Marjorie Hope Nicolson – författare

Lady Anne Conway was a remarkable woman who became a philosopher in her own right at a time when most women were denied even basic education. The Conway Letters is the record of her friendship with the Cambridge Platonist, Henry More, which began when he acted as her unofficial tutor in philosophy and lasted until her death. The letters cover a wide range of topics - personal, philosophical, religious, and social. They give a detailed picture of the More-Conway circle, including such figures as Jeremy Taylor, Ralph Cudworth, Robert Boyle, and Francis Mercury van Helmont, as well as Lady Conway's Quaker associates, George Keith and William Penn. The letters are thus a valuable source for mid-seventeenth-century history, and especially for the intellectual history of the period.This revised edition reprints all the letters from the original 1930 edition, together with Marjorie Nicolson's biographical account of Anne Conway and Henry More. A new appendix contains some important letters not included in the first edition, among them the early discussion of Cartesianism. The introduction by Sarah Hutton sets the book in the context of recent scholarship.

To English poets and writers of the seventeenth century, as to their predecessors, mountains were ugly protuberances which disfigured nature and threatened the symmetry of earth; they were symbols God’s wrath. Yet, less than two centuries later the romantic poets sang in praise of mountain splendor, of glorious heights that stirred their souls to divine ecstasy. In this very readable and fascinating study, Marjorie Hope Nicolson considers the intellectual renaissance at the close of the seventeenth century that caused the shift from mountain gloom to mountain glory. She examines various writers from the seventeenth, eighteenth, and nineteenth centuries and traces both the causes and the process of this drastic change in perception.

When in his "Epistle to Dr. Arbuthnot" Pope referred to "this long disease, my life," his statement was quite literally true, since Pope, in addition to being a dwarf and a hunchback, suffered from many diseases during his lifetime. With technical advice from several physicians, the authors present the first medical case history of the poet. Drawing heavily upon the Correspondence for information about Pope's symptoms, they discuss the effect ill health had on his writings and the prevalence of medical themes in his works. The authors also explore Pope's interests in astronomy (second only to his obsession with medicine), microscopy, geology, and physics and how they relate to his writings. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In this book the author express more completely than in her earlier studies what were the implications for the poet of a great advance in scientific thought. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

When in his "Epistle to Dr. Arbuthnot" Pope referred to "this long disease, my life," his statement was quite literally true, since Pope, in addition to being a dwarf and a hunchback, suffered from many diseases during his lifetime. With technical advice from several physicians, the authors present the first medical case history of the poet. Drawing heavily upon the Correspondence for information about Pope's symptoms, they discuss the effect ill health had on his writings and the prevalence of medical themes in his works. The authors also explore Pope's interests in astronomy (second only to his obsession with medicine), microscopy, geology, and physics and how they relate to his writings. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In this book the author express more completely than in her earlier studies what were the implications for the poet of a great advance in scientific thought. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

First published in 1676, The Virtuoso set a standard for theatrical satire. It was the most extensive dramatic treatment of modern science since Jonson's The Alchemist and took as its target no less than the Royal Society of London. Shadwell's barbs hit their targets often and cleanly. In 1689 he became Poet Laureate of England, a position he held until his death in 1692.The virtuoso of the title is Sir Nicholas Gimcrack, who like many after him confuses the extent of a collection with the depth of a science. Sir Gimcrack is fascinated by the geography of the moon, the worlds in his microscope, and the possibilities of human flight. More seriously and—for Shadwell's audience—more comically, his obsession with his arrays of worms and spiders proceeds at the expense of his wife and two beautiful nieces.The play also introduces Sir Formal Trifle, a pedantic ciceronian orator and coxcomb. His character established thereafter the theatrical type of the know-it-all blowhard. Famous for its wit and high-speed changes, The Virtuoso is also a display of the prestige of modern science and the pomposity of its ameteurs.