Maria Bucur – författare

A pioneering work for the history of veterans’ rights in Romania, this study brings into focus the laws and policies the state developed in response to the unprecedented human losses in World War I. It features in lively and accessible language the varied responses of veterans, widows and orphans to those policies. The analysis emphasizes how ordinary citizens became educated about and used state institutions in ways that highlight the class, ethnic, religious and gender norms of the day. The book offers a vivid case study of how disability as a personal reality for many veterans became a point of policy making, a story that has seen little scholarly interest despite the enormous populations affected by these developments. Overall, the monograph shows how, in the postwar European states, citizenship as engaged practice was shaped by both government policies and the interpretation a large and varied group of beneficiaries gave to these policies. The analysis provides insights of great interest to scholars of these themes, while it offers examples of engaged citizenship useful for an undergraduate and nonspecialist audience.

A pioneering work for the history of veterans’ rights in Romania, this study brings into focus the laws and policies the state developed in response to the unprecedented human losses in World War I. It features in lively and accessible language the varied responses of veterans, widows and orphans to those policies. The analysis emphasizes how ordinary citizens became educated about and used state institutions in ways that highlight the class, ethnic, religious and gender norms of the day. The book offers a vivid case study of how disability as a personal reality for many veterans became a point of policy making, a story that has seen little scholarly interest despite the enormous populations affected by these developments. Overall, the monograph shows how, in the postwar European states, citizenship as engaged practice was shaped by both government policies and the interpretation a large and varied group of beneficiaries gave to these policies. The analysis provides insights of great interest to scholars of these themes, while it offers examples of engaged citizenship useful for an undergraduate and nonspecialist audience.

Gendering Modernism offers a critical reappraisal of the modernist movement, asking how gender norms of the time shaped the rebellion of the self-avowed modernists and examining the impact of radical gender reformers on modernism. Focusing primarily on the connections between North American and European modernists, Maria Bucur explains why it is imperative that we consider the gender angles of modernism as a way to understand the legacies of the movement. She provides an overview of the scholarship on modernism and an analysis of how definitions of modernism have evolved with that scholarship. Interweaving vivid case studies from before the Great War to the interwar period - looking at individual modernists from Ibsen to Picasso, Hannah Höch to Josephine Baker - she covers various fields such as art, literature, theatre and film, whilst also demonstrating how modernism manifested itself in the major social-political and cultural shifts of the 20th century, including feminism, psychology, sexology, eugenics, nudism, anarchism, communism and fascism.This is a fresh and wide-ranging investigation of modernism which expands our definition of the movement, integrating gender analysis and thereby opening up new lines of enquiry. Written in a lively and accessible style, Gendering Modernism is a crucial intervention into the literature which should be read by all students and scholars of the modernist movement as well 20th-century history and gender studies more broadly.

Gendering Modernism offers a critical reappraisal of the modernist movement, asking how gender norms of the time shaped the rebellion of the self-avowed modernists and examining the impact of radical gender reformers on modernism. Focusing primarily on the connections between North American and European modernists, Maria Bucur explains why it is imperative that we consider the gender angles of modernism as a way to understand the legacies of the movement. She provides an overview of the scholarship on modernism and an analysis of how definitions of modernism have evolved with that scholarship. Interweaving vivid case studies from before the Great War to the interwar period - looking at individual modernists from Ibsen to Picasso, Hannah Höch to Josephine Baker - she covers various fields such as art, literature, theatre and film, whilst also demonstrating how modernism manifested itself in the major social-political and cultural shifts of the 20th century, including feminism, psychology, sexology, eugenics, nudism, anarchism, communism and fascism.This is a fresh and wide-ranging investigation of modernism which expands our definition of the movement, integrating gender analysis and thereby opening up new lines of enquiry. Written in a lively and accessible style, Gendering Modernism is a crucial intervention into the literature which should be read by all students and scholars of the modernist movement as well 20th-century history and gender studies more broadly.

This innovative text explores the unprecedented changes in the realms of politics, demography, economics, culture, knowledge, and kinship that women have brought about in the twentieth and twenty-first centuries. Global in reach, the book provides a comparative analysis of developments worldwide to show both progress as well as new tensions and forms of inequality that have emerged out of women’s entry into politics, wage employment, education, and the production of culture. Beginning with suffrage and moving to participation in international movements—such as anti-war, labor, and environmental rights activism—Maria Bucur explores how women have transformed the operation of states and international institutions. She focuses on the radical demographic shifts since 1900 through the prism of changing practices in women’s sexuality, from birth control practices to education. Examining the continuing economic gender gap around the world, Bucur highlights ways women have been both beneficiaries of new economic opportunities and participants in developing new forms of inequality. Considering the remarkable achievements of women in the areas of knowledge making and cultural production, the author shifts her gaze toward the future and what these changes mean in terms of gender norms and evolving kinship relations. She thus presents a new perspective on contemporary world history, centered on how women have become both the subjects and objects of seismic shifts in the political, social, and economic structures of societies across the globe.

This innovative text explores the unprecedented changes in the realms of politics, demography, economics, culture, knowledge, and kinship that women have brought about in the twentieth and twenty-first centuries. Global in reach, the book provides a comparative analysis of developments worldwide to show both progress as well as new tensions and forms of inequality that have emerged out of women’s entry into politics, wage employment, education, and the production of culture. Beginning with suffrage and moving to participation in international movements—such as anti-war, labor, and environmental rights activism—Maria Bucur explores how women have transformed the operation of states and international institutions. She focuses on the radical demographic shifts since 1900 through the prism of changing practices in women’s sexuality, from birth control practices to education. Examining the continuing economic gender gap around the world, Bucur highlights ways women have been both beneficiaries of new economic opportunities and participants in developing new forms of inequality. Considering the remarkable achievements of women in the areas of knowledge making and cultural production, the author shifts her gaze toward the future and what these changes mean in terms of gender norms and evolving kinship relations. She thus presents a new perspective on contemporary world history, centered on how women have become both the subjects and objects of seismic shifts in the political, social, and economic structures of societies across the globe.

This volume contains three sections of essays which examine the role of commemoration and public celebrations in the creation of a national identity in Habsburg lands. It also seeks to engage historians of culture and of nationalism in other geographic fields as well as colleagues who work on Habsburg Central Europe, but write about nationalism from different vantage points. There is hope that this work will help generate a dialogue, especially with colleagues who live in the regions that were analyzed. Many of the authors consider the commemorations discussed in this volume from very different points of view, as they themselves are strongly rooted in a historical context that remains much closer to the nationalism we critique.