Mark A. Robinson – författare

Featuring 1,000 detailed entries, this encylopedia examines the phenomenon of television theme songs. Organized alphabetically by TV series from The A-Team to Zorro, the individual themes are designated by title, composer, lyricist and performer, with an analysis of how the theme captured the show's spirit. Each entry also includes the series' cast credits, its network, the years of its original run, and an in-depth program description.Fascinating facts and anecdotes about each theme song are included, along with an assessment of its popularity, and (whenever appropriate) a list of industry awards that the song has won. Devotees of the captivating and oftimes unforgettable themes for such series as The Brady Bunch, Gilligan's Island, The Mary Tyler Moore Show, Rawhide and Scooby-Doo have a genuine treat in store.

Songs written for Disney productions over the decades have become a potent part of American popular culture. Since most Americans first discovered these songs in their youth, they hold a special place in one''s consciousness. The Disney Song Encyclopedia describes and discusses hundreds of famous and not-so-famous songs from Disney films, television, Broadway, and theme parks from the 1930s to the present day.Over 900 songs are given individual entries and presented in alphabetical order. The songwriters and original singers are identified, as well as the source of the song and other venues in which it might have been used over the years. Notable recordings of the song are also listed. But most important, the song is described and what makes it memorable is discussed. This is not a reference list but a true encyclopedia of Disney songs. The book also contains a preface describing the criteria for selecting the songs, a glossary of song terms, a list of all the Disney songs and their sources, a songwriter''s directory in which every song by each composer/lyricist is listed, a bibliography, a guide to recordings and DVDs of Disney productions, and an index of people and titles.

Musical Misfires: Three Decades of Broadway Musical Heartbreak looks at 151 musicals that did not run long enough to be considered hits. Such shows were once called flops but that is no longer an appropriate description. Some of these were superb pieces of musical theatre that, for one reason or another, couldn't find an audience, did not please the critics, couldn't pay the high weekly bills, or just were not right for the time and place in which they opened. Oft-overlooked gems like The Scottsboro Boys, Grey Gardens, Sweet Smell of Success, Xanadu, If/Then, Caroline, or Change, Bright Star, Steel Pier, The Last Ship, and Tuck Everlasting are explored alongside such famous musicals as American Idiot, Victor/Victoria, Chitty Chitty Bang Bang, Sister Act, All Shook Up, Be More Chill, Shrek the Musical, Seussical, and Young Frankenstein that never reached hit status on Broadway. Juke box musicals, cutting-edge musicals, movie adaptations, teenage musicals, biographical musicals, history musicals, and even horror musicals are among the many genres included in this captivating journey of Broadway shows from 1989 to 2020 in search of success. Illustrated with forty-two photographs (most in color) and filled with backstage stories, reviews from the press, and commentary on why the musicals were not hits, Musical Misfires is indispensable reading for anyone who loves musical theatre, both its triumphs and it heartbreaks.

This wide-ranging, two-volume encyclopedia of musicals old and new will captivate young fans—and prove invaluable to those contemplating staging a musical production.Written with high school students in mind, The World of Musicals: An Encyclopedia of Stage, Screen, and Song encompasses not only Broadway and film musicals, but also made-for-television musicals, a genre that has been largely ignored. The two volumes cover significant musicals in easily accessible entries that offer both useful information and fun facts. Each entry lists the work's writers, composers, directors, choreographers, and cast, and includes a song list, a synopsis, and descriptions of the original production and important revivals or remakes. Biographical entries share the stories of some of the brightest and most celebrated talents in the business.The encyclopedia will undoubtedly ignite and feed student interest in musical theatre. At the same time, it will prove a wonderful resource for teachers or community theatre directors charged with selecting and producing shows. In fact, anyone interested in theatre, film, television, or music will be fascinated by the work's tantalizing bits of historical and theatre trivia.

From I Love Lucy to Black-ish, sitcoms have often paved the way for social change.Television comedy has long been on the frontline in how America evolves on social issues. There is something about comedy that makes difficult issues more palatable—with humor an effective device for presenting ideas that lead to social change. From I Love Lucy which introduced the first television pregnancy to Will & Grace, which normalized gay characters, the situation comedy has challenged the public to revisit social mores and reshape how we think about the world in which we live. In Sitcommentary: Television Comedies That Changed America, Mark A. Robinson looks at more than three dozen programs that have tackled social issues, from the 1940s to the present. The author examines shows that frequently addressed hot-button topics throughout their runs—such as All in the Family, Maude, and Black-ish—as well as programs with special episodes that grappled with a societal concern like ageism, class, gender, race, or sexual orientation. Among the important sitcoms discussed in this volume are such beloved shows as The Brady Bunch, A Different World, The Facts of Life, The Golden Girls, Good Times, The Jeffersons, The Mary Tyler Moore Show, M*A*S*H, Modern Family, Murphy Brown, One Day at a Time, Roseanne, and Soap. Each has broken down barriers and facilitated discussion, debate, and social evolution in America. Arranged in chronological order, these TV shows have influenced the masses by tackling tough topics or shining a spotlight on taboo subjects. With discussions of some of the most popular shows of all time, Sitcommentary will appeal to fans of these shows as well as anyone interested in the cultural history of America and American television.

