Mark Payne – författare

How can literary imagination help us engage with the lives of other animals? Mark Payne seeks to answer this question by exploring the relationship between humans and other animals in writings from antiquity to the present. Ranging from ancient Greek poets to modernists like Ezra Pound and William Carlos Williams, Payne considers how writers have used verse to communicate the experience of animal suffering, created analogies between human and animal societies, and imagined the kind of knowledge that would be possible if humans could see themselves as animals see them. The Animal Part also argues that close reading must remain a central practice of literary study if posthumanism is to articulate its own prehistory. Offering detailed accounts of the tenuousness of the idea of the human in ancient literature and philosophy, Payne demonstrates that only through fine-grained literary interpretation can we recover the poetic thinking about animals that has always existed alongside philosophical constructions of the human. In sum, The Animal Part marks a breakthrough in animal studies and offers a significant contribution to comparative poetics.

How can literary imagination help us engage with the lives of other animals? The question represents one of the liveliest areas of inquiry in the humanities, and Mark Payne seeks to answer it by exploring the relationship between human beings and other animals in writings from antiquity to the present. Ranging from ancient Greek poets to modernists like Ezra Pound and William Carlos Williams, Payne considers how writers have used verse to communicate the experience of animal suffering, created analogies between human and animal societies, and imagined the kind of knowledge that would be possible if human beings could see themselves as animals see them. "The Animal Part" also makes substantial contributions to the emerging discourse of the posthumanities. Payne offers detailed accounts of the tenuousness of the idea of the human in ancient literature and philosophy and then goes on to argue that close reading must remain a central practice of literary study if posthumanism is to articulate its own prehistory.For it is only through fine-grained literary interpretation that we can recover the poetic thinking about animals that has always existed alongside philosophical constructions of the human. In sum, "The Animal Part" marks a breakthrough in animal studies and offers a significant contribution to comparative poetics.

The bucolic Idylls of Theocritus are the first literature to invent a fully fictional world that is not an image of reality but an alternative to it. It is thereby distinguished from the other Idylls and from Hellenistic poetry as a whole. This book examines these poems in the light of ancient and modern conceptions of fictionality. It explores how access to this fictional world is mediated by form and how this world appears as an object of desire for the characters within it. The argument culminates in a fresh reading of Idyll 7, where Professor Payne discusses the encounter between author and fictional creation in the poem and its importance for the later pastoral tradition. Close readings of Theocritus, Callimachus, Hermesianax and the Lament for Bion are supplemented with parallels from modern contemporary fiction and an extended discussion of the heteronymic poetry of Fernando Pessoa.

The bucolic Idylls of Theocritus are the first literature to invent a fully fictional world that is not an image of reality but an alternative to it. It is thereby distinguished from the other Idylls and from Hellenistic poetry as a whole. This book examines these poems in the light of ancient and modern conceptions of fictionality. It explores how access to this fictional world is mediated by form and how this world appears as an object of desire for the characters within it. The argument culminates in a fresh reading of Idyll 7, where Professor Payne discusses the encounter between author and fictional creation in the poem and its importance for the later pastoral tradition. Close readings of Theocritus, Callimachus, Hermesianax and the Lament for Bion are supplemented with parallels from modern contemporary fiction and an extended discussion of the heteronymic poetry of Fernando Pessoa.

