Mark Potter – författare

This title was first published in 2003. Corps and Clienteles offers a unique approach to this debate by focusing on the intersection between institutions and personal relationships in the financial strategies surrounding Louis XIV''s final two wars. It argues that, in appealing to the elite for financial support to wage war, Louis in return stabilised many of the structures on which the elite stood, entrenched elements of privilege throughout the political landscape, and devolved power to provincial institutions. Especially with the participation of privileged corps as financial intermediaries, the politics of war finance in the last twenty five years of Louis'' reign profoundly influenced the direction in which absolutism developed through the remainder of the Old Regime. The book situates the period 1688 to 1715 as a crucial stage in the development of absolutism; tying the choices available to Louis XIV with the structures and institutions that he inherited from his predecessors, while setting his approach apart.

This title was first published in 2003. Corps and Clienteles offers a unique approach to this debate by focusing on the intersection between institutions and personal relationships in the financial strategies surrounding Louis XIV''s final two wars. It argues that, in appealing to the elite for financial support to wage war, Louis in return stabilised many of the structures on which the elite stood, entrenched elements of privilege throughout the political landscape, and devolved power to provincial institutions. Especially with the participation of privileged corps as financial intermediaries, the politics of war finance in the last twenty five years of Louis'' reign profoundly influenced the direction in which absolutism developed through the remainder of the Old Regime. The book situates the period 1688 to 1715 as a crucial stage in the development of absolutism; tying the choices available to Louis XIV with the structures and institutions that he inherited from his predecessors, while setting his approach apart.

“With a moonless sky this early morning, it is eerily dark out here, and I can feel the weight of the hot and humid South Florida air. As I head toward the sound of the rolling ocean surf ahead of me, the soft beach sand shifts beneath my feet, making it hard for me to walk while balancing my two cameras and a heavy tripod. Even though I go out like this virtually every morning, it never gets old, and once again I am starting to get excited. I can even feel my breathing increase as I approach the shoreline. These are all welcome signs that I’m fully alive right now and am engaged in what I call “magic time.” It’s that ungodly hour of the day when most normal people are still safely at home, asleep in their comfortable beds––blissfully unaware that they are on the verge of missing out on one of the best lightshows on all of planet earth: The tropical sunrise!” ––Mark Potter

It is the unvarnished truth that all of Mark Potter’s bright and colorful sunrise photographs began from tragedy and grief, and were taken in memory of his wife who died from cancer. But as miracles sometimes have it, the images turned out to be the exact opposite of the way they began. They are upbeat and exciting, but also comforting and calming while capturing the natural world of Florida as it awakens to each new day with not only sunrises, but also seascapes, wildlife, marine life, flora, and fauna.