Mark Frutkin – författare

Short-listed for the 1988 Governor General’s Literary Award for Fiction, Ottawa-Carleton Book Award and Trillium Book Award Paris, the City of Light, was once the scene of a brilliant magnesium flare, host to the belle epoque from 1900 to 1914. Tempting poets, painters, writers, and composers from across Europe, the city relied on one man to move among them all-Guillaume Apollinaire. His contemporaries called him brilliant, mad, whimsical. He was the bastard son of an Italian cavalry officer and a Polish woman addicted to gambling, but nevertheless let it be rumoured around Paris that he was the son of the pope.

Short-listed for the 1988 Governor General’s Literary Award for Fiction, Ottawa-Carleton Book Award and Trillium Book Award Paris, the City of Light, was once the scene of a brilliant magnesium flare, host to the belle epoque from 1900 to 1914. Tempting poets, painters, writers, and composers from across Europe, the city relied on one man to move among them all-Guillaume Apollinaire. His contemporaries called him brilliant, mad, whimsical. He was the bastard son of an Italian cavalry officer and a Polish woman addicted to gambling, but nevertheless let it be rumoured around Paris that he was the son of the pope.

From Istanbul to New Delhi to Boulder, Colorado, through Venice, Paris, Rome, and points between. As travellers, we are always walking backwards, forever on the verge of stepping into the unknown, never knowing what waits around the next corner. You could be lost, forget your passport, fall ill. You could be served a bowl of food and not know whether it’s animal, vegetable, or mineral. Even flushing the toilet can be an adventure. You are a child again, innocent and hoping for the best, forced to trust strangers. Quite often this works out. Not always.

Walking Backwards is a return to 10 cities and what happened there. Whether inadvertently smuggling cloth into Istanbul, reading poetry in New Delhi to a crowd expecting a world-famous pianist, or wandering endlessly through Mantua searching for a non-existent hotel on a street that’s fallen off the map, Mark Frutkin is a master at rediscovering the magic at the heart of all travel.

From Istanbul to New Delhi to Boulder, Colorado, through Venice, Paris, Rome, and points between. As travellers, we are always walking backwards, forever on the verge of stepping into the unknown, never knowing what waits around the next corner. You could be lost, forget your passport, fall ill. You could be served a bowl of food and not know whether it’s animal, vegetable, or mineral. Even flushing the toilet can be an adventure. You are a child again, innocent and hoping for the best, forced to trust strangers. Quite often this works out. Not always.

Walking Backwards is a return to 10 cities and what happened there. Whether inadvertently smuggling cloth into Istanbul, reading poetry in New Delhi to a crowd expecting a world-famous pianist, or wandering endlessly through Mantua searching for a non-existent hotel on a street that’s fallen off the map, Mark Frutkin is a master at rediscovering the magic at the heart of all travel.

In geology an erratic is a "boulder or rock formation transported some distance from its original source, as by a glacier." In award-winning novelist Mark Frutkin’s case, his movement from his native Cleveland. Ohio, was instigated by his wish to protest and resist the U.S. military draft during the Vietnam War, and his destination was Canada.

An estimated 50,000 to 100,000 American Vietnam War draft resisters sought sanctuary in Canada. Many of these men stayed, became Canadian citizens, and have made significant contributions to the country, including writers such as William Gibson, George Fetherling, Keith Maillard, and Jay Scott; musicians Jesse Winchester and Jim Byrnes; children’s performer Eric Nagler; and radio personality Andy Barrie.

Although this first nonfiction work by Mark Frutkin looks back at the circumstances and culture of the late 1960s and early 1970s that prompted the author to relocate to Canada, Erratic Northis about many other things. It’s also a lyrical meditation about "returning to nature" in the bush country of Quebec and an account of the crucible that forged one writer. Tying everything together, though, is the overarching theme of the book: a contemplation of humanity’s embrace of war and violence and the countervailing impulse to resist that embrace, specifically as seen in the experience of Frutkin himself; his grandfather Simon, who escaped Tsarist Russia and its military in the 1890s; and Louis Drouin, the Quebec farmer Frutkin bought his original farm from and who resisted conscription in World War II.

Of one of Mark Frutkin’s previous books of verse, Poetry Canada Review said it provided "a supernatural fusion of the earthbound with the heavenly to forge the lightning of poetry." Divided into two sections, one inspired by ancient Chinese art, the other limning the ambiguities and incongruities of the contemporary human condition, Frutkin’s new volume of poetry, Iron Mountain, often presents human beings wandering in the wilderness between two abysses while still appreciating the smell of pines, the softness of the rain, the brilliance of the stars, the hum of the computer, and the jostle of the crowd on the bus.

These are poems of translucent delicacy harbouring hard truths where "A Taoist priest gulps the elixir/of immortality and blows away/in the dust,/a young Chinese girl/bumps me in the crowd/prompting a shiver/like a startled phoenix/dressed in my skin." In Frutkin’s vision the entire world is a written landscape that speaks to us of time, of change, of immutability, of radiant emptiness.

Of one of Mark Frutkin’s previous books of verse, Poetry Canada Review said it provided "a supernatural fusion of the earthbound with the heavenly to forge the lightning of poetry." Divided into two sections, one inspired by ancient Chinese art, the other limning the ambiguities and incongruities of the contemporary human condition, Frutkin’s new volume of poetry, Iron Mountain, often presents human beings wandering in the wilderness between two abysses while still appreciating the smell of pines, the softness of the rain, the brilliance of the stars, the hum of the computer, and the jostle of the crowd on the bus.

These are poems of translucent delicacy harbouring hard truths where "A Taoist priest gulps the elixir/of immortality and blows away/in the dust,/a young Chinese girl/bumps me in the crowd/prompting a shiver/like a startled phoenix/dressed in my skin." In Frutkin’s vision the entire world is a written landscape that speaks to us of time, of change, of immutability, of radiant emptiness.

The Walled Garden is a unique collection of short essays addressing a wide variety of subjects. From an exploration of the films of Andrei Tarkovsky and Federico Fellini to an update on the linguistic theories of Ernest Fenollosa, from a look into the true nature of time and the present moment to a discussion of ‘psychic birthplaces’, from reflections on Paleolithic caves, poetry and art, The Walled Garden includes the wild, the tamed and the stunningly unusual.