Mark Hobart – författare

Questioning the utopian image of western knowledge as a uniquely successful achievement in its application to economic and social development, this provocative volume, the latest in the EIDOS series, argues that it is unacceptable to dismiss problems encountered by development projects as the inadequate implementation of knowledge. Rather, it suggests that failures stem from the constitution of knowledge and its object.By focussing on the ways in which agency in development is attributed to experts, thereby turning previously active participants into passive subjects or ignorant objects, the contributors claim that the hidden agenda to the aims of educating and improving the lives of those in the undeveloped world falls little short of perpetuating ignorance.

Questioning the utopian image of western knowledge as a uniquely successful achievement in its application to economic and social development, this provocative volume, the latest in the EIDOS series, argues that it is unacceptable to dismiss problems encountered by development projects as the inadequate implementation of knowledge. Rather, it suggests that failures stem from the constitution of knowledge and its object.By focussing on the ways in which agency in development is attributed to experts, thereby turning previously active participants into passive subjects or ignorant objects, the contributors claim that the hidden agenda to the aims of educating and improving the lives of those in the undeveloped world falls little short of perpetuating ignorance.

Entertainment media now comprise one of the world’s largest industries, yet they remain one of the least studied aspects of contemporary mass media. Every day hundreds of millions of people watch television programs that might broadly be described as ‘entertainment’, notably in the rapidly developing countries of Asia. However we still have little idea of what drives the production of Asian entertainment television, how audiences engage with television or how political and social élites understand the impact of television on the massive audiences. While India and China have attracted recent media attention, Indonesia has remained largely unnoticed. As Indonesia has the largest Muslim population in the world, is engaged in rapid modernization and the transition to democracy in significant part through the mass media, serious attention is long overdue. The topics covered include:talent shows, crime and supernatural Reality TV, travel programmes, talent quests and popular musicThis book, with contributions from recognized experts on Indonesian media, is therefore of particular importance not just for explaining what is going on in Indonesian popular television, but also for establishing a theoretical framework for the study of entertainment media in other societies. The collection is essential for anyone wishing to know about entertainment media, Asian television and contemporary approaches to the study of Asian mass and popular media.