María DeGuzmán - Böcker

Often treated like night itself—both visible and invisible, feared and romanticized—Latina/os make up the largest minority group in the US. In her newest work, María DeGuzmán explores representations of night in art and literature from the Caribbean, Colombia, Central and South America, and the US, calling into question night's effect on the formation of identity for Latina/os in and outside of the US. She takes as her subject novels, short stories, poetry, essays, non-fiction, photo-fictions, photography, and film, and examines these texts through the lenses of nationhood, sexuality, human rights, exoticism, among others.

England and the Netherlands, Spain’s imperial rivals of the sixteenth and seventeenth centuries, imagined Spain as a land of cruel and degenerate barbarians of la leyenda negra (the Black Legend), in league with the powers of “blackest darkness” and driven by “dark motives.” In Spain’s Long Shadow, MarÍa DeGuzmÁn explores how this convenient demonization made its way into American culture-and proved essential to the construction of whiteness. DeGuzmÁn’s work reaches from the late eighteenth century-in the wake of the American Revolution-to the present. Surveying a broad range of texts and images, from Poe’s “William Wilson” and John Singer Sargent’s El Jaleo to Richard Wright’s Pagan Spain and Kathy Acker’s Don Quixote, Spain’s Long Shadow shows how the creation of Anglo-American ethnicity as specifically American has depended on the casting of Spain as a colonial alter ego. The symbolic power of Spain in the American imagination, DeGuzmÁn argues, is not just a legacy of that nation’s colonial presence in the Americas; it lives on as well in the “blackness” of Spain and Spaniards-in the assigning of people of Spanish origin to an “off-white” racial category that reserves the designation of white for Anglo-Americans. By demonstrating how the Anglo-American imagination needs Spain and Spaniards as figures of attraction and repulsion, DeGuzmÁn makes a compelling and illuminating case for treating Spain as the imperial alter ego of the United States. Cross-cultural and interdisciplinary, ambitious in its chronological sweep, and elegant in its interpretation of literary and visual works, DeGuzmÁn’s book leads us to a powerful new understanding of the nature-and history-of American ethnicity.