Mark Jarman – författare

With characters ranging from the desperate to the obsessive to the wildly comic, Mark Anthony Jarman's 19 Knives employs dazzling linguistic verve and staggering metaphoric powers in every sentence. But Jarman doesn't just write about people, he puts us in their skin so that we feel their frailty and courage. No other contemporary Canadian short-story writer slices up the imaginative excitement, cultural hybridity, and Joycean play of language we see in 19 Knives. With one of the stories shortlisted for the U.S.'s prestigious O. Henry Prize and several others having won prizes or been published in magazines and journals across North America, this collection brings a major fiction writer to the fore.

The first anthology to present the most exciting and unexpected new movement in American poetry—the revival of rhyme, meter, and narrative among poets—Rebel Angels gathers the best work of twenty-five poets who write memorably and movingly in a dazzling variety of forms—some traditional, some newly minted—out of the diverse experiences of their generation.Contributors include Elizabeth Alexander, Julia Alvarez, Bruce Bawer, Rafael Campo, Tom Disch, Frederick Feirstein, Dana Gioia, Emily Grosholz, R.S. Gwynn, Marilyn Hacker, Rachel Hadas, Andrew Hudgins, Paul Lake, Sydney Lea, Brad Leithauser, Phillis Levin, Charles Martin, Marilyn Nelson, Molly Peacock, Wyatt Prunty, Mary Jo Salter, Timothy Steele, Frederick Turner, Rachel Wetzsteon, and Greg Williamson.

This first collection of literary essays by a founder and leading poet-critic of the New Narrative/New Formalist revival explores the relationship between poetry and religion, the legacies of Wallace Stevens, Robert Frost, E. A. Robinson, Robinson Jeffers, and Donald Justice.

This first collection of literary essays by a founder and leading poet-critic of the New Narrative/New Formalist revival explores the relationship between poetry and religion, the legacies of Wallace Stevens, Robert Frost, E. A. Robinson, Robinson Jeffers, and Donald Justice.

From the author of 19 Knives and My White Planet comes a brilliant suite of stories built around music and travel. Whether it's a band coming apart at the ruins of Pompeii, or tours through Napoli's "volcanic dust and volcanic drugs and jackal-headed bedlam and mountains of stinking trash"; or a nostalgic stroll past the homeless in Victoria's inner harbour while "gentle Tunisian techno" rides the breeze, where the addicted populate park benches, as weighted as Shakespearean characters ... "lit rock and tiny chalice hidden under his shirt, get it all, draw every wisp of the wreath and heavy is the head that wears the crown, that lights the lighter." Or it's Steppenwolf or The Youngbloods drifting from a car radio as "an ambulance siren and lights fly our street ... a flashing mime show of grief's rocket." Or, perhaps they're in Iceland, or Denmark, "somewhere seriously lunar and attractive" spending wheelbarrows of cash the record execs didn't give them. Or it's the Viper Room, Sunset Boulevard, a bar in Butte, Montana, or Johnny Cash in Tijuana. The five stories that comprise Czech Techno are replete with the sizzle and jump we have come to expect in a Mark Jarman story - "those shadowbox anthems of lost icy street corners and vanished republics" are on grand display, his herky-jerky emblematic style in full roar. And the quest for love, the matters of the heart, is ever-present, weaving through these stories like a knife blade through sand.

This collection leaps into the dangerous currents where poetry and reli-gion meet, and enlivens the lexicon of traditional American Christian belief by testing its doctrines and language against contemporary experience."Beyond the wonderful music of his lines . . . , what makes To the Green Man such an important and memor-able book is its enactment of a spiritual struggle to be at once at home in the world and astonished by it."—Alan ShapiroMark Jarman is a professor of English at Vanderbilt University in Nashville. His book The Black Riviera won the Poets’ Prize, and Questions for Ecclesiastes was a finalist for the National Book Critics Circle Award and won the Lenore Marshall Poetry Prize.

This collection leaps into the dangerous currents where poetry and reli-gion meet, and enlivens the lexicon of traditional American Christian belief by testing its doctrines and language against contemporary experience."Beyond the wonderful music of his lines . . . , what makes To the Green Man such an important and memor-able book is its enactment of a spiritual struggle to be at once at home in the world and astonished by it."—Alan ShapiroMark Jarman is a professor of English at Vanderbilt University in Nashville. His book The Black Riviera won the Poets’ Prize, and Questions for Ecclesiastes was a finalist for the National Book Critics Circle Award and won the Lenore Marshall Poetry Prize.

“To read this book is to be reminded of how many major poems have their root in prayer.”—Grace Schulman“The thirty prose poems that make up Epistles are as compellingly modern in their form as they are timeless in their quest for spiritual truths amid radical doubts.”—David LehmanThese are compellingly modern prose poems in the style of Paul’s Letters to the Corinthians.Mark Jarman’s book The Black Riviera won the 1991 Poets’ Prize. Questions for Ecclesiastes was a finalist for the 1997 National Book Critics Circle Award. Jarman is a professor at Vanderbilt University in Nashville.

“To read this book is to be reminded of how many major poems have their root in prayer.”—Grace Schulman“The thirty prose poems that make up Epistles are as compellingly modern in their form as they are timeless in their quest for spiritual truths amid radical doubts.”—David LehmanThese are compellingly modern prose poems in the style of Paul’s Letters to the Corinthians.Mark Jarman’s book The Black Riviera won the 1991 Poets’ Prize. Questions for Ecclesiastes was a finalist for the 1997 National Book Critics Circle Award. Jarman is a professor at Vanderbilt University in Nashville.

Best Books of 2011, Kansas City Star"[Jarman's] poems explore faith in its many manifestations, but there is something here transcendent that speaks to everyone. Highly recommended."—Library JournalBone Fires collects work from over thirty years and charts Mark Jarman's spiritual development as he grows from a poet of childhood and nostalgia through adulthood and the struggles of faith. The section of new poems includes work published in American Poetry Review, Georgia Review, The New Republic, Poetry, and in the yearly anthology Best American Poetry. A landmark collection from one of our nation's most distinguished poets.

Best Books of 2011, Kansas City Star"[Jarman's] poems explore faith in its many manifestations, but there is something here transcendent that speaks to everyone. Highly recommended."—Library JournalBone Fires collects work from over thirty years and charts Mark Jarman's spiritual development as he grows from a poet of childhood and nostalgia through adulthood and the struggles of faith. The section of new poems includes work published in American Poetry Review, Georgia Review, The New Republic, Poetry, and in the yearly anthology Best American Poetry. A landmark collection from one of our nation's most distinguished poets.