Maria Rovisco - Böcker

Although emerging scholarship in the social sciences suggests that religion can be a potential catalyst of cosmopolitanism and global citizenship, few attempts have been made to bring to the fore new theoretical positions and empirical analyses of how cosmopolitanism -- as a philosophical notion, a practice and identity outlook -- can also shape and inform concrete religious affiliations. Key questions concerning the significance of cosmopolitan ideas and practices – in relation to particular religious experiences and discourses -- remain to be explored, both theoretically and empirically. This book takes as its starting point the emergence of cosmopolitanism -- as a major interdisciplinary field -- as a springboard for generating a productive dialogue among scholars working within a variety of intellectual disciplines and methodological traditions. The chapter contributions offer a serious attempt to critically engage both the limitations and possibilities of cosmopolitanism as an analytical and critical tool to understand a changing religious landscape in a globalizing world, namely, the so-called ‘new religious diversity’, religious conflict, and issues of migration, multiculturalism and transnationalism vis-à-vis the public exercise of religion. The contributors’ work is situated in a range of world sites in Africa, India, North America, Latin America, and Europe.This work will be of great interest to students and scholars of globalization, religion and politics, and the sociology of religion.

Although emerging scholarship in the social sciences suggests that religion can be a potential catalyst of cosmopolitanism and global citizenship, few attempts have been made to bring to the fore new theoretical positions and empirical analyses of how cosmopolitanism -- as a philosophical notion, a practice and identity outlook -- can also shape and inform concrete religious affiliations. Key questions concerning the significance of cosmopolitan ideas and practices – in relation to particular religious experiences and discourses -- remain to be explored, both theoretically and empirically. This book takes as its starting point the emergence of cosmopolitanism -- as a major interdisciplinary field -- as a springboard for generating a productive dialogue among scholars working within a variety of intellectual disciplines and methodological traditions. The chapter contributions offer a serious attempt to critically engage both the limitations and possibilities of cosmopolitanism as an analytical and critical tool to understand a changing religious landscape in a globalizing world, namely, the so-called ‘new religious diversity’, religious conflict, and issues of migration, multiculturalism and transnationalism vis-à-vis the public exercise of religion. The contributors’ work is situated in a range of world sites in Africa, India, North America, Latin America, and Europe.This work will be of great interest to students and scholars of globalization, religion and politics, and the sociology of religion.

What makes people cosmopolitan? How is cosmopolitanism shaping everyday life experiences and the practices of ordinary people? Making use of empirical research, Cosmopolitanism in Practice examines the concrete settings in which individuals display cosmopolitan sensibilities and dispositions, illustrating the ways in which cosmopolitan self-transformations can be used as an analytical tool to explain a variety of identity outlooks and practices. The manner in which both past and present cosmopolitanisms compete with meta-narratives such as nationalism, multiculturalism and religion is also investigated, alongside the employment of cosmopolitan ideas in situations of tension and conflict. With an international team of contributors, including Ulrich Beck, Steven Vertovec, Rob Kroes and Natan Sznaider, this book draws on a variety of intellectual disciplines and international contexts to show how people embrace and make use of cosmopolitan ideas and attitudes.

The study of Cosmopolitanism has been transformed in the last 20 years and the subject itself has become highly discussed across the social sciences and the humanities. The Ashgate Research Companion to Cosmopolitanism pursues distinct theoretical orientations and empirical analyses, bringing together mainstream discussions with the newest thinking and developments on the main themes, debates and controversies surrounding the subject. The contributions are grouped into three parts, each reflecting a different analytical focus within a variety of intellectual disciplines and methodological approaches. Part I (Cultural Cosmopolitanism) is primarily concerned with the empirically-grounded aspects of cosmopolitanism which are apparent in mundane practices and lifestyle options on the micro-scale of daily interactions. It focuses on the outlooks and lived experience of ordinary individuals and groups in concrete situational contexts and social structures. Part II (Political Cosmopolitanism) sets out the main topics and issues dealt with by scholars writing within the tradition of political cosmopolitanism. Addressing timely issues such as human rights, global justice, and global democracy, it focuses on Cosmopolitanism as an ethico-political ideal and a political project to devise new forms of supranational and transnational governance. Part III (Debates) reflects the major debates and controversies on the subject and deliberately eschews any bland consensus to instead foreground the key arguments and lively intellectual discussions in play across disciplinary divisions. Featuring contributions from key thinkers in the field, including Ulrich Beck, David Held and Martha Nussbaum, this comprehensive volume will be a valuable resource for all academics and students working within this area of study.

