Mariecke van den Berg – författare

This book sheds an interdisciplinary light on ‘transforming bodies’: bodies that have been subjected to, contributed to, or have resisted social transformations within religious or secular contexts in contemporary Europe. It explores the intersections of race, ethnicity, gender, sexuality and religion that underpin embodied transformations. Using post-secularist, postcolonial and gender/queer perspectives, it aims to gain a better understanding of the orchestrations and effects of larger social transitions related to religion.

This volume is the outcome of the intensive collaboration of the authors, who for years have been meeting regularly in Utrecht, the Netherlands, to discuss themes related to religion and ‘the challenge of difference’, with an added afterword by Prof. Pamela Klassen from the University of Toronto. The book is divided in three subsections that focus on particular types of embodiment: body politics in governmental and NGO organisations; the role of the body in literary and/or autobiographical narratives; and ethnographic case studies of bodies in daily life.

Doing so, it provides an innovative exploration of contemporary religion and the body. It will, therefore, be of great interest to scholars of Religious Studies, Gender and Sexuality Studies, Post-Colonial Studies, Anthropology, Sociology, Theology, and Philosophy.

This book sheds an interdisciplinary light on ‘transforming bodies’: bodies that have been subjected to, contributed to, or have resisted social transformations within religious or secular contexts in contemporary Europe. It explores the intersections of race, ethnicity, gender, sexuality and religion that underpin embodied transformations. Using post-secularist, postcolonial and gender/queer perspectives, it aims to gain a better understanding of the orchestrations and effects of larger social transitions related to religion.

This volume is the outcome of the intensive collaboration of the authors, who for years have been meeting regularly in Utrecht, the Netherlands, to discuss themes related to religion and ‘the challenge of difference’, with an added afterword by Prof. Pamela Klassen from the University of Toronto. The book is divided in three subsections that focus on particular types of embodiment: body politics in governmental and NGO organisations; the role of the body in literary and/or autobiographical narratives; and ethnographic case studies of bodies in daily life.

Doing so, it provides an innovative exploration of contemporary religion and the body. It will, therefore, be of great interest to scholars of Religious Studies, Gender and Sexuality Studies, Post-Colonial Studies, Anthropology, Sociology, Theology, and Philosophy.

This book explores the critical and transformative potential of arts and popular culture for constructions of religion, gender and sexuality. Doing so, it deploys and develops the notion of blasphemous art, honouring and building on the work of Anne-Marie Korte. Deliberately articulated with a question mark, Blasphemous Art? raises questions about the spaces, methods and resources available to individuals and communities at the gendered, sexual and racialized margins of society to tell their stories, claim their bodies and perform symbolic and sacred meaning, and it analyses the productive effects – both aesthetically, politically and theoretically – of such provocative work. The book focuses on a wide range of artistic and cultural expressions, featuring case studies from across Europe, South Africa, Israel and the United States. Drawing on feminist, queer and postcolonial perspectives, the book reveals the critical, constructive and imaginative potential of the creative arts (broadly defined) and popular culture in its complex and diverse representation of, and engagement with, religious life, belief, text, ritual and practice.

This book explores the critical and transformative potential of arts and popular culture for constructions of religion, gender and sexuality. Doing so, it deploys and develops the notion of blasphemous art, honouring and building on the work of Anne-Marie Korte. Deliberately articulated with a question mark, Blasphemous Art? raises questions about the spaces, methods and resources available to individuals and communities at the gendered, sexual and racialized margins of society to tell their stories, claim their bodies and perform symbolic and sacred meaning, and it analyses the productive effects – both aesthetically, politically and theoretically – of such provocative work. The book focuses on a wide range of artistic and cultural expressions, featuring case studies from across Europe, South Africa, Israel and the United States. Drawing on feminist, queer and postcolonial perspectives, the book reveals the critical, constructive and imaginative potential of the creative arts (broadly defined) and popular culture in its complex and diverse representation of, and engagement with, religious life, belief, text, ritual and practice.

This volume addresses three things many people do not discuss candidly with strangers or mere acquaintances: God, sex, and politics. These can easily become topics of fierce debate, particularly when taken together, as has been the case with same-sex marriage legislation, the Vatican’s criticism of “gender ideology,” or the repeatedly asserted claim that Islam, homosexuality, and gender equality are essentially incompatible. This volume investigates what is at stake in these constructions of religion and homosexuality in public discourses. Starting with the Netherlands as a special case study, it proceeds with contributions on other predominantly postsecular countries in central, northern, and southern Europe as well as several postcommunist and postcolonial countries “beyond Europe.” Combining contemporary and historical perspectives and approaches from both the humanities and the social sciences, the contributors explore how national and European identities are constructed and contested in debates on religion and homosexuality.