Mark Ribowsky – författare

It is said that Josh Gibson is the only man ever to have hit a fair ball out of Yankee Stadium. Some claim he hit as many as seventy-five home runs in a season. All agreed he was a frightening hitter to face.  What Satchel Paige was to pitching in the Negro leagues, Gibson was to hitting: their greatest star, biggest gate attraction, and most important symbol.  Though Gibson is best remembered as "the black Babe Ruth," Ruth became a beloved symbol of the national pastime, while Gibson lived a life veiled in the darkness that came both from the shadow world of the Negro leagues and from within his own tortured soul.  Mark Ribowsky, the widely acclaimed biographer of Satchel Paige, pulls no punches in his portrait of this magnificent, troubled athlete. This is the most complete, thorough, and authoritative account of the life of black ball's greatest hitter, and one of its most important stars.

The Supremes is a sprawling tale of unforgettable music, cutthroat ambition, and heartbreaking betrayal. Mark Ribowsky explodes Dreamgirl fantasies by taking the reader behind the closed doors of Motown to witness the rise of group leader Diana Ross, the creation of timeless classics like Where Did Our Love Go?," and the dramatic power struggles within Detroit's fabled music factory. Drawing on firsthand, intimate recollections from knowledgeable sources such as the Temptations's Otis Williams and other Motown contemporaries,many never before interviewed, The Supremes is a comprehensive look at the tumultuous relationships within the Supremes as well as among others at the Motown label" ( Library Journal ).

Everyone knows Yogi Berra, the American icon. He was the backbone of the New York Yankees through ten World Series Championships, managed the National League Champion New York Mets in 1973, and his inscrutable Yogi-isms remain an indelible part of our lexicon. But no one knew him like his family did. My Dad, Yogi is Dale Berra's story of his unshakeable bond with his father, as well as a unique and intimate perspective on one of the great sports figures of the 20th Century. When Yogi wasn't playing or coaching, or otherwise in the public eye, he was home in the New Jersey suburbs, spending time with his beloved wife, Carmen, and his three boys, Larry, Tim, and Dale. Dale chronicles--as only a son could--his family's history, his parents' enduring relationship, and his dad's storied career. Throughout Dale's youth, he had a firsthand look at the Major Leagues, often by his dad's side during Yogi's years as a coach and manager. Dale got to know players like Tom Seaver, Bud Harrelson, and Cleon Jones. Mickey Mantle, Don Larsen, and Phil Rizzuto were lifelong family friends. Dale and his brothers all became professional athletes, following in their dad's footsteps. Dale came up with a great Pittsburgh Pirates team, playing shortstop for several years before he was traded to the New York Yankees and briefly united with his dad. But there were extraordinary challenges. Dale was implicated in a major cocaine scandal involving some of the biggest names in the sport, and his promising career was cut short by his drug problem. Yogi supported his son all along, ultimately staging an intervention. Dale's life was saved by his father's love, and My Dad, Yogi is Dale's tribute, and a must-have for baseball fans and fathers and sons everywhere.

Everyone knows Yogi Berra, the American icon. He was the backbone of the New York Yankees through ten World Series Championships, managed the National League Champion New York Mets in 1973, and his inscrutable Yogi-isms remain an indelible part of our lexicon. But no one knew him like his family did. My Dad, Yogi is Dale Berra's story of his unshakeable bond with his father, as well as a unique and intimate perspective on one of the great sports figures of the 20th Century. When Yogi wasn't playing or coaching, or otherwise in the public eye, he was home in the New Jersey suburbs, spending time with his beloved wife, Carmen, and his three boys, Larry, Tim, and Dale. Dale chronicles--as only a son could--his family's history, his parents' enduring relationship, and his dad's storied career. Throughout Dale's youth, he had a firsthand look at the Major Leagues, often by his dad's side during Yogi's years as a coach and manager. Dale got to know players like Tom Seaver, Bud Harrelson, and Cleon Jones. Mickey Mantle, Don Larsen, and Phil Rizzuto were lifelong family friends. Dale and his brothers all became professional athletes, following in their dad's footsteps. Dale came up with a great Pittsburgh Pirates team, playing shortstop for several years before he was traded to the New York Yankees and briefly united with his dad. But there were extraordinary challenges. Dale was implicated in a major cocaine scandal involving some of the biggest names in the sport, and his promising career was cut short by his drug problem. Yogi supported his son all along, ultimately staging an intervention. Dale's life was saved by his father's love, and My Dad, Yogi is Dale's tribute, and a must-have for baseball fans and fathers and sons everywhere.

