Marcus Milwright – författare

Canada has seen the study of Islamic art and archeology grow steadily over the last five decades, with growth in research and teaching across numerous Canadian universities as well as important collections of Islamic art and archaeological materials, most notably at the Royal Ontario Museum and the Aga Khan Museum.Made for the Eye of One Who Sees uncovers the contributions of scholars and museum curators at Canadian institutions to current scholarship on Islamic art. Employing a wide range of approaches and theoretical perspectives, contributors cover topics from across the Islamic world dating from the eighth century to the present. Subjects include the iconography of architectural design and decoration, the role of Qur'anic inscriptions, the representation of symbolic animals in sculpture, and the interpretation of Persian manuscript painting. The book also juxtaposes modern and contemporary worlds, providing insightful reflections on the early history of the Islamic collections at the Royal Ontario Museum, Matisse's creative encounter with Byzantine and Islamic visual culture, and the ongoing dialogue between new media and the traditional concepts underpinning Islamic art.Bringing together recent scholarship on Islamic art, architecture, and archaeology, Made for the Eye of One Who Sees provides an overview of the important contributions Canada is making to this rich and evolving field of study.

This book offers an introduction to the archaeology of the Islamic world. It traces the history of the discipline from its earliest manifestations through to the present and evaluates the contribution made by archaeology to the understanding of key aspects of Islamic culture. The author argues that it is essential for the results of archaeological research to be more fully integrated into the wider historical study of the Islamic world.Organising the book into broad themes allows a focus on issues that are relevant across different regions and periods. Short case studies are included to allow the reader to examine the ways in which archaeologists collect and interpret material in specific contexts. The emphasis is on archaeological work conducted in the area stretching from Afghanistan and the Central Asian republics in the east to Spain in the west. Comparisons are also be drawn with Islamic regions of sub-Saharan Africa and the Indian subcontinent, reflecting the main focus of archaeological work in the Islamic world to the present day.

The balsam of Matarea was a substance famous as a panacea among physicians in the Middle East and Europe during the Antique and Medieval periods. It was used in many aspects of medieval life and is associated with figures such as the Virgin Mary, Jesus Christ, King Solomon, the Queen of Sheba and Cleopatra. The story of this substance takes the reader into the political life of the medieval Mediterranean and Middle East, and back into the ancient history of Palestine. Using written sources, visual data and archaeological material, Marcus Milwright reconstructs the fascinating cultural history of the balsam tree: from Jericho and En-Gedi to Egypt, and from ancient times to the 17th century. Miwright addresses the symbolic associations of balsam and the site of Matarea (where the last balsam tree died in 1615), the distribution of products from the tree through trade and diplomacy, and the applications balsam products in medicine, ritual and the domestic environment.

Located on the Temple Mount in Jerusalem, the Dome of the Rock was constructed at the end of the seventh century by order of caliph ‘Abd al-Malik. This seminal structure has been much studied but no definitive interpretation yet exists of the meanings conveyed by the Dome at the time of its completion. The recovery of meaning is complicated by the paucity of primary written sources relating to the construction phases of the building and the motivations of its patron. This book concentrates on the most important surviving primary text, the long mosaic inscription running around the interior. Comprising a dedication and date (72/691-92) and material of a religious nature, the mosaic inscription provides vital evidence for the reconstruction of the meanings and functions of the Dome of the Rock. The detailed study of the mosaics helps to place them in the context of Late Antique monumental writing, particularly in Greek. The book makes use of contemporary Islamic coins, graffiti, and other inscribed objects in order to examine the Dome of the Rock in the relation to the ideological concerns of the Umayyad elite during and after the second Civil War.

Providing an introduction to the artistic and architectural traditions of the Islamic world, A Story of Islamic Art explores fifty case studies, taken from different regions of the Islamic world and from the seventh to the twenty-first centuries. The novel aspect of these case studies is that they are presented as fictional narratives, allowing the reader to imagine art and architecture, either in their original cultural settings or at some later point in their histories. These stories are supported by a scholarly framework that allows the reader to continue their exploration of the chosen artefacts and their historical context.The fifty case studies take the form of short stories, each of which focuses on one or more object from the Islamic world. These encompass portable items in a wide variety of media, book illustrations, calligraphy, photographs, architectural decoration, buildings, and archaeological sites. The book also provides a detailed introduction, maps, timeline, glossary, and guides for further reading. This book offers accessible answers to key questions in the scholarship on Islamic art and architecture from its earliest times to the present. The issues dealt with in each of the stories include iconography, attitudes towards representation, the role of script, the elaboration of geometric decoration, the creation of sacred and secular spaces in architecture, and the socio-cultural context of art production and consumption. Artistic interactions between the Islamic world and other regions including Europe and China are also discussed in this book.A Story of Islamic Art is an engaging and informative introduction for interested readers and students of Islamic art, history, and architecture.

