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2 335 kr
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This book is an investigation into church music through the lens of performance theory, both as a discipline and as a theoretical framework. Scholars who address religious music making in general, and Christian church music in particular, use "performance" in a variety of ways, creating confusion around the term. A systematized performance vocabulary for the study of church music can support interdisciplinary investigations of Christian congregational music making in today’s complex, interconnected world.From the perspective of performance theory, all those involved in church musicking are performing, be it from platform or pew. The book employs a hybrid methodology that combines ethnographic research and theory from ritual studies, ethnomusicology, theology, and church music scholarship to establish performance studies as a possible "next step" in church music studies. It demonstrates the feasibility of studying church music as performance by analyzing ethnographic case studies using a developmental framework based on the concepts of ritual, embodiment, and play/change.This book offers a fresh perspective on Christian congregational music making. It will, therefore, be a key reference work for scholars working in Congregational Music Studies, Ethnomusicology, Ritual Studies and Performance Studies, as well as practitioners interested in examining their own church music practices.
637 kr
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This book is an investigation into church music through the lens of performance theory, both as a discipline and as a theoretical framework. Scholars who address religious music making in general, and Christian church music in particular, use "performance" in a variety of ways, creating confusion around the term. A systematized performance vocabulary for the study of church music can support interdisciplinary investigations of Christian congregational music making in today’s complex, interconnected world.From the perspective of performance theory, all those involved in church musicking are performing, be it from platform or pew. The book employs a hybrid methodology that combines ethnographic research and theory from ritual studies, ethnomusicology, theology, and church music scholarship to establish performance studies as a possible "next step" in church music studies. It demonstrates the feasibility of studying church music as performance by analyzing ethnographic case studies using a developmental framework based on the concepts of ritual, embodiment, and play/change.This book offers a fresh perspective on Christian congregational music making. It will, therefore, be a key reference work for scholars working in Congregational Music Studies, Ethnomusicology, Ritual Studies and Performance Studies, as well as practitioners interested in examining their own church music practices.
1 287 kr
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A collection of essays voicing “nontraditional” perspectives in Lutheran theology emerging from and for the Global South on a variety of studies and topics.Traditionally, the Lutheran family of churches has been associated historically and geographically with German and Scandinavian peoples and cultures. Yet the largest Lutheran university operates in Brazil and the largest Lutheran churches are now in Ethiopia and Tanzania. A sector of Lutheranism has now become a microcosm of the momentous gravitational shift of Christianity to the Global South, sharing and appropriating in unique ways many of its features, tensions, and negotiations. However, students, teachers, and religious leaders in the West or the Global North are seldom familiar with the voices of seasoned and emerging Lutheran scholars doing theology from and for churches and communities in Africa, Asia, Latin America, and among the children of the Global South in North America. This lack of familiarity with southern cast Lutheranism leads to little or no integration of its insights and proposals into curriculum and scholarship at universities, seminaries, and other centers of higher learning and continuing education.The essays in this collection seek to fill a gap in studies on the intersection of Global South Christianity and Lutheran ecclesial traditions. Divided into four major areas of research, the chapters introduce western readers to significant contributions of Global South authors writing on Lutheran identity, theological themes, worship and the arts, and missions and society. Using frameworks from fields of study ranging from systematic theology to musicology and from patristics to theologies of migration, authors deal with issues such as confessional commitment, justification and cultural hybridity, religious nationalism, catholicity and migration, public theology amid persecution, devotional modes of theological discourse, the intersection of ritual and justice, the interplay of tradition and innovation in worship, the postcolonial retrieval of African dance in worship, religious pluralism, urban missiology, and human trafficking.