Maria Six-Hohenbalken – författare

This book focuses on the ethical, aesthetic, and scholarly dimensions of how genocide-related works of art, documentary films, poetry and performance, museums and monuments, music, dance, image, law, memory narratives, spiritual bonds, and ruins are translated and take place as translations of acts of genocide. It shows how genocide-related modes of representation are acts of translation which displace and produce memory and acts of remembrance of genocidal violence as inheritance of the past in a future present. Thus, the possibility of representation is examined in light of what remains in the aftermath where the past and the future are inseparable companions and we find the idea of the untranslatability in acts of genocide. By opening up both the past and lived experiences of genocidal violence as and through multiple acts of translation, this volume marks a heterogeneous turn towards the future, and one which will be of interest to all scholars and students of memory and genocide studies, transitional justice, sociology, psychology, and social anthropology.

Violence Expressed explores the diverse expressions and manifestations through which the meaning of violent experiences and events is (re)produced. As language alone does not always suffice for the description of violence, this book focuses not only on the verbal and discursive expressions of violence, but also on the performative acts, material culture and the spaces that constitute these expressions. Such an approach provides a method of more comprehensively registering and understanding the manifestations and long-lasting effects of violence, whilst exploring violence both as an extreme subjective experience, and the ’ultimate truth’, thus overcoming a common epistemological antagonism in researching violence. Offering a variety of analytical approaches and methodological perspectives, Violence Expressed presents the latest empirical studies, ranging from the 'everyday' violence experienced by children, stories of rape, social memory and the discrepancy between private and public narratives, to rumours and silences or the iconography of violence. A compelling contribution to ongoing discussions on anthropological writing, this book will be of interest to anthropologists and social scientists working on violence, gender, collective representations and memory.

Violence Expressed explores the diverse expressions and manifestations through which the meaning of violent experiences and events is (re)produced. As language alone does not always suffice for the description of violence, this book focuses not only on the verbal and discursive expressions of violence, but also on the performative acts, material culture and the spaces that constitute these expressions. Such an approach provides a method of more comprehensively registering and understanding the manifestations and long-lasting effects of violence, whilst exploring violence both as an extreme subjective experience, and the ’ultimate truth’, thus overcoming a common epistemological antagonism in researching violence. Offering a variety of analytical approaches and methodological perspectives, Violence Expressed presents the latest empirical studies, ranging from the 'everyday' violence experienced by children, stories of rape, social memory and the discrepancy between private and public narratives, to rumours and silences or the iconography of violence. A compelling contribution to ongoing discussions on anthropological writing, this book will be of interest to anthropologists and social scientists working on violence, gender, collective representations and memory.

This book focuses on the ethical, aesthetic, and scholarly dimensions of how genocide-related works of art, documentary films, poetry and performance, museums and monuments, music, dance, image, law, memory narratives, spiritual bonds, and ruins are translated and take place as translations of acts of genocide. It shows how genocide-related modes of representation are acts of translation which displace and produce memory and acts of remembrance of genocidal violence as inheritance of the past in a future present. Thus, the possibility of representation is examined in light of what remains in the aftermath where the past and the future are inseparable companions and we find the idea of the untranslatability in acts of genocide. By opening up both the past and lived experiences of genocidal violence as and through multiple acts of translation, this volume marks a heterogeneous turn towards the future, and one which will be of interest to all scholars and students of memory and genocide studies, transitional justice, sociology, psychology, and social anthropology.

Multiple refugee regimes govern the lives of forced migrants simultaneously but in an often conflicting way. As a mechanism of inclusion/exclusion, they tend to engender the violence they sought to dissipate. Protection and control channel agency through mechanisms of either tutelage and victimisation or criminalisation. This book contrasts multiple groups of refugees and refugee regimes, revealing the inherent coercive violence of refugee regimes, from displacement and expulsion, to stereotypification and exclusion in host countries, and academic knowledge essentialisation. This violence is international, national, society-based, internalised, and embodied – and it urgently needs due scholarly attention.