Mariachiara Gasparini – författare

This stunning exploration of Chinese and Central Asian textiles draws from one of the world's major collections. In private hands, it features objects never before published and of a caliber customarily only seen in museums.A captivating journey through the rich tapestry of Asian history, this beautiful and informative book delves into the opulent world of historic textiles. Covering a period when decorative textiles were the ultimate luxury, it showcases the craftsmanship, cultural significance, and artistic expressions woven into each cloth. It provides a comprehensive overview of the Silk Road and the exchange of ideas, goods, and techniques that fueled the flourishing textile industry across Asia over centuries, from the Byzantine Empire to the Tang and Song dynasties and beyond.A series of engaging essays highlights the significant features of the N2H collection-exploring the samites of Central Asia with their luxurious silk and intricately woven animal and geometric patterns; studying the exquisite embroideries of the Liao dynasty up close; and examining the imperial textiles of the Ming and Qing dynasties, when power and prestige were expressed through sumptuous court costume.Perfect for art lovers, historians, and all those captivated by the beauty of textiles, this impeccably packaged volume unravels the fascinating stories embedded in the fabric of ancient Asia.

In Transcending Patterns: Silk Road Cultural and Artistic Interactions through Central Asian Textiles, Mariachiara Gasparini investigates the origin and effects of a textile-mediated visual culture that developed at the heart of the Silk Road between the seventh and fourteenth centuries. Through the analysis of the Turfan Textile Collection in the Museum of Asian Art in Berlin and more than a thousand textiles held in collections worldwide, Gasparini discloses and reconstructs the rich cultural entanglements along the Silk Road, between the coming of Islam and the rise of the Mongol Empire, from the Tarim to Mediterranean Basin. Exploring in detail the iconographic transfer between different agents and different media from Central Asian caves to South Italian churches, the author depicts and describes the movement and exchange of portable objects such as sculpture, wall painting, and silk fragments across the Asian continent and across the ages.Gasparini’s history offers critical perspectives that extend far beyond an outmoded notion of “Silk Road studies.” Her cross-media work shows readers how certain material cultures are connected not only by the physical routes they take but also because of the meanings and interpretations these objects engage in various places. Transcending Patterns is at once art history, material and visual cultural history, Asian studies, conservatory studies, and linguistics.