Marcel Kurpershoek – författare

Poems and tales of a literary forefather of the United Arab EmiratesLove, Death, Fame features the poetry of al-Māyidī ibn Ẓāhir, who has been embraced as the earliest poet in what would later become the United Arab Emirates. Although little is known about his life, he is the subject of a sizeable body of folk legend and is thought to have lived in the seventeenth century, in the area now called the Emirates. The tales included in Love, Death, Fame portray him as a witty, resourceful, scruffy poet, at times combative and at times kindhearted.His poetry primarily features verses of wisdom and romance, with scenes of clouds and rain, desert migrations, seafaring, and pearl diving. Like Arabian Romantic and Arabian Satire, this collection is a prime example of Nabaṭī poetry, combining vernacular language of the Arabian Peninsula with archaic vocabulary and images dating to Arabic poetry's very origins. Distinguished by Ibn Ẓāhir's unique voice, Love, Death, Fame offers a glimpse of what life was like four centuries ago in the region that is now the UAE.A bilingual Arabic-English edition.

A collection of poems from a changing Bedouin world Bedouin Poets of the Nafūd Desert features poetry from three poets of the Ibn Rashīd dynasty–the highwater mark of Bedouin culture in the nineteenth century. Khalaf Abū Zwayyid, ʿAdwān al-Hirbīd, and ʿAjlān ibn Rmāl belonged to tribes based around the area of Jabal Shammar in northern Arabia. A cultural and political center for the region, Jabal Shammar attracted caravans of traders and pilgrims, tribal shaykhs, European travelers (including T.E. Lawrence), illiterate Bedouin poets, and learned Arabs. All three poets lived at the inception of or during modernity's accelerating encroachment. New inventions and firearms spread throughout the region, and these poets captured Bedouin life in changing times. Their poems and the accompanying narratives showcase the beauty and complexity of Bedouin culture, while also grappling with the upheaval brought about by the rise of the House of Saud and Wahhabism. The poems featured in Bedouin Poets of the Nafūd Desert are often humorous and witty, yet also sentimental, wistful, and romantic. They vividly describe journeys on camelback, stories of family and marriage, thrilling raids, and beautiful nature scenes, offering a window into Bedouin culture and society in the nineteenth and early twentieth centuries.A bilingual Arabic-English edition.

The heroic deeds and words of a warrior poet of northern ArabiaAn epic hero and a poet, the semi-legendary Shāyiʿ al-Amsaḥ was a prominent ancestor of the Shammar tribal confederation that stretches across the Great Nafūd desert in the northern Arabian Peninsula. Shāyiʿ's corpus of extant poems are preserved in narratives about his chivalrous exploits transmitted orally for centuries. In this volume, Marcel Kurpershoek vividly translates the deeds and verses of this compelling poet, based on recordings of late-twentieth century reciters, a testament to Shāyiʿ's prominence as an embodiment of Bedouin virtue, courage, wiliness, and generosity.Born with one eye, Shāyiʿ presents himself as unattractive and unassuming, only to reveal a hero's strength, sagacity, and wiliness. In a number of stories, he is shown hiding his identity, whether in disguise as an impoverished Bedouin or on a camel deliberately made to look mangy and weak. In the oral culture of the Bedouin, the epic cycle of Shāyiʿ al-Amsaḥ delights and instructs listeners through its unmasking of false appearances and its revelation of the hero's true character.Translated into English for the first time, these engaging tales and poems tell of dangerous desert travel, warlike exploits, chivalrous conduct and its opposite, feats of hospitality that defy belief, and convey nuggets of wisdom from the Bedouin manual of survival, making this collection a colorful compendium of the manners and customs of the tribes of northern Arabia.A bilingual Arabic-English edition.

Love poems from late nineteenth-century Arabia Arabian Romantic captures what it was like to live in central Arabia before the imposition of austere norms by the Wahhabi authorities in the early twentieth century: tales of robbery and hot pursuit; perilous desert crossings; scenes of exhaustion and chaos when water is raised from deep wells under harsh conditions; the distress of wounded and worn-out animals on the brink of perdition; once proud warriors who are at the mercy of their enemy on the field of battle. Such images lend poignancy to the suffering of the poet's love-stricken heart, while also painting a vivid portrait of typical Bedouin life. Ibn Sbayyil (ca. 1853–1933), a town dweller from the Najd region of the Arabian Peninsula, was a key figure in the Nabati poetic tradition. His poetry, which is still recited today, broke with the artifice of the preceding generation by combining inherited idiom and original touches reflecting his environment. Translated into English for the first time by Marcel Kurpershoek, Arabian Romantic will delight readers with a poetry that is direct, fluent, and expressive, and that has entertained Arabic speakers for over a century.A bilingual Arabic-English edition.