Providing an introduction to the artistic and architectural traditions of the Islamic world, A Story of Islamic Art explores fifty case studies, taken from different regions of the Islamic world and from the seventh to the twenty-first centuries. The novel aspect of these case studies is that they are presented as fictional narratives, allowing the reader to imagine art and architecture, either in their original cultural settings or at some later point in their histories. These stories are supported by a scholarly framework that allows the reader to continue their exploration of the chosen artefacts and their historical context.The fifty case studies take the form of short stories, each of which focuses on one or more object from the Islamic world. These encompass portable items in a wide variety of media, book illustrations, calligraphy, photographs, architectural decoration, buildings, and archaeological sites. The book also provides a detailed introduction, maps, timeline, glossary, and guides for further reading. This book offers accessible answers to key questions in the scholarship on Islamic art and architecture from its earliest times to the present. The issues dealt with in each of the stories include iconography, attitudes towards representation, the role of script, the elaboration of geometric decoration, the creation of sacred and secular spaces in architecture, and the socio-cultural context of art production and consumption. Artistic interactions between the Islamic world and other regions including Europe and China are also discussed in this book.A Story of Islamic Art is an engaging and informative introduction for interested readers and students of Islamic art, history, and architecture.

This book consists of fifty case studies and offers an innovative approach to the study of Medieval Islamic history, concentrating on the analysis of physical objects from the seventh to the eighteenth centuries and across most of the regions that make up the pre-Modern Islamic world.These include a wide range of objects from portable items like coins, vessels and books to major constructions, including mosques, tombs, castles, dams, and canal systems. The central argument is that the interdisciplinary study of physical objects provides invaluable perspectives that can deepen or challenge the evidence in the written record. Object-based study can also shed light on the lives of social groups who are seldom discussed in Islamic texts written before the modern period. To demonstrate these points, each case study focusses on a single object or small group of related objects. The case studies combine close analysis of the material and visual characteristics with a discussion of the wider context in which such objects were commissioned, made, used, adapted and exchanged.The book is intended as an introduction to the historical study of Islamic objects, employing perspectives from the fields of art history, archaeology, numismatics, ethnography, and epigraphy. Written with a minimum of technical language and supported by a critical introduction, an extensive glossary, a timeline and guide for further reading, the book is aimed at students and general readers who are interested in the political, economic, social, cultural, religious and intellectual histories of the Islamic world.

This book consists of fifty case studies and offers an innovative approach to the study of Medieval Islamic history, concentrating on the analysis of physical objects from the seventh to the eighteenth centuries and across most of the regions that make up the pre-Modern Islamic world.These include a wide range of objects from portable items like coins, vessels and books to major constructions, including mosques, tombs, castles, dams, and canal systems. The central argument is that the interdisciplinary study of physical objects provides invaluable perspectives that can deepen or challenge the evidence in the written record. Object-based study can also shed light on the lives of social groups who are seldom discussed in Islamic texts written before the modern period. To demonstrate these points, each case study focusses on a single object or small group of related objects. The case studies combine close analysis of the material and visual characteristics with a discussion of the wider context in which such objects were commissioned, made, used, adapted and exchanged.The book is intended as an introduction to the historical study of Islamic objects, employing perspectives from the fields of art history, archaeology, numismatics, ethnography, and epigraphy. Written with a minimum of technical language and supported by a critical introduction, an extensive glossary, a timeline and guide for further reading, the book is aimed at students and general readers who are interested in the political, economic, social, cultural, religious and intellectual histories of the Islamic world.

Tells the history of the precious balsam of Matarea: a substance traded for its weight in goldUses archaeological and textual sources to trace the cultivation of balsam trees from the 4th century BCE to the 17th century CESurveys the evidence for the symbolic value and practical applications of balsam in the Middle East, North Africa and EuropeEstablishes the many uses of balsam in pre-modern medicine, religious ritual and royal ceremoniesCorrelates modern botanical studies with historical sources in the identification of the trees that once grew in the plantation of Matarea in EgyptExplores the complex socio-cultural factors that contributed to the sense of value accorded to rare commoditiesRichly illustrated with over 50 line drawings, engravings, watercolours and photographs, drawn from sources ranging across time from medieval manuscripts to 20th-century photographs, depicting balsam trees, balsam resin receptacles, the compound of Matarea, maps and moreUsing written sources, visual data and archaeological material, Marcus Milwright reconstructs the fascinating cultural history of the balsam tree from Jericho and En-Gedi to Egypt, and from ancient times to the 17th century. Miwright addresses the symbolic associations of balsam and the site of Matarea (where the last balsam tree died in 1615), the distribution of products from the tree through trade and diplomacy, and the applications of these products in medicine, ritual and the domestic environment. He also establishes links with resin-producing trees from the Arabian Peninsula and the Horn of Africa.The balsam of Matarea was a substance famous as a panacea among physicians in the Middle East and Europe during the Antique and Medieval periods. It was used in many aspects of medieval life and is associated with figures such as the Virgin Mary, Jesus Christ, King Solomon, the Queen of Sheba and Cleopatra.