Maria-José Blanco – författare

This volume brings together scholars, students and writers as well as artists from around the world. By choosing a thematic focus on "transition" in women’s lives, we present research on women who have crossed biological, geopolitical and political borders as well as emotional, sexual, cultural and linguistic boundaries. The international approach brings together different cultures and genres in order to emphasize the links and connections that bind women together, rather than those which separate them. The chapters consider the ways in which the changes and transitions women undergo influence the world we live in. We are particularly interested in the idea of crossing borders and how this influences identity and belonging, and the theme of crossing boundaries in the context of motherhood as well as sexual orientation. The topic is timely given the waves of migration all around the world in recent times. The contributors deal with issues central to contemporary life, such as gender equality and women’s empowerment, as well as understanding women’s identities and being sensitive to fluid concepts of gender and sexuality.

This volume brings together scholars, students and writers as well as artists from around the world. By choosing a thematic focus on "transition" in women’s lives, we present research on women who have crossed biological, geopolitical and political borders as well as emotional, sexual, cultural and linguistic boundaries. The international approach brings together different cultures and genres in order to emphasize the links and connections that bind women together, rather than those which separate them. The chapters consider the ways in which the changes and transitions women undergo influence the world we live in. We are particularly interested in the idea of crossing borders and how this influences identity and belonging, and the theme of crossing boundaries in the context of motherhood as well as sexual orientation. The topic is timely given the waves of migration all around the world in recent times. The contributors deal with issues central to contemporary life, such as gender equality and women’s empowerment, as well as understanding women’s identities and being sensitive to fluid concepts of gender and sexuality.

The social and cultural changes of the last century have transformed death from an everyday fact to something hidden from view. Shifting between the practical and the theoretical, the professional and the intimate, the real and the fictitious, this collection of essays explores the continued power of death over our lives. It examines the idea and experience of death from an interdisciplinary perspective, including studies of changing burial customs throughout Europe; an account of a“dying party” in the Netherlands; examinations of the fascination with violent death in crime fiction and the phenomenon of serial killer art; analyses of death and bereavement in poetry, fiction, and autobiography; and a look at audience reactions to depictions of death on screen. By studying and considering how death is thought about in the contemporary era, we might restore the natural place it has in our lives.

The social and cultural changes of the last century have transformed death from an everyday fact to something hidden from view. Shifting between the practical and the theoretical, the professional and the intimate, the real and the fictitious, this collection of essays explores the continued power of death over our lives. It examines the idea and experience of death from an interdisciplinary perspective, including studies of changing burial customs throughout Europe; an account of a“dying party” in the Netherlands; examinations of the fascination with violent death in crime fiction and the phenomenon of serial killer art; analyses of death and bereavement in poetry, fiction, and autobiography; and a look at audience reactions to depictions of death on screen. By studying and considering how death is thought about in the contemporary era, we might restore the natural place it has in our lives.

‘Feminine Plural shows that a revolution is taking place in literature written in Portuguese and Spanish. After many years of being silenced by dictatorships, colonial injustice, and systemic problems of access to education, women from the Iberian Peninsula and Latin America are not only making their voices heard, but also, in the process, creating previously unseen literary forms in order to be able to tell their previously untold stories. I had not known how important it was to examine recent life-writing by women in my own language until I had this book in my hands. And if I needed proof that a personal story is more than a small cog in the mechanics of the world, this is it.’ – Susana Moreira Marques, writer ‘For several decades now, women’s autobiographical writing has been flourishing. Many women writers narrate their personal experience, marked out by their condition of womanhood, by experiences such as their relationship with their mothers, migration, adoption, racism, motherhood, the rural world, infertility, sexuality, exile … In this well-documented and entertaining book, two great experts in Luso-Hispanic women’s literature, Maria-José Blanco and Claire Williams, introduce and guide the reader through this vast new field of writing.’ – Laura Freixas, writer In the short period since our volume Feminine Singular came out, life-writing by women in the Luso-Hispanic world has proliferated, justifying another book of essays on the topic. Not only are more women choosing to write (about) themselves, they are doing so in innovative ways that cross conventional generic boundaries. They openly discuss previously taboo subjects, speak out against injustice and provoke changes in policy and attitudes. Furthermore, they embrace plurality, by recognising the achievements of their foremothers and celebrating their peers; expressing themselves through fragmentation and collage; and, ultimately, working and reading and writing together. These essays introduce an Anglophone readership to some of the most exciting and audacious Luso-Hispanic women writing and making art today. They bring together a mixture of personal essays and short fiction, alongside more traditional literary critical research, to show what women’s life-writing can do.