Marc Mierowsky - Böcker
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3 produkter
3 produkter
Spy Amongst Us
Daniel Defoe's Secret Service and the Plot to End Scottish Independence
Inbunden, Engelska, 2026
298 kr
Skickas inom 5-8 vardagar
The true story of Daniel Defoe and the dirty tricks which helped bring Scotland into union with England In 1706, Edinburgh was on the brink of a popular uprising. Men and women took to the streets to protest the planned union with England, fearing the end of Scottish sovereignty. But unbeknownst to the mob, a spy was in their midst—the English writer Daniel Defoe, now bankrupt and thrice pilloried, had turned a government agent. Marc Mierowsky tells the dramatic story of Defoe and his fellow spies as they sabotaged the Scottish independence movement from the inside. Together they disseminated propaganda and built a network of operatives from London to the upper Highlands, providing the English government with up-to-the-minute intelligence and monitoring its adversaries’ every move. Through the lives of Defoe and his ring, their handlers, and opponents, Mierowsky guides us through this shadowy underworld of espionage and propaganda—revealing a disturbing and distinctly modern political campaign.
269 kr
Skickas inom 7-10 vardagar
This is an Element book about stand-up comedy and public speech. It focuses on the controversies generated when the distinction between the two breaks down, when stand-up enters – or is pushed – into the public sphere and is interpreted according to the scripts that govern popular political and media rhetoric rather than the traditional generic conventions of comic performance. These controversies raise a larger set of questions about the comedian's public role. They draw attention to the intention of jokes and their effects in the world. And they force us to consider how the limits of comic performance – what can be said, by whom, and why – respond to, and can reshape, public discourse across changing media contexts.
865 kr
Skickas inom 7-10 vardagar
This is an Element book about stand-up comedy and public speech. It focuses on the controversies generated when the distinction between the two breaks down, when stand-up enters – or is pushed – into the public sphere and is interpreted according to the scripts that govern popular political and media rhetoric rather than the traditional generic conventions of comic performance. These controversies raise a larger set of questions about the comedian's public role. They draw attention to the intention of jokes and their effects in the world. And they force us to consider how the limits of comic performance – what can be said, by whom, and why – respond to, and can reshape, public discourse across changing media contexts.