For centuries, the stereotypical image of the voluptuous Italian woman has functioned as an object of desire for Western man: from sixteenth-century paintings of Venetian courtesans who modeled for the erotically charged canvases of Titian, Veronese, and Tintoretto, to nineteenth-century reports of the beautiful dancer Marie Taglioni, to the twentieth-century cinematic images of Sophia Loren and Dominique Sanda. Now Italian women have turned the tables. With In the Forbidden City, translated from the Italian, acclaimed novelist Maria Rosa Cutrufelli brings together fourteen short erotic stories by contemporary Italian women writers. Well-established voices are juxtaposed with new ones; traditional forms provide a contrast with the experimental. In Sandra Petrignani's dialogue "Body" a women and a former lover engage in a heady debate about desire and indifference; Margherita Ciacobino delivers a tale of lesbian desire, a theme uncommon in Italian literature; Dacia Maraini writes on the literature of eroticism penned by women writers that ingeniously manages to be erotic in its own right; and Rossana Campo, in one of the most entertaining entries, offers a hip-rattling tri-logue on love voiced by some super-cool adolescents. In her introduction, Cutrufelli draws in even more writers such as Jean Baudrillard, Angela Carter, and Georges Bataille in her introductory essay on the theoretical issues of desire and seduction.Now finally available to English readers, In the Forbidden City constitutes a breakthrough volume in literary erotica by Italian women that is both profound and engaging.

A classic of Italian feminist mafia literature about a gender-bending mafiosa and the writer who becomes obsessed with telling her storySicily, 1980s: When she was just eight years old, Tina watched as her father, a member of Cosa Nostra, was murdered in cold blood. Now a teenager, she terrorizes her hometown of Gela, having made it her mission to join the mafia, an organization traditionally forbidden to women as made members. Nicknamed ’a masculidda, or “the tomboy,” Tina has taken charge of her own gang, and is notorious for her cruelty and reckless disregard for societal expectations.   When a news article is published about Tina’s latest crimes, a teacher living in Rome feels compelled to write a novel about her—even though it means returning to her native Sicily to gather material. She and Tina circle around each other in a dangerous dance of obsession and violence until their first, and last, explosive meeting.   This groundbreaking exploration of gender identity and clear-eyed presentation of an unseen side of the mafia is a landmark literary achievement by one of Italy’s feminist icons.

A classic of Italian feminist mafia literature about a gender-bending mafiosa and the writer who becomes obsessed with telling her storySicily, 1980s: When she was just eight years old, Tina watched as her father, a member of Cosa Nostra, was murdered in cold blood. Now a teenager, she terrorizes her hometown of Gela, having made it her mission to join the mafia, an organization traditionally forbidden to women as made members. Nicknamed ’a masculidda, or “the tomboy,” Tina has taken charge of her own gang, and is notorious for her cruelty and reckless disregard for societal expectations.   When a news article is published about Tina’s latest crimes, a teacher living in Rome feels compelled to write a novel about her—even though it means returning to her native Sicily to gather material. She and Tina circle around each other in a dangerous dance of obsession and violence until their first, and last, explosive meeting.   This groundbreaking exploration of gender identity and clear-eyed presentation of an unseen side of the mafia is a landmark literary achievement by one of Italy’s feminist icons.

For centuries, the stereotypical image of the voluptuous Italian woman has functioned as an object of desire for Western man: from sixteenth-century paintings of Venetian courtesans who modeled for the erotically charged canvases of Titian, Veronese, and Tintoretto, to nineteenth-century reports of the beautiful dancer Marie Taglioni, to the twentieth-century cinematic images of Sophia Loren and Dominique Sanda. Now Italian women have turned the tables. With In the Forbidden City, translated from the Italian, acclaimed novelist Maria Rosa Cutrufelli brings together fourteen short erotic stories by contemporary Italian women writers. Well-established voices are juxtaposed with new ones; traditional forms provide a contrast with the experimental. In Sandra Petrignani's dialogue "Body" a women and a former lover engage in a heady debate about desire and indifference; Margherita Ciacobino delivers a tale of lesbian desire, a theme uncommon in Italian literature; Dacia Maraini writes on the literature of eroticism penned by women writers that ingeniously manages to be erotic in its own right; and Rossana Campo, in one of the most entertaining entries, offers a hip-rattling tri-logue on love voiced by some super-cool adolescents. In her introduction, Cutrufelli draws in even more writers such as Jean Baudrillard, Angela Carter, and Georges Bataille in her introductory essay on the theoretical issues of desire and seduction.Now finally available to English readers, In the Forbidden City constitutes a breakthrough volume in literary erotica by Italian women that is both profound and engaging.

A classic of Italian feminist mafia literature about a gender-bending mafiosa and the writer who becomes obsessed with telling her storySicily, 1980s: When she was just eight years old, Tina watched as her father, a member of Cosa Nostra, was murdered in cold blood. Now a teenager, she terrorizes her hometown of Gela, having made it her mission to join the mafia, an organization traditionally forbidden to women as made members. Nicknamed ’a masculidda, or “the tomboy,” Tina has taken charge of her own gang, and is notorious for her cruelty and reckless disregard for societal expectations.   When a news article is published about Tina’s latest crimes, a teacher living in Rome feels compelled to write a novel about her—even though it means returning to her native Sicily to gather material. She and Tina circle around each other in a dangerous dance of obsession and violence until their first, and last, explosive meeting.   This groundbreaking exploration of gender identity and clear-eyed presentation of an unseen side of the mafia is a landmark literary achievement by one of Italy’s feminist icons.

A classic of Italian feminist mafia literature about a gender-bending mafiosa and the writer who becomes obsessed with telling her storySicily, 1980s: When she was just eight years old, Tina watched as her father, a member of Cosa Nostra, was murdered in cold blood. Now a teenager, she terrorizes her hometown of Gela, having made it her mission to join the mafia, an organization traditionally forbidden to women as made members. Nicknamed ’a masculidda, or “the tomboy,” Tina has taken charge of her own gang, and is notorious for her cruelty and reckless disregard for societal expectations.   When a news article is published about Tina’s latest crimes, a teacher living in Rome feels compelled to write a novel about her—even though it means returning to her native Sicily to gather material. She and Tina circle around each other in a dangerous dance of obsession and violence until their first, and last, explosive meeting.   This groundbreaking exploration of gender identity and clear-eyed presentation of an unseen side of the mafia is a landmark literary achievement by one of Italy’s feminist icons.