Mark Dinneen – författare

Venezuela, one of the least-known countries in Latin America, is brilliantly spotlighted in Culture and Customs of Venezuela. This oil-rich nation sustained a stable democracy until the economic downturn in the 1980s, and changes in the social and political spheres will bring the country under increasing scrutiny from the outside world. Dinneen captures the sharp contrasts and immense variety of modern Venezuela. Students and interested readers will find engaging and authoritative overviews of the land, people, and history; religions; social customs; media; cinema; literature; performing arts; and art and architecture.This work successfully portrays the country's cultural richness and diversity. Influences from the United States are inescapable, especially in Caracas, but many distinctive traditions are continued throughout the country, varying from region to region. Religious rituals and numerous festivals that take place in towns and villages and the vibrant music scene, all major expressions of the nation's social and cultural life, are just some of the highlights found herein. Numerous photos give witness to Venezuela's diverse culture and a chronology, and glossary supplement the text.

Venezuela, one of the least-known countries in Latin America, is brilliantly spotlighted in Culture and Customs of Venezuela. This oil-rich nation sustained a stable democracy until the economic downturn in the 1980s, and changes in the social and political spheres will bring the country under increasing scrutiny from the outside world. Dinneen captures the sharp contrasts and immense variety of modern Venezuela. Students and interested readers will find engaging and authoritative overviews of the land, people, and history; religions; social customs; media; cinema; literature; performing arts; and art and architecture.This work successfully portrays the country's cultural richness and diversity. Influences from the United States are inescapable, especially in Caracas, but many distinctive traditions are continued throughout the country, varying from region to region. Religious rituals and numerous festivals that take place in towns and villages and the vibrant music scene, all major expressions of the nation's social and cultural life, are just some of the highlights found herein. Numerous photos give witness to Venezuela's diverse culture and a chronology, and glossary supplement the text.

First published in 2001. The North East of Brazil is renowned for its rich and vibrant popular culture. The region's festivals, music, poetry and popular religious rituals have attracted increasing interest from around he world in recent decades, and the woodcuts that are the subject of this book are one of the most striking expressions of that cultural dynamism. They have been a significant art form in Brazil since the 1940s, when they began to be produced in large quantities as illustrations for the covers of cheap pamphlets of poetry sold in streets and markets throughout the North East, where they were known as Literatura de Cordel or 'string literature' - so-called because the pamphlets were frequently displayed on cords hung between posts. This work, the first detailed study of Brazilian woodcut prints in the English language deals with the origins and development of the art form, its themes, the traditions and culture of the Brazilian North East, social and political issues, humour and satire, all lavishly illustrated. As this superb study shows, the Brazilian woodcut print has all the power, quickness and wit of a great popular art.

First published in 2001. The North East of Brazil is renowned for its rich and vibrant popular culture. The region's festivals, music, poetry and popular religious rituals have attracted increasing interest from around he world in recent decades, and the woodcuts that are the subject of this book are one of the most striking expressions of that cultural dynamism. They have been a significant art form in Brazil since the 1940s, when they began to be produced in large quantities as illustrations for the covers of cheap pamphlets of poetry sold in streets and markets throughout the North East, where they were known as Literatura de Cordel or 'string literature' - so-called because the pamphlets were frequently displayed on cords hung between posts. This work, the first detailed study of Brazilian woodcut prints in the English language deals with the origins and development of the art form, its themes, the traditions and culture of the Brazilian North East, social and political issues, humour and satire, all lavishly illustrated. As this superb study shows, the Brazilian woodcut print has all the power, quickness and wit of a great popular art.