Marguerite La Caze – författare

The notion of the philosophical imaginary developed by Michéle Le Doeuff refers to the capacity to imagine as well as to the stock of images philosophers employ. Making use of this notion, Marguerite La Caze explores the idea of the imaginary of analytic philosophy. Noting the marked tendency of analytic philosophy to be unselfconscious about the use of figurative language and the levels at which it works, La Caze shows how analytic images can work to define the parameters of debates and exclude differing approaches, including feminist ones.La Caze focuses on five influential types of images in five central areas of contemporary analytic philosophy: analogies and how they are used in the abortion debates; thought experiments in personal identity; the myth of the social contract; Thomas Nagel's use of visual and spatial metaphors in epistemology; and Kendall Walton's use of children's games as a foundational model in aesthetics.The author shows how the image promotes assumptions and conceals tensions in philosophical works, how the image persuades, and how it limits debate and excludes ideas. In providing an analysis of and reflection on the nature of the analytic imaginary, La Caze suggests that a more open-ended and reflexive approach can result in richer, more fruitful, philosophical work.

A philosophical exploration of how modern global cinema represents everyday means of resisting authoritarianism and totalitarianism VÁclav Havel’s concept of “living within the truth” in an authoritarian regime frames Marguerite La Caze’s readings of international cinema, highlighting forms of resistance in which seemingly pre- or nonpolitical aspects of life—such as professional labor, exile, and truth telling—can be recognized as political when seen against a backdrop of general acquiescence. La Caze’s case studies cross genres, historical eras, and national contexts: the apartheid regime in South Africa, in A Dry White Season; post-Suharto Indonesia, in The Look of Silence; 1980s East Germany, in Barbara; the Chilean military dictatorship, in No; contemporary Iran, in A Separation; and current-day Saudi Arabia, in Wadjda. This book explores the films’ use of image, sound, narrative, and character in dialogue with the work of Simone de Beauvoir, AimÉ Cesaire, Hannah Arendt, Sara Ahmed, and W. E. B. Du Bois to reveal how cinema depicts ordinary people enacting their own philosophies of defiance.

This title was first published in 2003. What does it take to be a person of integrity? Could those who commit morally horrendous acts be persons of integrity? Is personal integrity compatible with the kinds of ambivalence and self-doubt characteristic of fragile selves and ordinary lives? This text examines the centrality of integrity in relation to a variety of philosophical and psychological concerns that impinge upon the ethical life. Relating integrity to many standard issues in philosophical and moral psychology - such as self-deception, weakness of will, hypocrisy and relationships - the authors present a comprehensive and accessible study of integrity and its types. Drawing on contemporary work in moral and philosophical psychology, ethics, theories of the self and feminist thought, this book develops an account of integrity as a fundamental virtue - as something that is central to all our lives.

This title was first published in 2003. What does it take to be a person of integrity? Could those who commit morally horrendous acts be persons of integrity? Is personal integrity compatible with the kinds of ambivalence and self-doubt characteristic of fragile selves and ordinary lives? This text examines the centrality of integrity in relation to a variety of philosophical and psychological concerns that impinge upon the ethical life. Relating integrity to many standard issues in philosophical and moral psychology - such as self-deception, weakness of will, hypocrisy and relationships - the authors present a comprehensive and accessible study of integrity and its types.

A compelling understanding of equality and difference in public life.Wonder and Generosity provides a fresh account of how the passions of wonder-based on accepting others' differences-and generosity-based on self-respect and mutual respect-can supplement each other to establish an ethics and politics of respect for sexual and cultural differences. Drawing on the work of both historical and contemporary thinkers, such as Descartes, Kant, Beauvoir, Arendt, Irigaray, and Derrida, Marguerite La Caze applies her theoretical framework to a range of contemporary political challenges, including asylum-seeker policies, justice for indigenous and other oppressed groups, debates over official apologies, gender equality, and responses to radical evil. La Caze's book contributes to understanding the relationship between equality and difference in public life, the extent to which we must regard others as similar in the name of equality, and the extent to which we must acknowledge significant differences.

A compelling understanding of equality and difference in public life.Wonder and Generosity provides a fresh account of how the passions of wonder-based on accepting others' differences-and generosity-based on self-respect and mutual respect-can supplement each other to establish an ethics and politics of respect for sexual and cultural differences. Drawing on the work of both historical and contemporary thinkers, such as Descartes, Kant, Beauvoir, Arendt, Irigaray, and Derrida, Marguerite La Caze applies her theoretical framework to a range of contemporary political challenges, including asylum-seeker policies, justice for indigenous and other oppressed groups, debates over official apologies, gender equality, and responses to radical evil. La Caze's book contributes to understanding the relationship between equality and difference in public life, the extent to which we must regard others as similar in the name of equality, and the extent to which we must acknowledge significant differences.

This book investigates the interrelations between aesthetics, ethics and politics in a variety of visual media forms, ranging across art installations, film and television, interactive documentaries, painting, photography, social media and videogames. An international mix of emerging and established authors, with interdisciplinary expertise, explores how different ethical questions, political implications and aesthetic pleasures arise and shape one another in distinct visual media.Investigating themes such as the use of cinema as a medium for ethical and political thought, how documentary subjects both conceal and reveal truth, the new ethical challenges arising from interactive media and the role of images in responding to political events and trauma, this is a groundbreaking work about the interrelations of aesthetic, ethical and political values in visual media.

