185 kr
Skickas inom 5-8 vardagar
185 kr
Skickas inom 5-8 vardagar
421 kr
Skickas inom 5-8 vardagar
145 kr
Läs direkt efter köp
Although his popularity is eclipsed by Rembrandt today, Peter Paul Rubens was revered by his contemporaries as the greatest painter of his era, if not of all history. His undeniable artistic genius, bolstered by a modest disposition and a reputation as a man of tact and discretion, made him a favorite among monarchs and political leaders across Europe—and gave him the perfect cover for the clandestine activities that shaped the landscape of seventeenth-century politics. In Master of Shadows, Mark Lamster brilliantly recreates the culture, religious conflicts, and political intrigues of Rubens’s time, following the painter from Antwerp to London, Madrid, Paris, and Rome and providing an insightful exploration of Rubens’s art as well as the private passions that influenced it.
From the Trade Paperback edition.219 kr
Skickas inom 5-8 vardagar
178 kr
Skickas inom 3-6 vardagar
361 kr
Lyssna direkt efter köp
When Philip Johnson died in 2005 at the age of ninety-eight, he was still one of the most recognizable—and influential—figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA’s founding architectural curator, Johnson made his mark as one of America’s leading architects with his famous Glass House in New Caanan, Connecticut, and his controversial AT&T Building in New York City, among many others in nearly every city in the country—but his most natural role was as a consummate power broker and shaper of public opinion.
Johnson introduced European modernism—the sleek, glass-and-steel architecture that now dominates our cities—to America, and mentored generations of architects, designers, and artists to follow. He defined the era of “starchitecture” with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns. But Johnson was also a man of deep paradoxes: he was a Nazi sympathizer, a designer of synagogues, an enfant terrible into his old age, a populist, and a snob. His clients ranged from the Rockefellers to televangelists to Donald Trump.
Award-winning architectural critic and biographer Mark Lamster’s The Man in the Glass House lifts the veil on Johnson’s controversial and endlessly contradictory life to tell the story of a charming yet deeply flawed man. A roller-coaster tale of the perils of wealth, privilege, and ambition, this book probes the dynamics of American culture that made him so powerful and tells the story of the built environment in modern America.