Tom Landry, the coach during professional football's most fabled era, transformed the gridiron from a no-holds-barred battlefield to the technical chess match it is today. With his trademark fedora and stoic facade, "God’s Coach" was a man of faith and few words, for twenty-nine years guiding "America's Team" from laughingstock to well-oiled machine, with an unprecedented twenty consecutive winning seasons and two Super Bowl titles. Now, more than a decade after Landry's death, acclaimed sports biographer Mark Ribowsky finally takes a fresh look at this much-misunderstood legend, giving us a distinctly American biography that tells us as much about our country's fascination with football as it does about Landry himself.While his coaching years are set against the backdrop of a nation roiling with racial and political turmoil—and the anything-goes partying constantly threatening the all-American mystique—The Last Cowboy begins amid the dusty roads of Mission, Texas, where Tom Landry’s childhood played out like a homespun American fable. It then takes us to the war-torn skies over western Europe, where the straight-A student and high school football star piloted a B-17 through thirty harrowing, at times near-fatal, missions. And finally back to a booming Texas, where he continued his faithful march toward gridiron immortality.In between, however, we learn that Landry was an infinitely more complex figure than his legions of fans and critics could have ever imagined. Indeed, for all his restrained emotions and old-world courtliness, he was a man of great reach and curiosity: an art and wine connoisseur, a world traveler, a collector of first-edition old-West literature. Drawing from dozens of exclusive interviews, Ribowsky reveals that Landry was anything but "cold," and it was actually his depth as a human that positioned him to become an avatar of change, first as the civil rights movement spilled onto the field and, later, as the game of football transformed into something unrecognizable to those who had come before him.But Landry's virtues notwithstanding, he was hardly perfect and nor were his players. From the unending quarterback controversies between Roger Staubach and Craig Morton to the locker room battles with Duane Thomas and Thomas “Hollywood” Henderson to the heartbreaking loses suffered at the hands of Landry’s only true rival, Vince Lombardi, The Last Cowboy becomes a fascinating portrait of a fiercely Christian man desperately trying to stay the course in a city whose flamboyance mirrored that of the team he built.The result is a definitive biography that will frame its subject within a larger American panorama while also reintroducing us to a legend whose impact on the NFL, and the sport itself, is nothing short of immeasurable.

A soul icon and the southern music he helped popularise come to life in this moving requiem.

The Everly Brothers—aka Don and Phil to fans with an intimate appreciation for them—seemed to exist almost as an apparition. Emerging within the formative era for young Baby Boomers during the blandly regimented ‘50s, they were a ubiquitous presence, clad in snug suits and skinny ties, hair neatly Brylcreemed, never raising their voices when they sang. The two prim-looking country boys with dark, curiously penetrating eyes and perfectly merged, honey-dipped harmonies, were oddly but comfortably settled as sentimental, soothing, sometimes lovelorn voices of a still-uncharted cultural turf.Magnificent as the duo was, they have until now never received a definitive biography. In Crying in the Rain: The Perfect Harmony and Imperfect Lives Of the Everly Brothers, the details, small and great, roll along on the mighty “Mississippi,” in near novel-like fashion, revealing facts drawn from exhaustive research and first-hand interviews that trace the character and influences of these hardy but flawed men who grew from teenagers to old men before our eyes. Mark Ribowsky’s authoritative book serves as a fitting companion to an unforgettable collection of songs—heard on countless albums, and covered literally thousands of times—whose recording was a long time gone but that will never be forgotten.

When he died suddenly at the age of twenty-six, Otis Redding (1941–1967) was the conscience of a new kind of soul music. Berry Gordy built the first black-owned music empire at Motown but Redding was doing something as historic: mainstreaming black music within the whitest bastions of the post-Confederate south. As a result, the Redding story—still largely untold—is one of great conquest but grand tragedy. Now, in this transformative work, Mark Ribowsky contextualises Redding’s life within the larger cultural movements of his era. What emerges in Dreams to Remember is not only a triumph of music history but also a reclamation of a visionary who would come to define an entire era.

