(Margaret) Oliphant – författare

Returning home to tend her widowed father Dr Marjoribanks, Lucilla soon launches herself into Carlingford society, aiming to raise the tone with her select Thursday evening parties. Optimistic, resourceful and blithely unimpeded by self-doubt, Lucilla is a superior being in every way, not least in relation to men. 'A tour de force...full of wit, surprises and intrigue...We can imagine Jane Austen reading MISS MARJORIBANKS with enjoyment and approval in the Elysian Fields' - Q. D. Leavis. Leavisdeclared Oliphant's heroine Lucilla to be the missing link in Victorian literature between Jane Austen's Emma and George Eliot's Dorothea Brook and 'more entertaining, more impressive and more likeable than either'.

Returning home to tend her widowed father Dr Marjoribanks, Lucilla soon launches herself into Carlingford society, aiming to raise the tone with her select Thursday evening parties. Optimistic, resourceful and blithely unimpeded by self-doubt, Lucilla is a superior being in every way, not least in relation to men. 'A tour de force...full of wit, surprises and intrigue...We can imagine Jane Austen reading MISS MARJORIBANKS with enjoyment and approval in the Elysian Fields' - Q. D. Leavis. Leavisdeclared Oliphant's heroine Lucilla to be the missing link in Victorian literature between Jane Austen's Emma and George Eliot's Dorothea Brook and 'more entertaining, more impressive and more likeable than either'.

'Human nature may be easy to see through, but it is very hard to understand.'The ageing Catherine Vernon, jilted in her youth, has risen to power in a man's world as head of the family bank. She thinks she sees through everyone and rules over a family of dependents with knowing cynicism. But there are two people in Redborough who resist her. One is Hester, a young relation with a personality as strong as Catherine's, and as determined to find a role for herself. The other is Edward, Catherine's favourite, whom she treats like a son. Conflict between young and old is inevitable, and in its depiction of the complex relationships that develop between the three principal characters, Publishing October 2003 (exact date?)Margaret Oliphant is one of the great Victorian novelists, and this edition establishes her rediscovered importance. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'There was not a soul to be seen, up or down; and the trees stood like ghosts, and the silence was terrible, and everything clear as day. You don’t know what silence is until you find it in the light like that...'Margaret Oliphant’s superbly strange tales have been long overdue their rediscovery as classics of the Victorian ghost story genre. From suspenseful hauntings to weird experiences of the afterlife and encounters with sympathetic ghosts, Oliphant tells her tales with well-wrought imagery and a nuanced voice to deliver a thoroughly unnerving and unforgettable reading experience. This newly edited volume collects six of her greatest ‘Seen and Unseen’ stories – Oliphant’s most popular series in her day – and includes a new introduction exploring the life of this pioneering novelist.