Margaret Forster – författare

The definitive biography of Daphne Du Maurier, one of history's greatest psychological thriller novelistsRebecca, published in 1938, brought its author instant international acclaim, capturing the popular imagination with its haunting atmosphere of suspense and mystery. Du Maurier was immediately established as the queen of the psychological thriller. But the more fame this and her other books encouraged, the more reclusive Daphne du Maurier became.Margaret Forster's award-winning biography could hardly be more worthy of its subject. Drawing on private letters and papers, and with the unflinching co-operation of Daphne du Maurier's family, Margaret Forster explores the secret drama of her life - the stifling relationship with her father, actor-manager Gerald du Maurier; her troubled marriage to war hero and royal aide, 'Boy' Browning; her wartime love affair; her passion for Cornwall and her deep friendships with the last of her father's actress loves, Gertrude Lawrence, and with an aristocratic American woman.Most significant of all, Margaret Forster ingeniously strips away the relaxed and charming facade to lay bare the true workings of a complex and emotional character whose passionate and often violent stories mirrored her own fantasy life more than anyone could ever have imagined.

Margaret Forster presents the 'edited' diary of a woman, born in 1901, whose life spans the twentieth century. On the eve of the Great War, Millicent King begins to keep her journal and vividly records the dramas of everyday life in a family touched by war, tragedy, and money troubles. From bohemian London to Rome in the 1920s her story moves on to social work and the build-up to another war, in which she drives ambulances through the bombed streets of London. Here is twentieth-century woman in close-up coping with the tragedies and upheavals of women's lives from WWI to Greenham Common and beyond. A triumph of resolution and evocation, this is a beautifully observed story of an ordinary woman's life - a narrative where every word rings true.

What do men run away from? Not war, not physical hardship, but the day-to-day emotional demands of impossible domestic situations. That's women's work. This is a story of female courage, where black comedy turns to disturbing pathos revolving around the rights of an indomitable woman

London 1844, and a shy young woman has arrived to take up a new position in the grandeur of No. 50, Wimpole Street. Subtly and compellingly, Lady's Maid gives voice to Elizabeth Wilson's untold story, her complex relationship with her mistress, Elizabeth Barrett, and her dramatic role in the most famous elopement in history.

Georgy is young, gregarious and fun - she is also large, self-confessedly ugly and desperate for love. Georgy bears her fate bravely as she alternates between playing the fool and humbling herself before Meredith, her pretty, callous flatmate, although when James, middle-aged socialite and self-imposed 'Uncle', asks Georgy to become his mistress, she is tempted to accept. Then Meredith announces that she is pregnant and Jos, the expectant father, decides he is in love with Georgy...

Lost, found, stolen, strayed, sold, fought over... This engrossing, beautifully crafted novel follows the fictional adventures, over a hundred years, of an early 20th-century painting and the women whose lives it touches. It opens with bold, passionate Gwen, struggling to be an artist, leaving for Paris where she becomes Rodin's lover and paints a small, intimate picture of a quiet corner of her attic room.Then there's Charlotte, a dreamy intellectual Edwardian girl, and Stella, Lucasta, Ailsa and finally young Gillian, who share an unspoken desire to have for themselves a tranquil golden place like that in the painting.Quintessential Forster, this is a novel about women's lives, about what it means and what it costs to be both a woman and an artist, and an unusual, compelling look at a beautiful painting and its imagined afterlife.

Born in Carlisle in 1887, brought up in a children's home and by reluctant relatives, Evie, with her wild hair and unassuming ways, seems a quiet, undemanding child. Shona, born almost seventy years later, is headstrong and striking. She grows up in comfort and security in Scotland, the only child of doting parents. But there are, as she discovers, unanswered questions about her past.The two girls have only one thing in common: both were abandoned as babies by their mothers. Different times, different circumstances, but these two girls grow up sharing the same obsession. Each sets out to stalk and then haunt her natural mother. Both mothers dread disclosure; both daughters seek emotional compensation and, ultimately, revenge.

‘I was born on 25th May, 1938, in the front bedroom of a house in Orton Road, a house on the outer edges of Raffles, a council estate. I was a lucky girl.’ So begins Margaret Forster’s journey through the houses she’s lived in, from that sparkling new council house, to her beloved London home of today. This is not a book about bricks and mortar though. This is a book about what houses are to us, the effect they have on the way we live our lives and the changing nature of our homes: from blacking grates and outside privies; to cities dominated by bedsits and lodgings; to the houses of today converted back into single dwellings. Finally, it is a gently insistent, personal inquiry into the meaning of home.

Margaret Forster's grandmother died in 1936, taking many secrets to her grave. Where had she spent the first 23 years of her life? Who was the woman in black who paid her a mysterious visit shortly before her death? How had she borne living so close to an illegitimate daughter without acknowledging her? The search for answers took Margaret on a journey into her family’s past, examining not only her grandmother's life, but also her mother’s and her own. The result is both a moving, evocative memoir and a fascinating commentary on how women’s lives have changed over the past century.

