Maria Quirk – författare
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5 produkter
5 produkter
Häftad, Engelska, 2021
553 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2019
1 715 kr
Skickas inom 10-15 vardagar
Women, Art and Money in England establishes the importance of women artists’ commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists’ professional status and business relationships within the complex and changing art market of late-Victorian England.By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what women had to do to be considered ‘professional’ artists. More important than a Royal Academy education or membership to exhibiting societies was a woman’s ability to sell her work. This meant that women had strong incentive to paint in saleable, popular and ‘middlebrow’ genres, which reinforced prejudices towards women’s ‘naturally’ inferior artistic ability – prejudices that continued far into the twentieth century.From shining a light on the difficult to trace pecuniary arrangements of little researched artists like Ethel Mortlock to offering new and direct comparisons between the incomes earned by male and female artists, and the genres, commissions and exhibitions that earned women the most money, Women, Art and Money is a timely contribution to the history of women’s working lives that is relevant to a number of scholarly disciplines.
E-bok
Engelska, 2019496 kr
Läs direkt efter köp
Women, Art and Money in England establishes the importance of women artists'' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists'' professional status and business relationships within the complex and changing art market of late-Victorian England.By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what women had to do to be considered ''professional'' artists. More important than a Royal Academy education or membership to exhibiting societies was a woman''s ability to sell her work. This meant that women had strong incentive to paint in saleable, popular and ''middlebrow'' genres, which reinforced prejudices towards women''s ''naturally'' inferior artistic ability – prejudices that continued far into the twentieth century.From shining a light on the difficult to trace pecuniary arrangements of little researched artists like Ethel Mortlock to offering new and direct comparisons between the incomes earned by male and female artists, and the genres, commissions and exhibitions that earned women the most money, Women, Art and Money is a timely contribution to the history of women''s working lives that is relevant to a number of scholarly disciplines.
E-bok
PDF, Engelska, 2019514 kr
Läs direkt efter köp
Women, Art and Money in England establishes the importance of women artists'' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists'' professional status and business relationships within the complex and changing art market of late-Victorian England.By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what women had to do to be considered ''professional'' artists. More important than a Royal Academy education or membership to exhibiting societies was a woman''s ability to sell her work. This meant that women had strong incentive to paint in saleable, popular and ''middlebrow'' genres, which reinforced prejudices towards women''s ''naturally'' inferior artistic ability – prejudices that continued far into the twentieth century.From shining a light on the difficult to trace pecuniary arrangements of little researched artists like Ethel Mortlock to offering new and direct comparisons between the incomes earned by male and female artists, and the genres, commissions and exhibitions that earned women the most money, Women, Art and Money is a timely contribution to the history of women''s working lives that is relevant to a number of scholarly disciplines.
Inbunden, Engelska, 2026
473 kr
Skickas inom 5-8 vardagar
Women Photographers 1900–1975: A Legacy of Light presents the work and lives of over 80 women whose contributions to photography have been historically underacknowledged Featuring a carefully curated selection of images, essays and poetry, this volume is a rich collective portrait of artists whose vision and influence shaped the medium in profound ways. With images by: Berenice Abbott, Karimeh Abbud, Laure Albin Guillot, Lola Álvarez Bravo, Diane Arbus, Gertrud Arndt, Ellen Auerbach, Lillian Bassman, Hilla Becher, Ruth Bernhard, Ilse Bing, Katt Both, Margaret BourkeWhite, Anne Brigman, Claude Cahun, Lizzie Caswall Smith, Marjory Collins, Olive Cotton, Imogen Cunningham, Louise DahlWolfe, Maggie Diaz, Nora Dumas, Mikki Ferrill, Trude Fleischmann, Sue Ford, Virginia Fraser, Gisèle Freund, Heather George, Viva Gibb, Christine Godden, Fiona Hall, Ponch Hawkes, Annemarie Heinrich, Florence Henri, Kitty Hoffmann, Ruth Hollick, Kati Horna, Dorothy Izard, Lotte Jacobi, Carol Jerrems, Frances Benjamin Johnston, Joan Jonas, Consuelo Kanaga, Gertrude Käsebier, Germaine Krull, Dorothea Lange, Melanie Le Guay, Helen Levitt, Grace Lock, Inez McPhee, Dora Maar, Madame d’Ora, Bea Maddock, Marion Marrison, Lee Miller, Alice Mills, Jacqueline Mitelman, Lisette Model, Tina Modotti, Lucia Moholy, Marcel Moore, May Moore, Mina Moore, Barbara Morgan, Hedda Morrison, Ann Newmarch, Ruth Orkin, Marion Post Wolcott, Leonie Reisberg, Eslanda Cardozo Goode Robeson, Isabel Seymour, Peggy Silinsky, Eve Sonneman, Varvara Stepanova, Grete Stern, Elsa Thiemann, Tokiwa Toyoko, Ingeborg Tyssen, Edna Walling, Francesca Woodman, Yamawaki Michiko, Yamazawa Eiko.