Margery Sabin – författare

Dissenters and Mavericks reinvigorates the interdisciplinary study of literature, history, and politics through an approach to reading that allows the voices heard in writing a chance to talk back, to exert pressure on the presuppositions and preferences of a wide range of readers. Offering fresh and provocative interpretations of both well-known and unfamiliar texts--from colonial writers such as Horace Walpole and Edmund Burke to twentieth-century Indian writers such as Nirad Chaudhuri, V.S. Naipaul, and Pankaj Mishra--the book proposes a controversial challenge to prevailing academic methodology in the field of postcolonial studies.

The bold careers of Henry James, D.H. Lawrence, James Joyce, and Samuel Beckett--writers with profoundly unsettled cultural identities--spark Margery Sabin's investigation of values carried through inherited forms of speech. The Dialect of the Tribe offers fresh readings of such great novels as The Golden Bowl, Women in Love, Ulysses, and the Beckett trilogy which illustrate how complex attitudes toward the speech forms oflanguage inform the most varied social, psychological, and aesthetic structures in modern fiction. Sabin explores the powerful tension in these writers between appreciation for the resources of common speech in English and contrary longingsfor a freedom associated with abstraction, system, and foreign or private language. Her own critical procedures transcend restrictive and reductive polarizations, as she lucidly analyzes the biases of both the Anglo-American critical tradition and the challenge to that tradition in French literary theory and practice. Written in a jargon-free, accessible style, The Dialect of the Tribe argues that the ambiguous cultural positions of the great modern novelists in English emerge as amajor source of their strength--the rich traditions of the English language give enlivening power to writers also remarkable for their drive toward radical independence and skepticism.

Dissenters and Mavericks ambitiously reinstates individual authors at the centre of its inquiry into the complex relationship between literature and history. Offering fresh and provocative interpretations of both well-known and unfamiliar texts, the book joins what is still a tentative movement to open postcolonial studies to the competing values traditionally associated with literary criticism, where the exceptional matters as much as the typical, and analysis seeks to identify the distinctive qualities of thought and language in particular writers. Without proposing an honour roll of heroic dissenters, Margery Sabin discloses the presence of more skeptical questioning and more variety of thought and expression in the record of writing in English about India than the prevailing categories of postcolonial analysis register. After an introduction that explores the tension in methods and values between so-called "discourse analysis" and literary criticism, Sabin proceeds to eight chapters about writers who achieve a measure of freedom from the orthodoxies and stereotypes of their diverse, historical moments. Sabin chooses materials from a variety of genres, including letters, political oratory, memoirs, novels, journalism, and travel writing. Many English voices circulate in the first half of the book: Horace Walpole and Edmund Burke in the eighteenth century, Wilkie Collins in the nineteenth, along with lesser-known colonial historians and administrators. Part two features the Indian writers Nirad Chaudhuri, V. S. Naipaul, and Pankaj Mishra, along with lesser-known journalists, novelists, and other Indian intellectuals. Dissenters and Mavericks reinvigorates the interdisciplinary study of literature, history, and politics through an approach to reading that allows the voices heard in writing a chance to talk back, to exert pressure on the presuppositions and preferences of a wide range of readers.

Dissenters and Mavericks reinvigorates the interdisciplinary study of literature, history, and politics through an approach to reading that allows the voices heard in writing a chance to talk back, to exert pressure on the presuppositions and preferences of a wide range of readers. Offering fresh and provocative interpretations of both well-known and unfamiliar texts--from colonial writers such as Horace Walpole and Edmund Burke to twentieth-century Indian writers such as Nirad Chaudhuri, V.S. Naipaul, and Pankaj Mishra--the book proposes a controversial challenge to prevailing academic methodology in the field of postcolonial studies.

The bold careers of Henry James, D.H. Lawrence, James Joyce, and Samuel Beckett--writers with profoundly unsettled cultural identities--spark Margery Sabin''s investigation of values carried through inherited forms of speech. The Dialect of the Tribe offers fresh readings of such great novels as The Golden Bowl, Women in Love, Ulysses, and the Beckett trilogy which illustrate how complex attitudes toward the speech forms of language inform the most varied social, psychological, and aesthetic structures in modern fiction. Sabin explores the powerful tension in these writers between appreciation for the resources of common speech in English and contrary longings for a freedom associated with abstraction, system, and foreign or private language. Her own critical procedures transcend restrictive and reductive polarizations, as she lucidly analyzes the biases of both the Anglo-American critical tradition and the challenge to that tradition in French literary theory and practice. Written in a jargon-free, accessible style, The Dialect of the Tribe argues that the ambiguous cultural positions of the great modern novelists in English emerge as a major source of their strength--the rich traditions of the English language give enlivening power to writers also remarkable for their drive toward radical independence and skepticism.