Margaret Forster's grandmother died in 1936, taking many secrets to her grave. Where had she spent the first 23 years of her life? Who was the woman in black who paid her a mysterious visit shortly before her death? How had she borne living so close to an illegitimate daughter without acknowledging her? The search for answers took Margaret on a journey into her family’s past, examining not only her grandmother's life, but also her mother’s and her own. The result is both a moving, evocative memoir and a fascinating commentary on how women’s lives have changed over the past century.

Isamay's unusual name comes from her two very different grandmothers, Isa and May, who were both present at her birth and who have both formed and influenced her whole life in very particular ways. Now almost thirty, Isamay is trying to write a thesis about grandmothers in history but is instead constantly ambushed by the startling secrets her own family has been keeping. When disturbing truths are revealed that force Isamay to examine her own certainties, will her grandmothers be able to build a bridge across the generations?

Don and Louise's eighteen-year-old daughter Miranda has died in a sailing accident. While Louise takes steps to move on with her life, Don cannot come to terms with the chain of events that led to her death. Instead, he is determined to bring someone to account. The surviving children handle the loss of their sister better than their parents, but what they can't handle is their family being torn apart...Taut, heartbreaking and immensely moving, Over is a novel about love and loss, grief and hope, pain and resolution, and about what happens to human beings when tragedy strikes like lightening.

Lost, found, stolen, strayed, sold, fought over... This engrossing, beautifully crafted novel follows the fictional adventures, over a hundred years, of an early 20th-century painting and the women whose lives it touches. It opens with bold, passionate Gwen, struggling to be an artist, leaving for Paris where she becomes Rodin's lover and paints a small, intimate picture of a quiet corner of her attic room.Then there's Charlotte, a dreamy intellectual Edwardian girl, and Stella, Lucasta, Ailsa and finally young Gillian, who share an unspoken desire to have for themselves a tranquil golden place like that in the painting.Quintessential Forster, this is a novel about women's lives, about what it means and what it costs to be both a woman and an artist, and an unusual, compelling look at a beautiful painting and its imagined afterlife.

Catherine's mother died when Catherine was just a baby girl, leaving nothing but her perfect reputation to live up to. Or so she thought. But then Catherine finds a box addressed to her, filled with objects seemingly without meaning - three feathers, an exotic seashell, a painting, a mirror, two prints, an address book, a map, a hat, a rucksack and a necklace. And while she's busy playing detective trying to find out who her mother was, she finds out more about herself than she ever really wanted to know. Secrets are discovered, truths uncovered, and Catherine realises that maybe there was something more to her mother, something that her familiy has kept from her. How long a shadow can a dead woman cast?

This biography of Elizabeth Barrett Browning, written with reference to Browning correspondence only recently available, argues that the poet was a strong and determined woman largely responsible for her own incarceration in Wimpole Street. The author traces her life from her early childhood and adolescence and explores her marriage. She draws a picture of early Victorian family life and aims to show that Elizabeth was a considerable and dedicated poet, self-willed, witty and courageous. Forster has also edited the companion volume "Selected Poems" of Elizabeth Barrett Browning, and is author of several other biographies.

In 1831 John Dodgson Carr, son of a Quaker grocer, set off to walk from his home in Kendal to Carlisle, determined to launch a great enterprise. Within 15 years, Carr's of Carlisle had become one of the largest baking businesses in the world -and is a by-word for biscuits to this day. Following his trail to Carlisle (where she herself was born and grew up), Margaret Forster brings 19th-century daily life into vivid focus and charts the rise and rise of a middle-class family like the Carrs, ambitious, innovative yet sternly religious. This is history as it was lived by the men and women both above and below stairs - from the shop floor to the comfortable bourgeois homes of the paternalistic Carrs. We see the conflict between religion and profit, the family feuds and the changing face of a city through this compelling historical narrative, told with Margaret Forster's characteristic blend of scholarship, readability and marvellous attention to the texture of everyday life.

Georgy is young, gregarious and fun - she is also large, self-confessedly ugly and desperate for love. Georgy bears her fate bravely as she alternates between playing the fool and humbling herself before Meredith, her pretty, callous flatmate, although when James, middle-aged socialite and self-imposed 'Uncle', asks Georgy to become his mistress, she is tempted to accept. Then Meredith announces that she is pregnant and Jos, the expectant father, decides he is in love with Georgy...

London 1844, and a shy young woman has arrived to take up a new position in the grandeur of No. 50, Wimpole Street. Subtly and compellingly, Lady's Maid gives voice to Elizabeth Wilson's untold story, her complex relationship with her mistress, Elizabeth Barrett, and her dramatic role in the most famous elopement in history.