For generations, American athletes have enjoyed the ever-escalating celebrity lavished upon them when they combine on-the-field talent with off-the field charisma, but never before have we seen as transformative a sports dynasty as the Mannings: a bloodline of strong arms, Southern values, and savvy business instincts—each man compelling in his own right, made whole by family. But how, in just fifty years, did this private trio achieve football immortality? A gripping and definitive account, In the Name of the Father traces Archie, Peyton, and Eli’s roots from red-clay Mississippi to the bright lights of the Super Bowl to reveal the truth of their grit and dedication, their inherent ability, and the drama they endured behind closed doors.As New York Times Notable biographer Mark Ribowsky meticulously chronicles, the road to football stardom was not paved smoothly for patriarch Archie. The most celebrated and beloved athlete to emerge from tiny Drew, Mississippi, Archie lost his father to suicide during his heyday at Ole Miss. Then, despite his playing through the pain, a string of surgeries prematurely ended a storied NFL career, most memorably spent with the New Orleans Saints. Similar savior-like expectations were passed to Archie’s eldest, Cooper, the most gifted of his brood, but the shocking discovery of a spinal condition prevented Cooper from ever playing a single snap of college ball. Luckily, Archie had been raising all three of his sons to love the gridiron, throwing deep balls to them off the front porch, and there were two more heir apparents in the wings.Raised watching dusty old game films in the family den, Peyton was swiftly hailed as a generational talent, his record-breaking tenure at Tennessee paving a clear path to the NFL. Winning Super Bowls with both the Indianapolis Colts and the Denver Broncos, he was able to overcome a debilitating neck injury—after barely being able to hold a football—to eclipse Archie in football success. It was Peyton who would first pair his football cachet with capitalism, selecting commercials and appearances to show off his humor and expand the now-ubiquitous Manning brand into mainstream popular culture.And finally there was quiet Eli, with an arm and a career to match his big brother’s but a reserved and enigmatic affect all his own. The good-boy who followed his father to Ole Miss, Eli entered the NFL even more carefully managed then his brother was, forcing a trade when the lackluster San Diego Chargers selected him with the first pick in the draft. Even with two dramatic Super Bowl wins with the New York Giants, Eli’s lows have been catastrophic, and he has never been quite the media darling his brother is. But even as their football careers wind down, the power of the Manning name only grows.Drawing on new interviews and research, Ribowsky reveals a family of transcendent talent and intense loyalty dedicated to maintaining an all-American façade that has, on occasion, shown cracks. From the family’s past steeped in problematic parts of Southern identity, to locker-room scandal turned lawsuit, to flashes of fraternal jealousy, Ribowsky leaves no stone unturned. Rich in gridiron dramatics and familial intrigue, In the Name of the Father is a quintessentially American saga of a multifaceted lineage that has forever changed the game.

After he died in the back seat of a Cadillac at the age of twenty-nine, Hank Williams—a frail, flawed man who had become country music’s first real star–instantly morphed into its first tragic martyr. Having hit the heights with simple songs of despair, depression and tainted love, he would become in death a template for the rock generation to follow.Mark Ribowsky weaves together the first fully realised biography of Williams in a generation. Examining his music while re-creating days and nights choked in booze and desperation, he traces the rise of this legend—from the dirt roads of Alabama to the immortal stage of the Grand Ole Opry and to a lonely end on New Year’s Day, 1953. This original work uncovers the real Hank beneath the myths that have long enshrouded his legacy.

Inducted into the Hall of Fame in 1997, Don Shula remains the winningest coach of all time with 347 career victories and the only undefeated season in NFL history. But before he became the architect of the Dolphins dynasty, Shula was a hardworking kid selling fish on the banks of Lake Erie, the eldest of six children born during the Depression to Hungarian immigrant parents. As acclaimed sports biographer Mark Ribowsky shows, Shula met serious resistance at home when he asked to play high school football, but when his parents finally relented, they discovered that their son, though perhaps short on the physical gifts of the truly blessed, had an unmatched mind for the game’s strategy and a stomach for its brutality.With rugged determination, the jut-jawed Shula started as a defensive back in the 1950s, later beginning his thirty-two-year coaching career as the then-youngest coach ever with the Baltimore Colts. The Colts had several successful years, but Shula never quite recovered from the historic loss to the upstart New York Jets in Super Bowl III, and when a lucrative job opened in Miami, he took his talents to South Beach, where he led the Dolphins to the first perfect season in NFL history.Tracing Shula’s singular rise from his blue-collar origins to his glory days in the Miami heat, Ribowsky reveals a man of grit and charisma who never lost sight of a simple creed: “All I’ve ever done is roll up my sleeves, figure out what to do, and start doing it.”

