Margaret Stevens – författare

This is the definitive instructional guide to the art of botanical illustration, published in association with The Society of Botanical Artists and featuring detailed step-by-step demonstrations by members of the Society.Botanical illustration has been a popular art form for many centuries, with its appealing traditions of detail and beauty. This beautifully illustrated book covers all aspects of the subject and is an essential book for all serious students of botanical painting.The book includes useful information about materials, basic plant anatomy, flower and leaf shapes, and then explores the techniques for drawing and coloured pencil work, as well as painting with watercolour and gouache. Subjects include exotic and common plants, flowers, fruit and vegetables, as well as flowers in the garden. Packed with step-by-step demonstrations and stunning illustrations, this is an inspiring, practical guide, as well as a visual treat.

*Selected as one of openDemocracy's Best Political Books of 2017*This is the history of the black radicals who organised as Communists between the two imperialist wars of the twentieth century. It explores the political roots of a dozen organisations and parties in New York City, Mexico and the Black Caribbean, including the Anti-Imperialist League, and the American Negro Labour Congress and the Haiti Patriotic League, and reveals a history of myriad connections and shared struggle across the continent.This book reclaims the centrality of class consciousness and political solidarity amongst these black radicals, who are too often represented as separate from the international Communist movement which emerged after the Russian Revolution in 1917. Instead, it describes the inner workings of the ‘Red International’ in relation to struggles against racial and colonial oppression. It introduces a cast of radical characters including Richard Moore, Otto Huiswoud, Navares Sager, Grace Campbell, Rose Pastor Stokes and Wilfred Domingo. Challenging the ‘great men’ narrative, Margaret Stevens emphasises the role of women in their capacity as laborers; the struggles of peasants of colour; and of black workers in and around Communist parties.

*Selected as one of openDemocracy's Best Political Books of 2017*This is the history of the black radicals who organised as Communists between the two imperialist wars of the twentieth century. It explores the political roots of a dozen organisations and parties in New York City, Mexico and the Black Caribbean, including the Anti-Imperialist League, and the American Negro Labour Congress and the Haiti Patriotic League, and reveals a history of myriad connections and shared struggle across the continent.This book reclaims the centrality of class consciousness and political solidarity amongst these black radicals, who are too often represented as separate from the international Communist movement which emerged after the Russian Revolution in 1917. Instead, it describes the inner workings of the ‘Red International’ in relation to struggles against racial and colonial oppression. It introduces a cast of radical characters including Richard Moore, Otto Huiswoud, Navares Sager, Grace Campbell, Rose Pastor Stokes and Wilfred Domingo. Challenging the ‘great men’ narrative, Margaret Stevens emphasises the role of women in their capacity as laborers; the struggles of peasants of colour; and of black workers in and around Communist parties.

*Selected as one of openDemocracy''s Best Political Books of 2017*This is the history of the black radicals who organised as Communists between the two imperialist wars of the twentieth century. It explores the political roots of a dozen organisations and parties in New York City, Mexico and the Black Caribbean, including the Anti-Imperialist League, and the American Negro Labour Congress and the Haiti Patriotic League, and reveals a history of myriad connections and shared struggle across the continent.This book reclaims the centrality of class consciousness and political solidarity amongst these black radicals, who are too often represented as separate from the international Communist movement which emerged after the Russian Revolution in 1917. Instead, it describes the inner workings of the ‘Red International’ in relation to struggles against racial and colonial oppression. It introduces a cast of radical characters including Richard Moore, Otto Huiswoud, Navares Sager, Grace Campbell, Rose Pastor Stokes and Wilfred Domingo. Challenging the ‘great men’ narrative, Margaret Stevens emphasises the role of women in their capacity as laborers; the struggles of peasants of colour; and of black workers in and around Communist parties.

Gifted children are quick on the uptake, can be frustrated by repetition and easily become impatient when unchallenged. Challenging the Gifted Child outlines a tried and tested approach for encouraging able children to focus their active minds in a productive way and discover the joy and value of reading.The author explains the criteria for choosing appropriate reading for the child and describes ways to help deepen their understanding of both literature and language. Using examples from the author's extensive experience, this book encourages the development of independent learning skills and will help parents and educators to create a personalized reading programme for a gifted child at home or small groups of children in school. Photocopiable materials are included, along with samples of reading lists for different age groups.This book provides practical advice for working with advanced young readers and will be an ideal resource for anyone who has responsibility for educating a gifted child.

This is the story of one woman's journey from amateur painter to botanical artist, told through the sketchbooks and paintings she produced for the Distance Learning Diploma Course run by the Society of Botanical Artists. Packed with advice and tips, this book will serve as a guide and inspiration to anyone wanting to embark on life as a botanical artist.This book is both a showcase of Mary Ann Scott's work and a record of her achievements, including first-hand accounts of the joys and challenges she faced as she progressed. It contains work from every assignment she undertook, from her first attempts at drawing a tulip to the triumphant paintings she made for her diploma portfolio. Along the way are delicate floral compositions, juicy fruit and vegetables, botanical dissections, and her adventures out in the field.Margaret Stevens's comments on each assignments are also included, giving an insight into the assessment process and an all-round view of Mary Ann's successes and (very rare) failures. The book ends with a glorious selection of Mary Ann's ongoing work as a botanical artist.