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Bodies of Modernism brings a new and exciting analytical lens to modernist literature, that of critical disability studies. The book offers new readings of canonical and noncanonical writers from both sides of the Atlantic including Flannery O’Connor, Eudora Welty, H. G. Wells, D. H. Lawrence, Elizabeth Bowen, Henry Green, Olive Moore, Carson McCullers, Tennessee Williams, J. M. Synge, Florence Barclay, Virginia Woolf, and James Joyce. Through readings of this wide range of texts and with chapters focusing on mobility impairments, deafness, blindness, and deformity, the study reveals both modernism’s skepticism about and dependence on fantasies of whole, “normal” bodies.

Bodies of Modernism brings a new and exciting analytical lens to modernist literature, that of critical disability studies. The book offers new readings of canonical and noncanonical writers from both sides of the Atlantic including Flannery O’Connor, Eudora Welty, H. G. Wells, D. H. Lawrence, Elizabeth Bowen, Henry Green, Olive Moore, Carson McCullers, Tennessee Williams, J. M. Synge, Florence Barclay, Virginia Woolf, and James Joyce. Through readings of this wide range of texts and with chapters focusing on mobility impairments, deafness, blindness, and deformity, the study reveals both modernism’s skepticism about and dependence on fantasies of whole, “normal” bodies.

As the most canonical woman writer of modern English literature, Virginia Woolf has become central to our conceptions of literature, modernist theory, the arts, feminism, and social analysis. The interdisciplinary examinations in this anthology explore Woolf's major novels, her key essays, and the literary tropes that unify her writings. The essays in the first section look at Woolf's acute analyses of literary imagining: her explorations of the ways fact, vision, and language interact to create both perceived reality and its representation in fiction. In the second part, the contributors focus on Woolf's social vision, considering how groups respond to traumatic events and treating both the hazards and the comforts of community. The third section brings together seven of the most challenging accounts of Woolf's ethical and political imagination, reflecting upon her representations of other minds, in particular the minds of those who differ from her according to early twentieth-century notions of class, race, and empire. An afterword by Mark Hussey sketches possible future directions for studies of her work.This revealing collection sheds new light on one of Britain's most innovative writers. It will be a welcome addition to the library of any scholar of modernism and can easily be adapted for courses on Woolf and modern literature.