This book focuses on small-scale mobilisation and everyday social movements that take the form of grassroots resistance and solidarity initiatives. Through a series of case studies drawn from the UK, Europe, India, and Latin America, it examines the dynamics and role of micro-acts of resistance, with attention to a range of themes including organisational issues, the construction of collective identity, strategies, tactics and participation, and media representations and public perception of small-scale social movements. As such, it will appeal to scholars and students of sociology, media and communication and politics with interests in social movements, political mobilisation and activism.

This book focuses on small-scale mobilisation and everyday social movements that take the form of grassroots resistance and solidarity initiatives. Through a series of case studies drawn from the UK, Europe, India, and Latin America, it examines the dynamics and role of micro-acts of resistance, with attention to a range of themes including organisational issues, the construction of collective identity, strategies, tactics and participation, and media representations and public perception of small-scale social movements. As such, it will appeal to scholars and students of sociology, media and communication and politics with interests in social movements, political mobilisation and activism.

Artists, Cosmopolitanism, and the Civic Imagination unpacks the political agency of artists by looking at artists as moral, reflexive, and political agents. Do artists play a role in civil society? Can artists “make a difference” in the world? In what ways do artists act politically? To address these questions, this book moves away from a focus on social organisation and the production of art, to ask how artists attach meaning to their interventions in social and political conditions.Maria Rovisco draws from in-depth interviews with UK-based visual artists and theatre practitioners with a migrant background, and semiotic analysis of a theatre play, visual artworks, and film texts, to argue that artists are quintessential cosmopolitans who care deeply about changing society for the better. By explaining how artists get involved in cross-cultural encounters, this book reveals the processes of listening, reflection, imagination, social learning, and moral intentionality through which artists imagine and realise their visions of a better world. In so doing, it offers a new direction in thinking about the intersection of art and politics, by showing how artists play a crucial role in building a civic culture outside traditional sites of political participation.This book will be essential reading for students and scholars across the social sciences and the humanities with interests in migration, citizenship and the public sphere, cultural sociology, media and culture, cosmopolitanism, and art.

Artists, Cosmopolitanism, and the Civic Imagination unpacks the political agency of artists by looking at artists as moral, reflexive, and political agents. Do artists play a role in civil society? Can artists “make a difference” in the world? In what ways do artists act politically? To address these questions, this book moves away from a focus on social organisation and the production of art, to ask how artists attach meaning to their interventions in social and political conditions.Maria Rovisco draws from in-depth interviews with UK-based visual artists and theatre practitioners with a migrant background, and semiotic analysis of a theatre play, visual artworks, and film texts, to argue that artists are quintessential cosmopolitans who care deeply about changing society for the better. By explaining how artists get involved in cross-cultural encounters, this book reveals the processes of listening, reflection, imagination, social learning, and moral intentionality through which artists imagine and realise their visions of a better world. In so doing, it offers a new direction in thinking about the intersection of art and politics, by showing how artists play a crucial role in building a civic culture outside traditional sites of political participation.This book will be essential reading for students and scholars across the social sciences and the humanities with interests in migration, citizenship and the public sphere, cultural sociology, media and culture, cosmopolitanism, and art.

What makes people cosmopolitan? How is cosmopolitanism shaping everyday life experiences and the practices of ordinary people? Making use of empirical research, Cosmopolitanism in Practice examines the concrete settings in which individuals display cosmopolitan sensibilities and dispositions, illustrating the ways in which cosmopolitan self-transformations can be used as an analytical tool to explain a variety of identity outlooks and practices. The manner in which both past and present cosmopolitanisms compete with meta-narratives such as nationalism, multiculturalism and religion is also investigated, alongside the employment of cosmopolitan ideas in situations of tension and conflict. With an international team of contributors, including Ulrich Beck, Steven Vertovec, Rob Kroes and Natan Sznaider, this book draws on a variety of intellectual disciplines and international contexts to show how people embrace and make use of cosmopolitan ideas and attitudes.

