Marissia Fragkou – författare

Presenting a rigorous critical investigation of the reinvigoration of the political in contemporary British theatre, Ecologies of Precarity in Twenty-First Century Theatre provides a fresh understanding of how theatre has engaged with precarity, affect, risk, intimacy, care and relationality in recent times. The study makes a compelling case for reading precarity as a ‘sticky’ theatrical trope which carries the potential to re-animate our understanding of identity politics and responsibility for the lives of Others in an age of uncertainty. Approaching precarity as an ecology cutting across various practices, themes and aesthetics, the book features a comprehensive selection of theatre examples staged in the UK since the 1990s. Works by debbie tucker green, Alistair McDowall, Complicite, Simon Stephens, Stan’s Cafe, Mike Bartlett, Caryl Churchill, The Paper Birds, and Belarus Free Theatre are put in dialogue with interdisciplinary feminist vocabularies developed by Judith Butler, Sara Ahmed, Lauren Berlant and Isabell Lorey. In focusing on areas such as children and youth at risk, human rights, environmental ethics and the politics of debt, the study makes a vital contribution to the burgeoning field of politics and theatre in the 21st century.

This handbook provides a detailed exploration of the rich and diverse theatrical work produced by women in the first two decades of 21st-century British theatre.The book explores key issues and methodologies relevant to women working in the UK’s theatre industry, including the legacies of feminism and its role in shaping contemporary work by women, the politics of visibility and inclusion in theatrical institutions, and collaborative strategies in creating original work. It closely examines how women in contemporary British theatre tackle urgent social issues such as environmental risk, the representation of marginalized identities and mental and physical wellbeing.Chapters by both established and early-career scholars from a variety of international contexts present new perspectives on significant questions and issues underpinning women’s work in 21st-century British theatre by engaging with contemporary debates from theatre and performance studies and cultural theory. A concluding roundtable with women theatre practitioners addresses key questions pertaining to their work, including working conditions, the politics of funding and of ageing, disability and care.With a foreword by the Guardian’s chief theatre critic, Arifa Akbar, and featuring research tools such as introductions to sections, a detailed list of sources and an annotated bibliography, this is an authoritative study for anyone with a keen research interest in the distinct contribution of women to contemporary British theatre and performance.

This handbook provides a detailed exploration of the rich and diverse theatrical work produced by women in the first two decades of 21st-century British theatre.The book explores key issues and methodologies relevant to women working in the UK’s theatre industry, including the legacies of feminism and its role in shaping contemporary work by women, the politics of visibility and inclusion in theatrical institutions, and collaborative strategies in creating original work. It closely examines how women in contemporary British theatre tackle urgent social issues such as environmental risk, the representation of marginalized identities and mental and physical wellbeing.Chapters by both established and early-career scholars from a variety of international contexts present new perspectives on significant questions and issues underpinning women’s work in 21st-century British theatre by engaging with contemporary debates from theatre and performance studies and cultural theory. A concluding roundtable with women theatre practitioners addresses key questions pertaining to their work, including working conditions, the politics of funding and of ageing, disability and care.With a foreword by the Guardian’s chief theatre critic, Arifa Akbar, and featuring research tools such as introductions to sections, a detailed list of sources and an annotated bibliography, this is an authoritative study for anyone with a keen research interest in the distinct contribution of women to contemporary British theatre and performance.