Marc Kristal – författare

'How wonderful that one of those exciting and innovative women artists of the 60s should be recovered and celebrated in this way.'– JULIE CHRISTIE'Brings the British pop artist, Pauline Boty, into vivid focus' - VANITY FAIRPauline Boty (1938 –1966) was a founding member of the British Pop Art movement and one of its very few women. She attended London’s Royal College of Art at a watershed moment when its students included David Hockney,Peter Blake, R.B. Kitaj and Allen Jones. Dying tragically young at the age of 28, she is now seen as central to British Pop Art and an icon of Sixties culture.As well as her work as an artist, she appeared on the stage, TV and in film (including alongside Michael Caine in Alfie) and was a regular contributor on BBC radio. She was photographed by David Bailey and other society photographers and became a key player in 1960s London’s golden age.Outspoken, provocative and charismatic, she refused to accept the oppositions between sexual woman and serious artist, between celebration and critique, between high and low culture. Observer and participant, feminist and hedonist, subject and object, Boty’s ‘double vision’ was decades ahead of its time, and prefigured a diversity of artists—everyone from Cindy Sherman to Madonna.Having been largely forgotten after her death, her reputation has been growing steadily since the rediscovery and exhibition of her works in the early 1990s. As well as cropping up regularly in various books, documentaries and newspaper articles since then, she features as a central character in Ali Smith’s novel Autumn (2016) and one of her works sold for $1.4m at auction in June 2022.After seeing her work at an auction in 2013, author Marc Kristal has spent almost ten years researching her life, interviewing the people who knew her and delving into archives and libraries.  This is the definitive biography of her life and work, appealing to both those interested in art but in this creative period of British culture.

'How wonderful that one of those exciting and innovative women artists of the 60s should be recovered and celebrated in this way.'– JULIE CHRISTIE'Brings the British pop artist, Pauline Boty, into vivid focus' - VANITY FAIRPauline Boty (1938 –1966) was a founding member of the British Pop Art movement and one of its very few women. She attended London’s Royal College of Art at a watershed moment when its students included David Hockney,Peter Blake, R.B. Kitaj and Allen Jones. Dying tragically young at the age of 28, she is now seen as central to British Pop Art and an icon of Sixties culture.As well as her work as an artist, she appeared on the stage, TV and in film (including alongside Michael Caine in Alfie) and was a regular contributor on BBC radio. She was photographed by David Bailey and other society photographers and became a key player in 1960s London’s golden age.Outspoken, provocative and charismatic, she refused to accept the oppositions between sexual woman and serious artist, between celebration and critique, between high and low culture. Observer and participant, feminist and hedonist, subject and object, Boty’s ‘double vision’ was decades ahead of its time, and prefigured a diversity of artists—everyone from Cindy Sherman to Madonna.Having been largely forgotten after her death, her reputation has been growing steadily since the rediscovery and exhibition of her works in the early 1990s. As well as cropping up regularly in various books, documentaries and newspaper articles since then, she features as a central character in Ali Smith’s novel Autumn (2016) and one of her works sold for $1.4m at auction in June 2022.After seeing her work at an auction in 2013, author Marc Kristal has spent almost ten years researching her life, interviewing the people who knew her and delving into archives and libraries.  This is the definitive biography of her life and work, appealing to both those interested in art but in this creative period of British culture.

Accented with detailed maps of renowned interior designer Tom Stringer's extensive travels, this beautifully compiled monograph takes the reader on an immersive journey around the world and back again through the interiors of his eponymous firm's finest residential projects. Stringer's design approach is externally inspired and internally driven, largely informed by his great life passion: travel. His love of adventure resonates throughout this book; on each page, one sees how this remarkable designer's imagination is simultaneously both rooted in the classics and expanded into innovative layers of colours, textures, cultures, and function.Revealed through his personal history and influences, Stringer shares how he uses magical discoveries made on his global travels to create the most special living environments that are true to his clients own personalities and passions. He describes the design process as a voyage of discovering the distinctive narrative of each client and home, connecting them with a sense of wonder and the communal spirit of their space. Stringer's unique approach to visual storytelling is encapsulated in the unique interiors of the residential projects highlighted here.

The Language of Home offers a unique glimpse into the creative partnership of Will Meyer and Gray Davis, cofounders of the globally recognised architecture and design firm known for shaping award-winning residential and hospitality spaces. This curated selection of Meyer Davis’s residential projects spans city penthouses, lakeside retreats, coastal sanctuaries, a Mexican villa, and a luxury yacht—each one reflecting intimacy, elegance, and individuality. The narrative explores the art of design, the joy of collaboration, and the ways personal context shapes the work. As each project unfolds, readers are invited into the world of Meyer Davis, where bold gestures are tempered by careful refinement, revealing a rhythm inherent to the practice: layered, collaborative, and alive. Richly illustrated with photography, sketches, and material boards, The Language of Home is both a showcase of design excellence and an inside perspective into the work of two of today’s most influential voices in contemporary architecture.

The New Old House presents 18 private historic homes, from North America to Europe, and traces the ingenious ways architects have revitalized and refreshed them for a new generation.  Most of the renovations occurred in the last decade, but all of the homes have origins reaching back into the past, in some cases hundreds of years. Projects and firms featured include Greenwich House, Allan Greenberg; Longbranch, Jim Olson; Astley Castle, Witherford Watson Mann; Hunsett Mill, Acme; Cotswolds House, Richard Found; plus more than a dozen others. These projects address such timely factors as sustainability, multiculturalism, preservation, and style, and demonstrate the unique beauty and elegance that comes from the interweaving of modernity and history.