The study of Cosmopolitanism has been transformed in the last 20 years and the subject itself has become highly discussed across the social sciences and the humanities. The Ashgate Research Companion to Cosmopolitanism pursues distinct theoretical orientations and empirical analyses, bringing together mainstream discussions with the newest thinking and developments on the main themes, debates and controversies surrounding the subject. The contributions are grouped into three parts, each reflecting a different analytical focus within a variety of intellectual disciplines and methodological approaches. Part I (Cultural Cosmopolitanism) is primarily concerned with the empirically-grounded aspects of cosmopolitanism which are apparent in mundane practices and lifestyle options on the micro-scale of daily interactions. It focuses on the outlooks and lived experience of ordinary individuals and groups in concrete situational contexts and social structures. Part II (Political Cosmopolitanism) sets out the main topics and issues dealt with by scholars writing within the tradition of political cosmopolitanism. Addressing timely issues such as human rights, global justice, and global democracy, it focuses on Cosmopolitanism as an ethico-political ideal and a political project to devise new forms of supranational and transnational governance. Part III (Debates) reflects the major debates and controversies on the subject and deliberately eschews any bland consensus to instead foreground the key arguments and lively intellectual discussions in play across disciplinary divisions. Featuring contributions from key thinkers in the field, including Ulrich Beck, David Held and Martha Nussbaum, this comprehensive volume will be a valuable resource for all academics and students working within this area of study.

From the Arab uprisings to the indignados movement and the global Occupy sit-ins, recent protests and civil unrest have sparked new debates about political organisation, media representation and the nature of contemporary citizenship. But is there anything new about these occupations of public space? How are these protests legitimised or undermined by the intense mediation of streets and squares? And how are these different from expressions of dissent in other contexts, including those of ethnic minorities in the New Orleans mardi gras and survivors of natural disaster in the Philippines?This book challenges the notion of a ‘disappearance of public space’ by reconsidering the significance of physical space and embodiment in the conduct and consequences of protest events. Looking at a range of assemblies–sustained and fleeting, spectacular and ordinary–this volume illuminates how square and street politics and their mediation become vehicles for new ideas of community, citizenship and public life.

From the Arab uprisings to the indignados movement and the global Occupy sit-ins, recent protests and civil unrest have sparked new debates about political organisation, media representation and the nature of contemporary citizenship. But is there anything new about these occupations of public space? How are these protests legitimised or undermined by the intense mediation of streets and squares? And how are these different from expressions of dissent in other contexts, including those of ethnic minorities in the New Orleans mardi gras and survivors of natural disaster in the Philippines?This book challenges the notion of a ‘disappearance of public space’ by reconsidering the significance of physical space and embodiment in the conduct and consequences of protest events. Looking at a range of assemblies–sustained and fleeting, spectacular and ordinary–this volume illuminates how square and street politics and their mediation become vehicles for new ideas of community, citizenship and public life.

The role of the visual in politics is gaining momentum in scholarly work concerned with the current social media landscape. It is widely acknowledged that the production, dissemination and consumption of visual products in the Global South is powerfully shaped by geo-politics and a power dynamics in which the Global North dominates the South (the cultural imperialism argument). However, scant attention has been paid to theoretical, methodological, and empirically grounded approaches to visual politics produced by scholars working in the Global South. Little is known about the ways in which scholarship in the Global South might challenge and resist western approaches to the study of the visual. Against this background, this project aims to examine visual politics in the Global South through theoretically driven, and empirically grounded case studies, which focus on the role of the visual in formal politics (e.g., political campaigns, the relation between state and citizens) and public and everyday politics (e.g., social movements, activism, grassroots politics, civil society initiatives). This volume examines visual politics in the Global South through theoretically driven, and empirically grounded case studies, which focus on the role of the visual in formal politics (e.g., political campaigns, the relation between state and citizens) and public and everyday politics. It will be of interest to both researchers and students interested in the study of visual politics from various disciplinary lens (media and communication, anthropology, politics, and sociology).