Theatre as Human Action is the ideal textbook to introduce students to the various aspects of theatre, especially for those who may have little or no theatergoing experience. Seven diverse plays are described to the reader from the start, and then returned to throughout the book so that students can better understand the concepts being discussed. Both the theoretical and practical aspects of theatre are explored, from the classical definition of theatre to today’s most avant-garde theatre activities. Types of plays, the elements of drama, and theatre criticism are presented, as well as detailed descriptions of the different jobs in theatre, such as actor, playwright, director, designer, producer, choreographer, and more. The book concludes with a look at where and how theatre is evolving in America and the latest changes and innovations today.This fourth edition has been greatly expanded and updated, including:The introduction of four new plays—Sweeney Todd: The Demon Barber of Fleet Street; Fences; Angels in America; and Hadestown—in addition to Macbeth, You Can’t Take It With You, and HamiltonA discussion of the rise of social media in raising awareness and replacing traditional review outletsAn entirely new, enhanced section on diversity and inclusion in theatreAn updated selection of playwrights featured, including Terrence McNally, Lynn Nottage, Tony Kushner, and Lin-Manuel Miranda, to better reflect the diversity of those writing for the theatre today.Featuring full-color photographs, updated discussion questions, new topics for further research, and potential creative projects, the fourth edition of Theatre as Human Action is an invaluable resource to introduce students to the world of theatre.

Theatre as Human Action is the ideal textbook to introduce students to the various aspects of theatre, especially for those who may have little or no theatergoing experience. Seven diverse plays are described to the reader from the start, and then returned to throughout the book so that students can better understand the concepts being discussed. Both the theoretical and practical aspects of theatre are explored, from the classical definition of theatre to today’s most avant-garde theatre activities. Types of plays, the elements of drama, and theatre criticism are presented, as well as detailed descriptions of the different jobs in theatre, such as actor, playwright, director, designer, producer, choreographer, and more. The book concludes with a look at where and how theatre is evolving in America and the latest changes and innovations today.This fourth edition has been greatly expanded and updated, including:The introduction of four new plays—Sweeney Todd: The Demon Barber of Fleet Street; Fences; Angels in America; and Hadestown—in addition to Macbeth, You Can’t Take It With You, and HamiltonA discussion of the rise of social media in raising awareness and replacing traditional review outletsAn entirely new, enhanced section on diversity and inclusion in theatreAn updated selection of playwrights featured, including Terrence McNally, Lynn Nottage, Tony Kushner, and Lin-Manuel Miranda, to better reflect the diversity of those writing for the theatre today.Featuring full-color photographs, updated discussion questions, new topics for further research, and potential creative projects, the fourth edition of Theatre as Human Action is an invaluable resource to introduce students to the world of theatre.

From I Love Lucy to Black-ish, sitcoms have often paved the way for social change.Television comedy has long been on the frontline in how America evolves on social issues. There is something about comedy that makes difficult issues more palatable—with humor an effective device for presenting ideas that lead to social change. From I Love Lucy which introduced the first television pregnancy to Will & Grace, which normalized gay characters, the situation comedy has challenged the public to revisit social mores and reshape how we think about the world in which we live. In Sitcommentary: Television Comedies That Changed America, Mark A. Robinson looks at more than three dozen programs that have tackled social issues, from the 1940s to the present. The author examines shows that frequently addressed hot-button topics throughout their runs—such as All in the Family, Maude, and Black-ish—as well as programs with special episodes that grappled with a societal concern like ageism, class, gender, race, or sexual orientation. Among the important sitcoms discussed in this volume are such beloved shows as The Brady Bunch, A Different World, The Facts of Life, The Golden Girls, Good Times, The Jeffersons, The Mary Tyler Moore Show, M*A*S*H, Modern Family, Murphy Brown, One Day at a Time, Roseanne, and Soap. Each has broken down barriers and facilitated discussion, debate, and social evolution in America. Arranged in chronological order, these TV shows have influenced the masses by tackling tough topics or shining a spotlight on taboo subjects. With discussions of some of the most popular shows of all time, Sitcommentary will appeal to fans of these shows as well as anyone interested in the cultural history of America and American television.