Marianne Ailes – författare

Contributors: Alexander Kerr, Jean Subrenat, Joseph J. Duggan, Judith Belam, Marianne Ailes, Philippe Verelst, François Suard, Karen Pratt, James Simpson, Philip E. Bennett, Peter Noble, Tony Hunt, Edward A. Heinemann, Finn Sinclair, Colin Smith, Gordon Knott, Jan A. Nelson

Translation of eye-witness account of Third Crusade, with emphasis on Richard the Lionheart.The Estoire de la Guerre Sainte, an early example of vernacular chronicle, by the Norman poet Ambroise, presents an eye-witness account of the Third Crusade (1188-92) in a highly-polished rhetorical style. Central is the character of Richard the Lion Heart, Ambroise's hero, but the narrative is also enlivened by short anecdotes, sometimes heroic and sometimes more down-to-earth, about other participants. It depicts clearly the privations and sufferings of the ordinary crusaders, whether at the siege of Acre or on the march, and provides both a detailed record of events and a personal perspective on the Islamic warriors and their leaders, in particular Saladin and Saphadin. Ambroise also shows remarkable knowledge of contemporary weapons of war, such as siege engines and types of ship.This volume offers a prose translation into English. Detailed notes identify most of the participants and clarify literary, biblical and historical allusions, while the introduction looks at historical, literary and philological aspects of the poem and assesses its significance as literary artefact and historical record, setting it in context and bringing forward new evidence about the identity of the poet.Dr MARIANNE AILES teaches in the Department of French, University of Bristol; MALCOLM BARBER is Professor of History at Reading University.

The first full-length examination of the medieval Charlemagne tradition in the literature and culture of medieval England, from the Chanson de Roland to Caxton.The Matter of France, the legendary history of Charlemagne, had a central but now largely unrecognised place in the multilingual culture of medieval England. From the early claim in the Chanson de Roland that Charlemagne held England as his personal domain, to the later proliferation of Middle English romances of Charlemagne, the materials are woven into the insular political and cultural imagination. However, unlike the wide range of continental French romances, the insular tradition concentrates on stories of a few heroic characters: Roland, Fierabras, Otinel. Why did writers and audiences in England turn again and again to these narratives, rewriting and reinterpreting them for more than two hundred years?This book offers the first full-length, in-depth study of the tradition as manifested in literature and culture. It investigates the currency and impact of the Matter of France with equal attention to English and French-language texts, setting each individual manuscript or early printed text in its contemporary cultural and political context. The narratives are revealed to be extraordinarily adaptable, using the iconic opposition between Carolingian and Saracen heroes to reflect concerns with national politics, religious identity, the future of Christendom, chivalry and ethics, and monarchy and treason.PHILLIPA HARDMAN is Readerin Medieval English Literature (retired) at the University of Reading; MARIANNE AILES is Senior Lecturer in French at the University of Bristol.

The first full-length examination of the medieval Charlemagne tradition in the literature and culture of medieval England, from the Chanson de Roland to Caxton.The Matter of France, the legendary history of Charlemagne, had a central but now largely unrecognised place in the multilingual culture of medieval England. From the early claim in the Chanson de Roland that Charlemagne held England as his personal domain, to the later proliferation of Middle English romances of Charlemagne, the materials are woven into the insular political and cultural imagination. However, unlike the wide range of continental French romances, the insular tradition concentrates on stories of a few heroic characters: Roland, Fierabras, Otinel. Why did writers and audiences in England turn again and again to these narratives, rewriting and reinterpreting them for more than two hundred years?This book is the first full-length study of the tradition. It investigates the currency and impact of the Matter of France with equal attention to English and French-language texts, setting each individual manuscript or early printed text in its contemporary cultural and political context. The narratives are revealed to be extraordinarily adaptable, using the iconic opposition between Carolingian and Saracen heroes to reflect concerns with national politics, religious identity, the future of Christendom, chivalry and ethics, and monarchy and treason.

Explores the transmission and reception of the medieval legends of Charlemagne in the literatures of the French-speaking areas of France, Burgundy and England, and Occitania.The spread of Charlemagne's myth after his death was even more extensive than the empire he ruled during his life. This volume turns to the birthplace of many of these myths, and to the languages of the North (langue d'oïl) and South (langue d'oc) of that land. The first chapter traces the presence and development of his legend the diverse political and cultural areas south of the Loire generally known as Occitania. The two following chapters analyse the often contradictory representations of Charlemagne in northern French-speaking regions in the twelfth to fourteenth centuries, through a careful selection of chansons de geste and chronicles. Using ethnographic theories, they consider his roles as warrior, secular ruler and conduit to the divine. The fourth and fifth chapters examine the exploitation of those images among readers of French in England and in French-speaking provinces ruled by the Dukes of Burgundy. Finally, the epilogue traces the continued vibrancy of Charlemagne stories in popular and high culture through to the twentieth century.