Shows how aesthetic, ethical, and political questions intersect in a range of art forms as found in traditional mediaAddresses key aesthetic, ethical, and political questions in visual mediaExamines contemporary films, television, photography, painting and new visual media such as videogames, Facebook, and interactive documentariesOffers an international mix of emerging and senior authors with interdisciplinary expertiseThis book investigates the interrelations between aesthetics, ethics and politics in a variety of visual media forms, ranging across art installations, film and television, interactive documentaries, painting, photography, social media and videogames. An international mix of emerging and established authors, with interdisciplinary expertise, explores how different ethical questions, political implications and aesthetic pleasures arise and shape one another in distinct visual media.Investigating themes such as the use of cinema as a medium for ethical and political thought, how documentary subjects both conceal and reveal truth, the new ethical challenges arising from interactive media and the role of images in responding to political events and trauma, this is a groundbreaking work about the interrelations of aesthetic, ethical and political values in visual media.

Contemporary political ethics has to face the question of how to repair relations which have broken down after crimes, oppression, and political violence. The book employs the work of European and feminist philosophers, including Jacques Derrida, Albert Camus, Simone Beauvoir, Hannah Arendt, Karl Jaspers, Jean-Paul Sartre, Giorgio Agamben, Immanuel Kant, Jean Améry, Vladimir Jankélévitch, Margaret Urban Walker and Linda Radzik to engage with historical and recent cases: the post-liberation French purge, post-genocide Rwanda and post-colonial Australia and draws out the negative and positive conditions of ethical political responses in these contexts. It develops a philosophical account of ethical restoration through focusing on just punishment, guilt and shame, rebuilding political trust, forgiveness and reconciliation, remorse and atonement, and self-forgiveness.

Contemporary Perspectives on Vladimir Jankélévitch: On What Cannot Be Touched performs a cross-disciplinary theoretical analysis of the philosophy of Vladimir Jankélévitch. An international group of contributors, including both established and emerging scholars, engage with his writings from diverse disciplinary angles and consider his importance for contemporary political and cultural contexts. Edited by Marguerite La Caze and Magdalena Zolkos, the collection provides a holistic and multi-perspectival approach to Jankélévitch’s writings, one that illuminates nuanced and complex connections across the five sub-fields of philosophy to which Jankélévitch contributed: moral philosophy, virtue theory, metaphysics, philosophy of music, and philosophy of religion. The book addresses different aspects of and problems in Jankélévitch’s philosophy, with all chapters unified by a preoccupation with the motif of intangibility—that which cannot be touched.

Hannah Arendt and the History of Thought, edited by Daniel Brennan and Marguerite La Caze, enrichens and deepens scholarship on Arendt’s relation to philosophical history and traditions. Some contributors analyze thinkers not often linked to Arendt, such as William Shakespeare, Hans Jonas, and Simone de Beauvoir. Other contributors treat themes that are pressing and crucial to understanding Arendt’s work, such as love in its many forms, ethnicity and race, disability, human rights, politics, and statelessness. The collection is anchored by chapters on Arendt’s interpretation of Kant and her relation to early German Romanticism and phenomenology, while other chapters explore new perspectives, such as Arendt and film, her philosophical connections with other women thinkers, and her influence on Eastern European thought and activism. The collection expands the frames of reference for research on Arendt—both in terms of using a broader range of texts like her Denktagebuch and in examining her ideas about judgment, feminism, and worldliness in this wider context.

Hannah Arendt and the History of Thought, edited by Daniel Brennan and Marguerite La Caze, enrichens and deepens scholarship on Arendt’s relation to philosophical history and traditions. Some contributors analyze thinkers not often linked to Arendt, such as William Shakespeare, Hans Jonas, and Simone de Beauvoir. Other contributors treat themes that are pressing and crucial to understanding Arendt’s work, such as love in its many forms, ethnicity and race, disability, human rights, politics, and statelessness. The collection is anchored by chapters on Arendt’s interpretation of Kant and her relation to early German Romanticism and phenomenology, while other chapters explore new perspectives, such as Arendt and film, her philosophical connections with other women thinkers, and her influence on Eastern European thought and activism. The collection expands the frames of reference for research on Arendt—both in terms of using a broader range of texts like her Denktagebuch and in examining her ideas about judgment, feminism, and worldliness in this wider context.

Forgiveness—either needing or wanting to be forgiven, or trying to forgive another—is a near-universal experience and one of endless fascination. This volume mines the work of phenomenologists and the methods of phenomenology to extend and deepen our understanding of these complex experiences. Interest in the phenomenon of forgiveness continues to grow, as the question of forgiveness for past injustices has become a global issue. Phenomenologists have a special contribution to make to the discussion of forgiveness, both because of the capacity to describe and analyse the richness of first-person experiences of forgiving and being forgiven, and because many of the twentieth-century phenomenologists, such as Arendt, Beauvoir, Fanon, Husserl, Levinas, Ricoeur, Sartre, and Stein, experienced first-hand the trials of war, detention, violence, exile and occupation that tested their power to forgive. Phenomenology and Forgiveness addresses questions such as whether it is only ethical to forgive in response to apologies and expressions of remorse or whether forgiveness is a gift, whether some acts are unforgiveable, the role of forgiveness in political life, and whether it is possible to forgive ourselves.