Mark Fishman – författare

In eleven original studies by social scientists, this is the first volume to focus on television reality crime programming as a genre. Contributors address such questions as: why do these programs exist; what larger cultural meaning do they have; what effect do they have on audiences; and what do they indicate about crime and justice in the late twentieth century? Adaptable at both undergraduate and graduate levels, Entertaining Crime will contribute to discussions of crime and the media, as well as crime in relation to other issues, such as gender, race/ethnicity, and fear of crime.

In eleven original studies by social scientists, this is the first volume to focus on television reality crime programming as a genre. Contributors address such questions as: why do these programs exist; what larger cultural meaning do they have; what effect do they have on audiences; and what do they indicate about crime and justice in the late twentieth century? Adaptable at both undergraduate and graduate levels, Entertaining Crime will contribute to discussions of crime and the media, as well as crime in relation to other issues, such as gender, race/ethnicity, and fear of crime.

Lake City has a lot of heavy weather, and it’s not just in the air. Eduardo “Vince” Negron has a regular table at a bar-restaurant in Pigsville called El Perro Negro, from where he runs El Manojo, a motley assortment of hoodlums. Negron is minor league, but across town former gangster gone legit Lloyd Frend is thinking big: perhaps he will run for office one day; he will certainly make a heap more dough. Men will be caught in the crossfire between Negron and Frend as they battle for territory, not least Walt Hargrove, an appliance store salesman drawn to El Manojo by curiosity and the desire to make an extra buck or two. Told with a tongue in various cheeks, Pigsville is a gripping tale full of sex, drugs, and violence and not a little black humour.