Mark Mattern – författare

In this innovative new text, Mark Mattern offers a unique alternative to the traditional approaches to the study and teaching of political philosophy. Rather than approaching it solely as a world of abstractions, Putting Ideas to Work emphasizes its practical task. Political ideas drawn from historical and analytical political philosophy are used to help rethink current public problems and imagine potential solutions to them. Putting Ideas to Work is organized around five central tensions in political theory and practice: individual and community, freedom and equality, justice and political order, democracy and capitalism, and power and citizenship. Each section begins with a description and analysis of several contemporary public problems arising from these tensions. Key political thinkers are then drawn upon to help understand the genesis of the public problems, and to offer alternative ways of thinking about them. The text is anchored throughout to an idea of strong democracy that functions as a standard against which theory and practice are measured.

In this innovative new text, Mark Mattern offers a unique alternative to the traditional approaches to the study and teaching of political philosophy. Rather than approaching it solely as a world of abstractions, Putting Ideas to Work emphasizes its practical task. Political ideas drawn from historical and analytical political philosophy are used to help rethink current public problems and imagine potential solutions to them. Putting Ideas to Work is organized around five central tensions in political theory and practice: individual and community, freedom and equality, justice and political order, democracy and capitalism, and power and citizenship. Each section begins with a description and analysis of several contemporary public problems arising from these tensions. Key political thinkers are then drawn upon to help understand the genesis of the public problems, and to offer alternative ways of thinking about them. The text is anchored throughout to an idea of strong democracy that functions as a standard against which theory and practice are measured.

In this lively account of politics and popular music, Mark Mattern develops the concept of "acting in concert," a metaphor for community-based political action through music. Through three detailed case studies of Chilean, Cajun, and American Indian popular music, Mattern explores the way popular muisicians forge community and lead members of their communities in several distinct kinds of political action that would be difficult or impossible among individuals who are not linked by communal ties. More than just entertainment, Mattern argues that popular music can serve as a social glue for bringing together a multitude of voices that might otherwise remain silent, and that political action through music can increase the potential for relatively marginalized people to choose and determine their own fate.

This book examines what political scientists are studying – and how they are doing it – in ways that could improve our world. It features scholars in political science and related fields, who are engaged in research that is more politically relevant than the work that continues to dominate the larger discipline. Their shared commitment "to make the study of politics relevant to the struggle for a better world" represents the continuing legacy of the Caucus for a New Political Science, founded in 1967, and the perestroika movement that began in 2000. Both have challenged the defining commitments of political science as a discipline to narrow, parochial, and apolitical approaches to the study of politics.Although the balance of disciplinary critique and alternative approach varies from chapter to chapter, all of the authors included here offer innovative and progressive perspectives on the study of politics today. Topics include: critiques of mainstream political science methods and models; redefinitions of key concepts and major institutions; reconstructions of the borders, subjects, and spaces of politics; and reflections on the ethical commitments of scholars and scholarly journals.This book was published as a special issue of New Political Science: A Journal of Politics and Culture.

This book examines what political scientists are studying – and how they are doing it – in ways that could improve our world. It features scholars in political science and related fields, who are engaged in research that is more politically relevant than the work that continues to dominate the larger discipline. Their shared commitment "to make the study of politics relevant to the struggle for a better world" represents the continuing legacy of the Caucus for a New Political Science, founded in 1967, and the perestroika movement that began in 2000. Both have challenged the defining commitments of political science as a discipline to narrow, parochial, and apolitical approaches to the study of politics.Although the balance of disciplinary critique and alternative approach varies from chapter to chapter, all of the authors included here offer innovative and progressive perspectives on the study of politics today. Topics include: critiques of mainstream political science methods and models; redefinitions of key concepts and major institutions; reconstructions of the borders, subjects, and spaces of politics; and reflections on the ethical commitments of scholars and scholarly journals.This book was published as a special issue of New Political Science: A Journal of Politics and Culture.

Interprets popular art forms as exhibiting core anarchist values and presaging a more democratic world.Situated at the intersection of anarchist and democratic theory, Anarchism and Art focuses on four popular art forms-DIY (Do It Yourself) punk music, poetry slam, graffiti and street art, and flash mobs-found in the cracks between dominant political, economic, and cultural institutions and on the margins of mainstream neoliberal society. Mark Mattern interprets these popular art forms in terms of core anarchist values of autonomy, equality, decentralized and horizontal forms of power, and direct action by common people, who refuse the terms offered them by neoliberalism while creating practical alternatives. As exemplars of central anarchist principles and commitments, such forms of popular art, he argues, prefigure deeper forms of democracy than those experienced by most people in today's liberal democracies. That is, they contain hints of future, more democratic possibilities, while modeling in the present the characteristics of those more democratic possibilities. Providing concrete evidence that progressive change is both desirable and possible, they also point the way forward.

Interprets popular art forms as exhibiting core anarchist values and presaging a more democratic world.Situated at the intersection of anarchist and democratic theory, Anarchism and Art focuses on four popular art forms-DIY (Do It Yourself) punk music, poetry slam, graffiti and street art, and flash mobs-found in the cracks between dominant political, economic, and cultural institutions and on the margins of mainstream neoliberal society. Mark Mattern interprets these popular art forms in terms of core anarchist values of autonomy, equality, decentralized and horizontal forms of power, and direct action by common people, who refuse the terms offered them by neoliberalism while creating practical alternatives. As exemplars of central anarchist principles and commitments, such forms of popular art, he argues, prefigure deeper forms of democracy than those experienced by most people in today's liberal democracies. That is, they contain hints of future, more democratic possibilities, while modeling in the present the characteristics of those more democratic possibilities. Providing concrete evidence that progressive change is both desirable and possible, they also point the way forward.

In this innovative new text, Mark Mattern offers a unique alternative to the traditional approaches to the study and teaching of political philosophy. Rather than approaching it solely as a world of abstractions, Putting Ideas to Work emphasizes its practical task. Political ideas drawn from historical and analytical political philosophy are used to help rethink current public problems and imagine potential solutions to them. Putting Ideas to Work is organized around five central tensions in political theory and practice: individual and community, freedom and equality, justice and political order, democracy and capitalism, and power and citizenship. Each section begins with a description and analysis of several contemporary public problems arising from these tensions. Key political thinkers are then drawn upon to help understand the genesis of the public problems, and to offer alternative ways of thinking about them. The text is anchored throughout to an idea of strong democracy that functions as a standard against which theory and practice are measured.

Demonstrates how activists and others use art and popular culture to strive for a more democratic future.Doing Democracy examines the potential of the arts and popular culture to extend and deepen the experience of democracy. Its contributors address the use of photography, cartooning, memorials, monuments, poetry, literature, music, theater, festivals, and parades to open political spaces, awaken critical consciousness, engage marginalized groups in political activism, and create new, more democratic societies. This volume demonstrates how ordinary people use the creative and visionary capacity of the arts and popular culture to shape alternative futures. It is unique in its insistence that democratic theorists and activists should acknowledge and employ affective as well as rational faculties in the ongoing struggle for democracy.