Margalit Finkelberg – författare

The purpose of this study is to find out how and why the `poetics of fiction' arose, its sources, and the materials from which it was created. A series of cultural choices made in archaic and classical Greece produced a clash between the traditional `poetics of truth', which derived poetry from divine inspiration and in the last analysis did not construe the poem as a work of art at all, and the new `poetics of fiction', which derived poetry from art. The eventual succession of the latter, culminating with the Poetics of Aristotle, amounted to an aesthetic revolution because, as a result of it, literary fiction, which since then has become a necessary framework for both the theory and practice of literature in Western tradition, was for the first time separated from non-fiction and given a status of its own.

By systematically confronting Greek tradition of the Heroic Age with the evidence of both linguistics and archaeology, Margalit Finkelberg proposes a multidisciplinary assessment of the ethnic, linguistic and cultural situation in Greece in the second millennium BC. The main thesis of this book is that the Greeks started their history as a multi-ethnic population group consisting of both Greek-speaking newcomers and the indigenous population of the land and that the body of 'Hellenes' as known to us from the historic period was a deliberate self-creation. The book addresses such issues as the structure of heroic genealogy, the linguistic and cultural identity of the indigenous population of Greece, the patterns of marriage between heterogeneous groups as they emerge in literary and historical sources, the dialect map of Bronze Age Greece, the factors responsible for the collapse of the Mycenaean civilisation and finally, the construction of the myth of the Trojan War.

By systematically confronting Greek tradition of the Heroic Age with the evidence of both linguistics and archaeology, Margalit Finkelberg proposes a multidisciplinary assessment of the ethnic, linguistic and cultural situation in Greece in the second millennium BC. The main thesis of this book is that the Greeks started their history as a multi-ethnic population group consisting of both Greek-speaking newcomers and the indigenous population of the land and that the body of 'Hellenes' as known to us from the historic period was a deliberate self-creation. The book addresses such issues as the structure of heroic genealogy, the linguistic and cultural identity of the indigenous population of Greece, the patterns of marriage between heterogeneous groups as they emerge in literary and historical sources, the dialect map of Bronze Age Greece, the factors responsible for the collapse of the Mycenaean civilisation and finally, the construction of the myth of the Trojan War.

The center of gravity in Roman studies has shifted far from the upper echelons of government and administration in Rome or the Emperor's court to the provinces and the individual. The multi-disciplinary studies presented in this volume reflect the turn in Roman history to the identities of ethnic groups and even single individuals who lived in Rome's vast multinational empire. The purpose is less to discover another element in the Roman Empire's 'success' in governance than to illuminate the variety of individual experience in its own terms. The chapters here, reflecting a wide spectrum of professional expertise, range across the many cultures, languages, religions and literatures of the Roman Empire, with a special focus on the Jews as a test-case for the larger issues. This title is also available as Open Access on Cambridge Core.