeÑa's use of methods and theories from a variety of scholarly disciplines enables him to tell the story of conjunto in a manner both engaging and enlightening. This important study will be of interest to all students of Mexican American culture, ethnomusicology, and folklore.

Where the Ox Does Not Plow, an autobiographical ethnography, consists of twenty-six life episodes that chronicle Manuel Peña's transformative journey from an impoverished migrant worker to a career in academia. Inspired by his experiences and those of the people around him in Texas and California, Peña reflects on a wide range of issues arising from the historically-marginalized condition of Mexicans and other Latinos in the United States. The narrative will engage readers with a broad range of human experiences, from race relations and economic exploitation to the intimacy of familial and romantic love.

Traces the history of musica tejana from the fandangos and bailes of the nineteenth century through the cancion ranchera and the politically informed.

American Mythologies examines eleven myths that form part of the storehouse of present-day American mythologies, elucidating the nature of contemporary myths by investigating their ideological sub-terrain. Grounded in a semiological approach, which explores the displacement of information and the transformation of signs that characterise mythic communication, this book sheds light on the socio-economic, gendered, national and racial interests that lie behind myth-making. Presenting rich case studies from popular culture and public discourse, it demonstrates the manner in which these myths, and American mythology in general, promote the core values of everyday life under capitalism: rugged individualism, the unfettered right to accumulate wealth, the superior moral character of free-enterprise democracy, and its abundant opportunities for every citizen. By the same token, that same mythology negates the corruption endemic to the capitalist social order, an order that also promotes inescapable class, racial, and gender inequalities which confine the majority of Americans to a life of constant economic struggle. A fresh critique of the foundations of American culture, American Mythologies will appeal to those with interests in sociology, social and cultural theory, and cultural and media studies.

American Mythologies examines eleven myths that form part of the storehouse of present-day American mythologies, elucidating the nature of contemporary myths by investigating their ideological sub-terrain. Grounded in a semiological approach, which explores the displacement of information and the transformation of signs that characterise mythic communication, this book sheds light on the socio-economic, gendered, national and racial interests that lie behind myth-making. Presenting rich case studies from popular culture and public discourse, it demonstrates the manner in which these myths, and American mythology in general, promote the core values of everyday life under capitalism: rugged individualism, the unfettered right to accumulate wealth, the superior moral character of free-enterprise democracy, and its abundant opportunities for every citizen. By the same token, that same mythology negates the corruption endemic to the capitalist social order, an order that also promotes inescapable class, racial, and gender inequalities which confine the majority of Americans to a life of constant economic struggle. A fresh critique of the foundations of American culture, American Mythologies will appeal to those with interests in sociology, social and cultural theory, and cultural and media studies.

En la Espana de los siglos XVI y XVII, los autores y las autoridades inquisitoriales, eclesiasticas y civiles intentaron fijar la correcta interpretacion de los textos impresos, manuscritos o expuestos publicamente. Pero ni el discurso censorio de la Inquisicion fue univoco ni existio una perfecta sintonia entre la teoria y la praxis. Entre la norma y la transgresion se fraguaron diversas logicas de la razon ajenas a la supuesta intencionalidad ortodoxa de censores y autores, se difundieron nuevas y diversas formas de censuras desde la autoridad ultima del lector, y, constantemente, se negociaron entre los profesionales del libro y los ministros inquisitoriales los limites tolerados por el Santo Oficio.

Las clases de historia en el internado Javier Francisco Cangas de Onís jamás fueron las mismas desde la llegada del profesor Ponsot. Él conoce la historia de la casona desde que fue construida por un inmigrante español, que vino con su familia al Nuevo Mundo, y dio inicio a una linda historia de amor.