An exploration of postapocalyptic fiction, from antiquity to today, and its connections to political theory and other literary genresThe literary lineage of postapocalyptic fiction—stories set after civilization’s destruction—is a long one, spanning the biblical tale of Noah and Hesiod’s Works and Days to the works of Mary Shelley, Octavia Butler, Cormac McCarthy, and many others. Traveling from antiquity to the present, Flowers of Time reveals how postapocalyptic fiction differs from other genres—pastoral poetry, science fiction, and the maroon narrative—that also explore human capabilities beyond the constraints of civilization. Mark Payne places postapocalyptic fiction into conversation with such theorists as Aristotle, Jean-Jacques Rousseau, Claude Lévi-Strauss, and Carl Schmitt, illustrating how the genre functions as political theory in fictional form.Payne shows that rather than argue for a particular way of life, postapocalyptic literature reveals what it would be like to inhabit that life. He considers the genre’s appeal in our own historical moment, contending that this fiction is the pastoral of our time. Whereas the pastoralist and the maroon could escape to real-world hills and fashion their own versions of freedom, on a fully owned and occupied Earth, only an apocalyptic event can create a space where such freedoms are feasible once again.Flowers of Time looks at how fictional narratives set after the world’s devastation represent new conditions and possibilities for life and humanity.

An exploration of postapocalyptic fiction, from antiquity to today, and its connections to political theory and other literary genresThe literary lineage of postapocalyptic fiction—stories set after civilization’s destruction—is a long one, spanning the biblical tale of Noah and Hesiod’s Works and Days to the works of Mary Shelley, Octavia Butler, Cormac McCarthy, and many others. Traveling from antiquity to the present, Flowers of Time reveals how postapocalyptic fiction differs from other genres—pastoral poetry, science fiction, and the maroon narrative—that also explore human capabilities beyond the constraints of civilization. Mark Payne places postapocalyptic fiction into conversation with such theorists as Aristotle, Jean-Jacques Rousseau, Claude Lévi-Strauss, and Carl Schmitt, illustrating how the genre functions as political theory in fictional form.Payne shows that rather than argue for a particular way of life, postapocalyptic literature reveals what it would be like to inhabit that life. He considers the genre’s appeal in our own historical moment, contending that this fiction is the pastoral of our time. Whereas the pastoralist and the maroon could escape to real-world hills and fashion their own versions of freedom, on a fully owned and occupied Earth, only an apocalyptic event can create a space where such freedoms are feasible once again.Flowers of Time looks at how fictional narratives set after the world’s devastation represent new conditions and possibilities for life and humanity.

A unique behind-the-scenes look at the groundbreaking methodology that today''s most in-demand innovation factory uses to create some of the boldest products and successfully bring them to market.   Today, innovation is seen by business leaders and the media alike as the key to growth, a burning issue in every company, from startups to the Fortune 500. And in that space, Fahrenheit 212 is viewed as a high-performance innovation SWAT team, able to solve the most complex, mission-critical challenges. Under Mark Payne, the firm''s president and head of Idea Development, Fahrenheit 212, since its inception a decade ago, has worked with such giants of industry as Coca-Cola, Samsung, Hershey''s, Campbell''s Soup, LG, Starbucks, Mattel, Office Depot, Citibank, P&G, American Express, Nutrisystem, GE, and Goldman Sachs, to name but a few. It has been praised as a hotspot for innovation in publications like Fortune, Esquire, Businessweek, and FastCompany.  What Drives Fahrenheit 212''s success is its unique methodology, combining what it calls Magic--the creative side of innovation--with Money, the business side. They explore every potential idea with the end goal in mind--bringing an innovative product to market in a way that will transform a company''s business and growth. In How to Kill a Unicorn, Mark Payne pulls back the curtain on how the company is able to bring more innovative products and ideas successfully to market than any other firm and offers blow by blow inside accounts of how they grapple with and solved their biggest challenges.

Jacques Derrida’s Specters of Marx has had an enormous influence on recent thought about the fate of human capabilities in late capitalism, especially in Europe. Hontology explores a road not taken in Specters of Marx - the idea that shame is the route by which we access the capabilities for living that are abrogated in modernity. More particularly still, the book considers the loss of the New World as an horizon in which these abrogated capabilities were still in play, and the inhabitants of the New World as presenting forms of life before which Europeans felt shame in comparison with their own. Finally, the book discusses what might take the place of the New World now that its productive horizon of shame has receded from view.