Marek Jancovic – författare

A new generation of video standards promises lossless storage of digital objects for future generations. Jimi Jones and Marek Jancovic document the development and adoption of JPEG 2000, FFV1, MXF, and Matroska while investigating the social and material aspects of their design and the forces driving their journeys from niche to ubiquity. Drawing on interviews with archivists and developers, Jones and Jancovic reveal the archive as a dynamic space where deeply entrenched social practices produce disagreements but also resourceful collaborations. They contrast the unprecedented rise of archivist-driven standardization and controversies around non-standard technology with the historical dominance of the film and broadcast industries. Throughout, the authors clarify the role of tech companies, software developers, film pirates, hackers, and other players with poorly understood roles in the process. A timely look at the state of audiovisual preservation, The Future of Memory provides a history of recent innovations alongside a snapshot of a field in the midst of profound technological change.

A new generation of video standards promises lossless storage of digital objects for future generations. Jimi Jones and Marek Jancovic document the development and adoption of JPEG 2000, FFV1, MXF, and Matroska while investigating the social and material aspects of their design and the forces driving their journeys from niche to ubiquity. Drawing on interviews with archivists and developers, Jones and Jancovic reveal the archive as a dynamic space where deeply entrenched social practices produce disagreements but also resourceful collaborations. They contrast the unprecedented rise of archivist-driven standardization and controversies around non-standard technology with the historical dominance of the film and broadcast industries. Throughout, the authors clarify the role of tech companies, software developers, film pirates, hackers, and other players with poorly understood roles in the process. A timely look at the state of audiovisual preservation, The Future of Memory provides a history of recent innovations alongside a snapshot of a field in the midst of profound technological change.

This book explores the historical interrelationships between mathematics, medicine and media, and offers a unique perspective on how video compression has shaped our relationship with moving images and the world. It situates compression in a network of technological, visual and epistemic practices spanning from late 18th-century computational methods to the standardization of electrical infrastructure and the development of neurology throughout the 1900s. Bringing into conversation media archaeology, science and technology studies, disability studies and queer theory, each chapter offers an in-depth look at a different trace of compression, such as interlacing, macroblocking or flicker. This is a story of forgotten technologies, unusual media practices, strange images on the margins of visual culture and inventive ways of looking at the world. Readers will find illuminating discussions of the formation of complex scientific and medical systems, and of the violent and pleasurable interactions between our bodies and media infrastructure.

This book explores the historical interrelationships between mathematics, medicine and media, and offers a unique perspective on how video compression has shaped our relationship with moving images and the world. It situates compression in a network of technological, visual and epistemic practices spanning from late 18th-century computational methods to the standardization of electrical infrastructure and the development of neurology throughout the 1900s.

Bringing into conversation media archaeology, science and technology studies, disability studies and queer theory, each chapter offers an in-depth look at a different trace of compression, such as interlacing, macroblocking or flicker. This is a story of forgotten technologies, unusual media practices, strange images on the margins of visual culture and inventive ways of looking at the world. Readers will find illuminating discussions of the formation of complex scientific and medical systems, and of the violent and pleasurable interactions between our bodies and media infrastructure.

This book explores the historical interrelationships between mathematics, medicine and media, and offers a unique perspective on how video compression has shaped our relationship with moving images and the world. It situates compression in a network of technological, visual and epistemic practices spanning from late 18th-century computational methods to the standardization of electrical infrastructure and the development of neurology throughout the 1900s. Bringing into conversation media archaeology, science and technology studies, disability studies and queer theory, each chapter offers an in-depth look at a different trace of compression, such as interlacing, macroblocking or flicker. This is a story of forgotten technologies, unusual media practices, strange images on the margins of visual culture and inventive ways of looking at the world. Readers will find illuminating discussions of the formation of complex scientific and medical systems, and of the violent and pleasurable interactions between our bodies and media infrastructure.