The first major biography of Little Richard, a rollicking, nuanced celebration of the late singer/songwriter’s life and his role in the history of American music—gospel, soul, rock, and more“Tutti Frutti” • “Rip It Up” • “Good Golly Miss Molly” • “Lucille” • “Long Tall Sally” • “You Keep A-Knockin’”Little Richard blazed the trail for generations of musicians—The Beatles, James Brown, the Everly Brothers, Jimi Hendrix, the Rolling Stones, Elton John, Prince . . . the list seems endless. He was “The Originator,” “The Innovator,” and the self-anointed “King and Queen of Rock ’n’ Roll.” When he died on May 9, 2020, The Big Life of Little Richard—a nearly-completed book—was immediately updated to cover the international response to his death. It is the first major biography of Macon, Georgia’s Richard Wayne Penniman, who was, until his passing, the last rock god standing.Mark Ribowsky, acclaimed biographer of musical icons—the Supremes, the Temptations, Stevie Wonder, Otis Redding—takes readers through venues, gigs, and studios, conveying the sweaty energy of music sessions limited to a few tracks on an Ampex tape machine and vocals sung along with a live band. He explores Little Richard’s musicianship; his family life; his uphill battle against racism; his interactions with famous contemporaries and the media; and his lifelong inner conflict between his religion and his sexuality.The Big Life of Little Richard not only explores a legendary stage persona, but also a complex life under the makeup and pomade, the neon-lit duds and piano pyrotechnics, along with a full-body dive into the waters of sexual fluidity.By 2020, eighty-seven-year-old Little Richard’s electrifying smile was still intact, as were his bona fides as rock’s kingly architect: the ’50s defined his reign, and he extended elder statesmanship ever since. His biggest smash, “Tutti Frutti,” is one of history’s most covered songs—a staple of the pre-Invasion Beatles—and Elvis pivoted from country to blues rock after Little Richard made R&B’s sexual overtones a fundament of the new musical order. Even Hendrix, the greatest instrumentalist in rock history, toured with him before launching a meteoric solo career.Whenever someone pushes the music and culture of rock to its outer borders, one should turn to Little Richard for assurance that anything is possible.

The first biography of soul pioneer Isaac Hayes, whose groundbreaking music provided the foundation for hip-hop and a new racial paradigm.“Black men could finally stand up and be men because here's Black Moses; he's the epitome of Black masculinity. Chains that once represented bondage and slavery now can be a sign of power and strength and sexuality and virility.” —Isaac Hayes Within the stoned soul picnic of Black music icons in the ’60s and ’70s, only one could bill himself without a blush as Moses, demanding liberation for Black men with his notions of life and self—Isaac Lee Hayes Jr., the beautifully sheen, shaded, and chain-spangled acolyte of cool, whose high-toned “lounge music” and proto-rap was soul’s highest order—heard on twenty-two albums and selling millions of records. Hayes’s stunning self-portraits, his obsessive pleas about love, sex, and guilt bathed in lush orchestral flights and soul-stirring bass lines, drove other soul men like Barry White to libidinous license. But Hayes, who called himself a “renegade,” was a man of many parts. While he thrived on soulful remakes of pop standards, his biggest coup was writing and producing the epic soundtrack to Shaft, memorializing the “black private dick” as a “complicated man,” as coolly mean and amoral as any white private eye. This new musical and cultural coda delivered Hayes the first Oscar ever won by a Black musician, as well as the Grammy for Best Song. Yet, few know Hayes’s remarkable achievements. In this compelling buffet of sight and sound, acclaimed music biographer Mark Ribowsky—who has authored illuminating portraits of such luminaries as Stevie Wonder, Little Richard, and Otis Redding—gallops through the many stages of Hayes’s daring and daunting life, starting with Hayes’s difficult childhood in which his mother died young and his father abandoned him. Ribowsky then takes readers through Hayes’s rise at Memphis’s legendary soul factory, Stax Records, first as a piano player on Otis Redding sessions then as a songwriter and producer teamed with David Porter. Tuned to the context of soul music history, he created crossover smashes like Sam & Dave's “Soul Man,” “Hold on I'm Comin’,” and “I Thank You,” making soul a semi-religion of Black pride, imagination, and joyful emotion. Hayes’s subsequent career as a solo artist featured studio methods and out-of-the-box ideas that paved the way for soul to occupy the top of the album charts alongside white rock albums. But his prime years ended prematurely, both as a consequence of Stax’s red ink and his own self-destructive tendencies. In the ’90s he claimed he had finally found himself, as a minion of Scientology. But Scientology would cost him the gig that had revived him—the cartoon voice of the naively cool “Chef” on South Park—after he became embroiled in controversy when South Park’s creators parodied Scientology in an episode that caused the cult’s leaders to order him to quit the show. Although Hayes was honored by the Rock & Roll Hall of Fame in 2002, the brouhaha came as his seemingly perfect body finally broke down. He died in 2008 at age sixty-eight, too soon for a soul titan. But if only greatness can establish permanence in the cellular structure of music, Isaac Hayes long ago qualified. His influence will last for as long as there is music to be heard. And when we hear him in that music, we will by rote say, “We can dig it.”