What do Mrs H., Rachel, Edwina, Ida, Sarah, Dot, Chrissie have in common? They're all women, but they're fat, thin, old, young, married or single - and appear as diverse as human nature can be. But they are all survivors. This enthralling novel follows the ripples that go out into ordinary lives that have been changed by a shared experience, all connected by the same hospital clinic in a small Northern town. This is a novel about what it means to live in the shadow of disease, and with scars, whether mental or physical. From the marvellous ambivalence of the title question, it leaves us with a whole lot more to consider about life and its infinite variety.

What do men run away from? Not war, not physical hardship, but the day-to-day emotional demands of impossible domestic situations. That's women's work. This is a story of female courage, where black comedy turns to disturbing pathos revolving around the rights of an indomitable woman

Rowena wants a baby. What she doesn't want is the baby's father. Yet five years after the birth of Christabel, Rowena is dead, tragically killed in a climbing accident. The battle for Christabel has begun...With signature skill, Margaret Forster reveals the conflicting personal interests that lie behind each character’s claim on the child. Drawn from the perspectives of social workers, grandparents, lovers and foster-mothers, this novel is a remarkable and heartfelt exploration of the complexities of motherhood.

To Penelope Butler the family was all, the sole ambition of her adult life. Three of her four daughters, however, had different ideas. Rosemary rejected it; Jess was destroyed by it; Celia found it eluded her. Only Emily pursued her mother's ideal, with disastrous results. Penelope begins to record their family story as it unfolds. But when Rosemary discovers these private papers she is enraged by her mother's distortions of the truth and proceeds to tell the story from her perspective. From D-Day on into the turbulent post-war years, a picture emerges not only of a single family in all its complexities, but also of the changing world that shaped their lives.

Rose Pendlebury has little in common with her Islington neighbours. Her street has been invaded by young, confident, upwardly-mobile people without, it seems, a care in the world. She keeps herself to herself, and only her husband Stan is aware of her bubbling anger, her terrible prickliness and her ability to take offence. But when Alice and Tony move in next door with their enchanting toddler Amy, Mrs Pendlebury begins to come out of her shell, as gradually her new neighbours undermine her traditional, cautious privacy. Mrs Pendlebury may not be ripe for transformation, or even happiness, but she is not too old to change.

Angela Bradbury's 'Poor Mother' : delicate, humble, permanently disappointed, has made endless sacrifices for her family, for which they can never quite be grateful enough. 'You can't please your mother', as her father says.Even now, just one phone call from Mother can send Angela spiralling into guilt, self-recrimination and doubts over her own abilities as a mother. Worryingly, Angela's relationship with her own daughter Sadie seems to be going the same way, as Sadie develops into a sullen, unresponsive adolescent. It seems that motherhood is a heritage of disappointments and broken promises. But Angela is determined that, somehow, her relationship with Sadie will be different.

Eight women who changed the worldCaroline Norton * Elizabeth Blackwell * Florence Nightingale * Emily Davies * Josephine Butler * Elizabeth Cady Stanton * Margaret Sanger * Emma GoldmanSignificant Sisters traces the lives of eight women, each of whom pioneered vital changes in the spheres of law, education, the professions, morals or politics: the first woman doctor, the pioneer of birth control, a radical journalist, and suffragists. Each forged her own particular brand of feminism, yet all fought bravely to make real, lasting difference to women's lives, and make us redefine our own notions of feminism today.

What is a 'good wife'? The bestselling author of Hidden Lives explores four marriages, including her own, in different times and societies to find the answer.In 1848 Mary Moffatt became the wife of the missionary and explorer David Livingstone - and her obedience and devotion eventually killed her. In 1960, Margaret Forster married her school sweetheart Hunter Davies in a London Registry Office - and interpreted the role very differently. Between these two marriages is a huge gulf in which the notion of marriage changed immeasurably. Forster traces the shift in emphasis from submission to partnership, first through the marriage of one unconventional American, Fanny Osbourne, to Robert Louis Stevenson, in the late nineteenth century; and then through that of Jennie Lee to Aneurin Bevan in the 1930s. Why does a woman still want to be a wife in the twenty-first century? What is the value of marriage today? Why do couples still marry in church? These are some of the questions Forster asks as she weaves the personal experience of forty years through the stories of three wives who have long fascinated her.

A brilliant follow-up to Hidden Lives, Margaret Forster's most personal book yet takes up the story of her gritty, northern father, Arthur, intertwined with that of her sister-in-law, Marion, who died of cancer at almost half the age of the 96 year-old Arthur. Margaret Forster's father was not a man to answer questions - least of all questions about life and death, so she attempts to answer them for herself. As Forster looks back at Arthur's life and indomitable character, she evokes incidents from her childhood, his working life and stubborn old age, trying to make sense of their largely unspoken relationship, and of his tenacious hold on life, and on his family. Arthur and Marion's lives were ordinary, and apparently unremarkable, but, when faced with death, lives like these become strangely precious.