Mara Davis Johnson – författare
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5 produkter
5 produkter
Häftad, Engelska, 2025
646 kr
Skickas inom 10-15 vardagar
Australian Musical Theatre: Never Been Better? is the first sustained scholarly analysis of the Australian musical in the twenty-first century. In the past, the Australian musical has been much maligned: plagued by the sceptre of ‘The Great Australian Musical’ and dogged by recurring concerns about the content and quality of the genre. In this book, Mara Davis Johnson assesses these concerns and argues that they are unfounded.Through detailed analysis of six musicals, she showcases the breadth and diversity of contemporary Australian musical theatre productions. The book demonstrates how these performances stage a repertory of tropes, characters, places, stories, fixations, and myths that produce a national imaginary for Australia. Methodologically, the book takes a holistic and multi-disciplinary approach that honours the hybrid nature of the musical and its broad cultural appeal.This makes for an accessible, wide-ranging discussion that will appeal to scholars in diverse fields. The book will be an essential resource for scholars and students of musical theatre, theatre and performance studies, and Australian cultural studies and history.
Inbunden, Engelska, 2025
2 506 kr
Skickas inom 10-15 vardagar
Australian Musical Theatre: Never Been Better? is the first sustained scholarly analysis of the Australian musical in the twenty-first century. In the past, the Australian musical has been much maligned: plagued by the sceptre of ‘The Great Australian Musical’ and dogged by recurring concerns about the content and quality of the genre. In this book, Mara Davis Johnson assesses these concerns and argues that they are unfounded.Through detailed analysis of six musicals, she showcases the breadth and diversity of contemporary Australian musical theatre productions. The book demonstrates how these performances stage a repertory of tropes, characters, places, stories, fixations, and myths that produce a national imaginary for Australia. Methodologically, the book takes a holistic and multi-disciplinary approach that honours the hybrid nature of the musical and its broad cultural appeal.This makes for an accessible, wide-ranging discussion that will appeal to scholars in diverse fields. The book will be an essential resource for scholars and students of musical theatre, theatre and performance studies, and Australian cultural studies and history.
E-bok
PDF, Engelska, 2025693 kr
Läs direkt efter köp
Australian Musical Theatre: Never Been Better? is the first sustained scholarly analysis of the Australian musical in the twenty-first century. In the past, the Australian musical has been much maligned: plagued by the sceptre of 'The Great Australian Musical' and dogged by recurring concerns about the content and quality of the genre. In this book, Mara Davis Johnson assesses these concerns and argues that they are unfounded.Through detailed analysis of six musicals, she showcases the breadth and diversity of contemporary Australian musical theatre productions. The book demonstrates how these performances stage a repertory of tropes, characters, places, stories, fixations, and myths that produce a national imaginary for Australia. Methodologically, the book takes a holistic and multi-disciplinary approach that honours the hybrid nature of the musical and its broad cultural appeal.This makes for an accessible, wide-ranging discussion that will appeal to scholars in diverse fields. The book will be an essential resource for scholars and students of musical theatre, theatre and performance studies, and Australian cultural studies and history.
E-bok
Engelska, 2025693 kr
Läs direkt efter köp
Australian Musical Theatre: Never Been Better? is the first sustained scholarly analysis of the Australian musical in the twenty-first century. In the past, the Australian musical has been much maligned: plagued by the sceptre of 'The Great Australian Musical' and dogged by recurring concerns about the content and quality of the genre. In this book, Mara Davis Johnson assesses these concerns and argues that they are unfounded.Through detailed analysis of six musicals, she showcases the breadth and diversity of contemporary Australian musical theatre productions. The book demonstrates how these performances stage a repertory of tropes, characters, places, stories, fixations, and myths that produce a national imaginary for Australia. Methodologically, the book takes a holistic and multi-disciplinary approach that honours the hybrid nature of the musical and its broad cultural appeal.This makes for an accessible, wide-ranging discussion that will appeal to scholars in diverse fields. The book will be an essential resource for scholars and students of musical theatre, theatre and performance studies, and Australian cultural studies and history.
Inbunden, Engelska, 2027
850 kr
Kommande
An investigation of how artists use data in creating performance and how data is visualised in researching performance.[ST1] Artists and scholars now use data in creative ways to make and investigate theatre and performance while critiquing the power relations inherent in data collection, analysis, and visualisation. This book brings together artists who use data to create performance with researchers who visualise data about performance. Each chapter is organised around a key idea about data as performance, dramaturgy, documentation, flow, and genealogy. They use a range of case studies from around the globe, including the Builders’ Association’s I Agree to the Terms (2022),The Haka Party Incident (2022) by Katie Wolfe in Aotearoa, Rimini Protokoll’s 100% City series (since 2008), Catalogue by Rawcus in Melbourne (2013), and Algorithmen by Turbo Pascal in Germany (2014), among many others.Demonstrating how live performance embodies data for social critique and improved data literacy, this book illuminates how artists generate data through dramaturgical processes. It also explains how sharing information about performance within a database enables broader investigations of touring patterns, long-term programming, and lines of influence between artists. Examples of data considered within this book include: play scripts, publicity material, videos and images of performance, live performing arts databases, geographical locations of performance venues, and networks of production cast and crew. By interweaving digital methods with creative research, this appeals to those looking for creative ways to engage with data and performance, and provides an accessible and engaging guide to working with performance data in digital cultures for artists, students, curators, and researchers.