Marc Robinson – författare

In this brilliant study, Marc Robinson explores more than two hundred years of plays, styles, and stagings of American theater. Mapping the changing cultural landscape from the late eighteenth century to the start of the twenty-first, he explores how theater has—and has not—changed and offers close readings of plays by O’Neill, Stein, Wilder, Miller, and Albee, as well as by important but perhaps lesser known dramatists such as Wallace Stevens, Jean Toomer, Djuna Barnes, and many others. Robinson reads each work in an ambitiously interdisciplinary context, linking advances in theater to developments in American literature, dance, and visual art. The author is particularly attentive to the continuities in American drama, and expertly teases out recurring themes, such as the significance of visuality. He avoids neatly categorizing nineteenth- and twentieth-century plays and depicts a theater more restive and mercurial than has been recognized before. Robinson proves both a fascinating and thought-provoking critic and a spirited guide to the history of American drama.

Playwright and actor David Greenspan has been a leading figure in Manhattan''s downtown performance scene for over twenty years. His numerous accolades include a Guggenheim fellowship and four Obie Awards for his acting and writing, and most recently a fifth Obie for Sustained Achievement. Tony Kushner once declared Greenspan "probably all-around the most talented theater artist of my generation," and the New York Times has called his performances "irresistible." The Myopia and Other Playsbrings together five of Greenspan''s most important works, accompanied by a critical introduction and new interview with the playwright.

Greenspan''s work---often semiautobiographical, always psychologically intense---deals with issues of memory, family, doubt, and sexuality. The plays in this collection take particular interest in the motivations for erotic and aesthetic expression, forces inextricably linked in Greenspan''s world. Critic and scholar Marc Robinson''s informative introduction and lively interview with Greenspan further increase the collection''s appeal to lovers of inventive playwriting, as well as students and scholars in the fields of Performance Studies, English, American Studies, and LGBT Studies.

Playwright and actor David Greenspan has been a leading figure in Manhattan's downtown performance scene for over twenty years. His numerous accolades include a Guggenheim fellowship and four Obie Awards for his acting and writing, and most recently a fifth Obie for Sustained Achievement. Tony Kushner once declared Greenspan "probably all-around the most talented theater artist of my generation," and the New York Times has called his performances "irresistible." The Myopia and Other Plays brings together five of Greenspan's most important works, accompanied by a critical introduction and new interview with the playwright.Greenspan's work---often semiautobiographical, always psychologically intense---deals with issues of memory, family, doubt, and sexuality. The plays in this collection take particular interest in the motivations for erotic and aesthetic expression, forces inextricably linked in Greenspan's world. Critic and scholar Marc Robinson's informative introduction and lively interview with Greenspan further increase the collection's appeal to lovers of inventive playwriting, as well as students and scholars in the fields of Performance Studies, English, American Studies, and LGBT Studies.

1976 was a febrile, transitional year in cultural history, coming after Watergate and Vietnam and before the AIDS epidemic and the rise of the Conservative movement. Bicentennial triumphalism sounded dissonant against a violent past and uncertain future. Marc Robinson here explores how innovative artists across disciplines - drama, dance, music, film, visual art - responded to this period, before zeroing in on avant-garde theater. Over 1976, five landmark productions could be seen within months of one another: Cecil Taylor's A Rat's Mass / Procession in Shout, Meredith Monk's Quarry, the Robert Wilson / Philip Glass opera Einstein on the Beach, Joseph Chaikin's production of Adrienne Kennedy's A Movie Star Has to Star in Black and White, and, finally, the Wooster Group's first open rehearsal of Spalding Gray and Elizabeth LeCompte's Rumstick Road. In close readings of these five works, Robinson reveals the poetics of a transformative moment in American culture.

1976 was a febrile, transitional year in cultural history, coming after Watergate and Vietnam and before the AIDS epidemic and the rise of the Conservative movement. Bicentennial triumphalism sounded dissonant against a violent past and uncertain future. Marc Robinson here explores how innovative artists across disciplines - drama, dance, music, film, visual art - responded to this period, before zeroing in on avant-garde theater. Over 1976, five landmark productions could be seen within months of one another: Cecil Taylor's A Rat's Mass / Procession in Shout, Meredith Monk's Quarry, the Robert Wilson / Philip Glass opera Einstein on the Beach, Joseph Chaikin's production of Adrienne Kennedy's A Movie Star Has to Star in Black and White, and, finally, the Wooster Group's first open rehearsal of Spalding Gray and Elizabeth LeCompte's Rumstick Road. In close readings of these five works, Robinson reveals the poetics of a transformative moment in American culture.