Margaret Forster – författare

The definitive biography of Daphne Du Maurier, one of history's greatest psychological thriller novelistsRebecca, published in 1938, brought its author instant international acclaim, capturing the popular imagination with its haunting atmosphere of suspense and mystery. Du Maurier was immediately established as the queen of the psychological thriller. But the more fame this and her other books encouraged, the more reclusive Daphne du Maurier became.Margaret Forster's award-winning biography could hardly be more worthy of its subject. Drawing on private letters and papers, and with the unflinching co-operation of Daphne du Maurier's family, Margaret Forster explores the secret drama of her life - the stifling relationship with her father, actor-manager Gerald du Maurier; her troubled marriage to war hero and royal aide, 'Boy' Browning; her wartime love affair; her passion for Cornwall and her deep friendships with the last of her father's actress loves, Gertrude Lawrence, and with an aristocratic American woman.Most significant of all, Margaret Forster ingeniously strips away the relaxed and charming facade to lay bare the true workings of a complex and emotional character whose passionate and often violent stories mirrored her own fantasy life more than anyone could ever have imagined.

Margaret Forster presents the 'edited' diary of a woman, born in 1901, whose life spans the twentieth century. On the eve of the Great War, Millicent King begins to keep her journal and vividly records the dramas of everyday life in a family touched by war, tragedy, and money troubles. From bohemian London to Rome in the 1920s her story moves on to social work and the build-up to another war, in which she drives ambulances through the bombed streets of London. Here is twentieth-century woman in close-up coping with the tragedies and upheavals of women's lives from WWI to Greenham Common and beyond. A triumph of resolution and evocation, this is a beautifully observed story of an ordinary woman's life - a narrative where every word rings true.

What do men run away from? Not war, not physical hardship, but the day-to-day emotional demands of impossible domestic situations. That's women's work. This is a story of female courage, where black comedy turns to disturbing pathos revolving around the rights of an indomitable woman

London 1844, and a shy young woman has arrived to take up a new position in the grandeur of No. 50, Wimpole Street. Subtly and compellingly, Lady's Maid gives voice to Elizabeth Wilson's untold story, her complex relationship with her mistress, Elizabeth Barrett, and her dramatic role in the most famous elopement in history.

Georgy is young, gregarious and fun - she is also large, self-confessedly ugly and desperate for love. Georgy bears her fate bravely as she alternates between playing the fool and humbling herself before Meredith, her pretty, callous flatmate, although when James, middle-aged socialite and self-imposed 'Uncle', asks Georgy to become his mistress, she is tempted to accept. Then Meredith announces that she is pregnant and Jos, the expectant father, decides he is in love with Georgy...

Lost, found, stolen, strayed, sold, fought over... This engrossing, beautifully crafted novel follows the fictional adventures, over a hundred years, of an early 20th-century painting and the women whose lives it touches. It opens with bold, passionate Gwen, struggling to be an artist, leaving for Paris where she becomes Rodin's lover and paints a small, intimate picture of a quiet corner of her attic room.Then there's Charlotte, a dreamy intellectual Edwardian girl, and Stella, Lucasta, Ailsa and finally young Gillian, who share an unspoken desire to have for themselves a tranquil golden place like that in the painting.Quintessential Forster, this is a novel about women's lives, about what it means and what it costs to be both a woman and an artist, and an unusual, compelling look at a beautiful painting and its imagined afterlife.

Born in Carlisle in 1887, brought up in a children's home and by reluctant relatives, Evie, with her wild hair and unassuming ways, seems a quiet, undemanding child. Shona, born almost seventy years later, is headstrong and striking. She grows up in comfort and security in Scotland, the only child of doting parents. But there are, as she discovers, unanswered questions about her past.The two girls have only one thing in common: both were abandoned as babies by their mothers. Different times, different circumstances, but these two girls grow up sharing the same obsession. Each sets out to stalk and then haunt her natural mother. Both mothers dread disclosure; both daughters seek emotional compensation and, ultimately, revenge.

Catherine's mother died when Catherine was just a baby girl, leaving nothing but her perfect reputation to live up to. Or so she thought. But then Catherine finds a box addressed to her, filled with objects seemingly without meaning - three feathers, an exotic seashell, a painting, a mirror, two prints, an address book, a map, a hat, a rucksack and a necklace. And while she's busy playing detective trying to find out who her mother was, she finds out more about herself than she ever really wanted to know. Secrets are discovered, truths uncovered, and Catherine realises that maybe there was something more to her mother, something that her familiy has kept from her. How long a shadow can a dead woman cast?

‘I was born on 25th May, 1938, in the front bedroom of a house in Orton Road, a house on the outer edges of Raffles, a council estate. I was a lucky girl.’ So begins Margaret Forster’s journey through the houses she’s lived in, from that sparkling new council house, to her beloved London home of today. This is not a book about bricks and mortar though. This is a book about what houses are to us, the effect they have on the way we live our lives and the changing nature of our homes: from blacking grates and outside privies; to cities dominated by bedsits and lodgings; to the houses of today converted back into single dwellings. Finally, it is a gently insistent, personal inquiry into the meaning of home.

Margaret Forster's grandmother died in 1936, taking many secrets to her grave. Where had she spent the first 23 years of her life? Who was the woman in black who paid her a mysterious visit shortly before her death? How had she borne living so close to an illegitimate daughter without acknowledging her? The search for answers took Margaret on a journey into her family’s past, examining not only her grandmother's life, but also her mother’s and her own. The result is both a moving, evocative memoir and a fascinating commentary on how women’s lives have changed over the past century.

‘Compelling…taut and suspenseful’ GuardianTara Fraser has a secret. Desperate to escape herself and her past, she changes her name, packs up her London home and moves to a town in the North of England where she knows no one. But one of her new neighbours, Nancy, is intrigued by her. And as hard as Tara tries to distance herself, she starts to drop her guard. Then a letter arrives. An old friend wants to meet up. Struggling to keep her old life at bay, Tara soon discovers the dangers of fighting the past.

This biography of Elizabeth Barrett Browning, written with reference to Browning correspondence only recently available, argues that the poet was a strong and determined woman largely responsible for her own incarceration in Wimpole Street. The author traces her life from her early childhood and adolescence and explores her marriage. She draws a picture of early Victorian family life and aims to show that Elizabeth was a considerable and dedicated poet, self-willed, witty and courageous. Forster has also edited the companion volume "Selected Poems" of Elizabeth Barrett Browning, and is author of several other biographies.

Here is twentieth-century woman in close-up, coping with the tragedies and upheavals of women's lives from the First World War to Greenham Common and beyond.This is the ‘edited’ diary of an individual woman, born in 1901, and a story of the twentieth century. On the eve of the Great War, Millicent King begins keeping her journal, vividly recording the drama of everyday life. From bohemian London to Rome in the 1920s, through social work and the build-up to another war, in which she drives ambulances through the bombed streets of London, this is a story both fictional and true. Full of the texture of life, beautifully observed and evocative, it tells the story of an ordinary woman’s life against the huge canvas of the last century.WITH AN INTRODUCTION BY THE AUTHORThis series of war novels from Vintage Classics presents eight powerful stories about the horror and waste of war - each a passionate plea to prevent its repetition.