Mark d’Inverno – författare

This book helps to organise the diverse landscape of agent-based systems by applying formal methods to provide a defining and encompassing agent framework. The Z specification language is used to provide an accessible and unified formal account of agent systems and inter-agent relationships. In particular, the framework precisely and unambiguously provides meanings for common concepts and terms for agent systems, enables alternative agent models and architectures to be described within it, and provides a foundation for subsequent development of increasingly more refined agent concepts. It describes agents, the relationships between them and the requisite capabilities for effective functioning in multi-agent systems, and is applied in different case studies. In the second edition the authors have revised and updated the existing chapters of the book to respond to advice from readers of the first edition, to add references to recent work in agent systems, and generally to bring the content up to date. They have extended the introduction and conclusions chapters to include a better review of the field and the current state of the art.This new edition features chapters on agent interaction and norms, and outlines an implementation framework.The book will appeal equally to researchers, students and technologists interested in intelligent agents and multi-agent systems.

This book presents revised full versions of papers contributed to UK Workshops on Multi-Agent Systems, UKMAS, during 1996 and 2000.From the early days of MAS research, the UK community has been a particularly productive one with numerous key contributions. The 15 papers by internationally reputed researchers deal with various aspects of agent technology, with a certain emphasis on foundational issues in multi-agent systems.

Since the first edition was published two years ago, much has been done on extend­ ing the work done on SMART to address new and important areas [3-5,54,79,80, 108-110,116,118-120,122]. In this second edition, we have revised, updated and corrected the existing text and added three new chapters. These chapters provide a broader coverage of the fie1d of agents, and show in more detail how the specific framework described can be used to examine other areas. In Chapter 6, we use the concepts of discovery to apply the framework to autonomous interaction in multi­ agent systems; in Chapter 10 we use it for considering normative agents and sys­ tems; and in Chapter 11 we describe work on an implementation and development environment. As a course text, the book can be considered in different parts, as follows. - Chapter I and Chapter 2 offer a basic introduction to agents and their core com­ ponents. - Chapter 3 and Chapter 4 cover relationships between agents and basic notions of cooperation for multi-agent systems. - Chapter 5 and Chapter 6 introduce sociological agents, which are needed for rea­ soning and planning, and their use in reasoning about communication and inter­ action. - Chapter 7, Chapter 8, Chapter 9 and Chapter 10 each cover different application areas relating to different aspects, inc1uding coordination (through the contract net), agent architecture (through AgentSpeak(L), social dependence networks, and normative systems.

This interdisciplinary publication introduces a wealth of new theories and ideas on creativity, evolutionary computation, and the computational arts. Grounding theory through practical applications, it includes contributions from renowned researchers.

This interdisciplinary volume introduces new theories and ideas on creativity from the perspectives of science and art. Featuring contributions from leading researchers, theorists and artists working in artificial intelligence, generative art, creative computing, music composition, and cybernetics, the book examines the relationship between computation and creativity from both analytic and practical perspectives. Each contributor describes innovative new ways creativity can be understood through, and inspired by, computers.The book tackles critical philosophical questions and discusses the major issues raised by computational creativity, including: whether a computer can exhibit creativity independently of its creator; what kinds of creativity are possible in light of our knowledge from computational simulation, artificial intelligence, evolutionary theory and information theory; and whether we can begin to automate the evaluation of aesthetics and creativity in silico. These important, often controversial questions are contextualised by current thinking in computational creative arts practice. Leading artistic practitioners discuss their approaches to working creatively with computational systems in a diverse array of media, including music, sound art, visual art, and interactivity.The volume also includes a comprehensive review of computational aesthetic evaluation and judgement research, alongside discussion and insights from pioneering artists working with computation as a creative medium over the last fifty years. A distinguishing feature of this volume is that it explains and grounds new theoretical ideas on creativity through practical applications and creative practice.Computers and Creativity will appeal to theorists, researchers in artificial intelligence, generative and evolutionary computing, practicing artists and musicians, students and any reader generally interested in understanding how computerscan impact upon creativity. It bridges concepts from computer science, psychology, neuroscience, visual art, music and philosophy in an accessible way, illustrating how computers are fundamentally changing what we can imagine and create, and how we might shape the creativity of the future.Computers and Creativity will appeal to theorists, researchers in artificial intelligence, generative and evolutionary computing, practicing artists and musicians, students and any reader generally interested in understanding how computers can impact upon creativity. It bridges concepts from computer science, psychology, neuroscience, visual art, music and philosophy in an accessible way, illustrating how computers are fundamentally changing what we can imagine and create, and how we might shape the creativity of the future.