Satirical verse on society and its hypocrisiesA master of satire known for his ribald humor, self-deprecation, and invective verse (hijāʾ), the poet Ḥmēdān al-Shwēʿir was an acerbic critic of his society and its morals. Living in the Najd region of the Arabian Peninsula, Ḥmēdān wrote in an idiom widely referred to as "Nabaṭī," here a mix of Najdī vernacular and archaic vocabulary and images dating to the origins of Arabic poetry. In Arabian Satire, Ḥmēdān is mostly concerned with worldly matters and addresses these in different guises: as the patriarch at the helm of the family boat and its unruly crew; as a picaresque anti-hero who revels in taking potshots at the established order, its hypocrisy, and its failings; as a peasant who labors over his palm trees, often to no avail and with no guarantee of success; and as a poet recording in verse how he thinks things ought to be.The poems in Arabian Satire reveal a plucky, headstrong, yet intensely socially committed figure—representative of the traditional Najdī ethos—who infuses his verse with proverbs, maxims, and words of wisdom expressed plainly and conversationally. Ḥmēdān is widely quoted by historians of the Gulf region and in anthologies of popular sayings. This is the first full translation of this remarkable poet.An English-only edition.

Voices from the Desert is the fifth and concluding volume of Marcel Kurpershoek’s Corpus Oral Poetry & Narratives from Central Arabia. The first volume appeared in 1994.In the Preface the author looks back on his almost twenty years of involvement with Arabian oral culture. He also discusses some of the striking features of the traditions collected in these volumes, and their significance within the broader political, social, and cultural context of the tribal system stretching from Yemen to the Anatolian highlands.An Introduction is followed by a consolidated Glossary, comprising all data accumulated and integrated from the glossaries of the previous four volumes. This elaborate glossary not only refers to the transcribed original texts in Volumes 1-4, but it has also been extended with many examples originating from corresponding Classical Arabic vocabulary, and additional Western sources.Also included are the three indispensable indices to the complete Corpus: the Index of Subjects, the Index of Tribal Names and the Index of Proper Names. A List of Recordings completes this volume. The original recordings of the poets and transmitters, in the order of the published text with a description of the tracks’ contents, can be downloaded as MP3 files from Brill’s web site at https://brill.com/page/kurpershoek.

This work presents the complete collection of oral poetry by ad-Dindān, a bedouin poet of the Duwāsir tribe in southern Najd, transcribed and translated on the basis of taped recordings. The text is representative of a poetic tradition which has remained remarkably close to the desert poetry of the early classical age. An extensive glossary, including detailed cross-references to the classical Arabic vocabulary, completes this edition.The introduction describes Dindān's somewhat anomalous position in local society as a result of his stubborn attachment to nomadism, his fierce artistic temper, and his unreconstructed bedouin ethos. It also discusses the composition of oral poetry, the dīwān's themes and its place in the Najdi tradition, the impact of literacy on the poet's oral work, and the prosodic and linguistic features of the text.

The Story of a Desert Knight is the second volume of a trilogy entitled Oral Poetry and Narratives from Central Arabia. It is devoted to the narratives told about and the poems composed by Šlēwīḥ al-‘Aṭāwi and his brother Bxīt, both famous desert knights in the middle and second half of the nineteenth century. The principal source of this book is Šlēwīḥ's great-grandson Xālid, a sheikh of the ‘Utaybah tribe.The introduction discusses inter alia the general characteristics of Bedouin oral culture, the linguistic, prosodic and stylistic features of the text, and Xālid's use of his ancestors' oral legacy in order to enhance his position in the tribal hierarchy of prestige. In addition to the translation of the oral text this volume offers a complete transcription, based on taped records and including variants found in published Saudi sources, and a substantial glossary.

This third volume in the author's series Oral Poetry & Narratives from Central Arabia presents and analyses the work of four contemporary Bedouin poets of the Dawāsir tribe in southern Najd. The introductory part discusses the poetry within the context of the Najdi oral tradition, the poets' role in tribal society, and their mirroring of this society's self-image against the background of its rapid economic, social and political transformation, and its relation with the Saudi State.It is followed by the Arabic Text of the poems in transcription, based on taped records, with the English translation on the facing page. This is complemented by a substantial glossary, cross-referenced to the Arabic Text, other glossaries and works on the Najdi dialect and poetic idiom, as well as corresponding Classical Arabic lexical materials.