Mark Rose - Böcker

Established over a century ago, Fauna & Flora International (FFI) was the world’s first international conservation organisation. The pioneering work of its founders in Africa led to the creation of numerous protected areas, including Kruger and Serengeti National Parks. For the first time, the story of FFI’s history is told in its entirety. Throughout its history, FFI has repeatedly broken new ground. It is renowned for its innovative, landmark programmes, many of which have come to be regarded as classic examples of conservation practice: the eleventh-hour rescue of the Arabian oryx in 1962; the multifaceted Mountain Gorilla Project launched in 1978; Tunnels for Toads in 1987, one of countless campaigns on behalf of the UK’s neglected amphibians, reptiles and bats; a 1994 botanical initiative in Turkey that anticipated the Important Plant Area concept; and, in 2000, the first programme to put biodiversity firmly on the agenda of blue-chip companies. It has been instrumental in creating much of today’s global conservation infrastructure, including such well-known institutions as IUCN – The World Conservation Union, the Worldwide Fund for Nature, CITES (the Convention on International Trade in Endangered Species of Wild Fauna and Flora) and TRAFFIC, the wildlife trade monitoring network.To this day, FFI continues to blaze a trail for others to follow, and this beautifully illustrated volume showcases its illustrious history. With a Foreword by Sir David Attenborough, FFI’s Vice-President, the book is filled with stunning photography throughout, making it the perfect gift for nature and wildlife enthusiasts.

The notion of the author as the creator and therefore the first owner of a work is deeply rooted both in our economic system and in our concept of the individual. But this concept of authorship is modern. Mark Rose traces the formation of copyright in eighteenth-century Britain—and in the process highlights still current issues of intellectual property. Authors and Owners is at once a fascinating look at an important episode in legal history and a significant contribution to literary and cultural history.

Through a series of vivid case studies, Authors in Court charts the 300-year-long dance between authorship and copyright that has shaped each institution’s response to changing social norms of identity, privacy, and celebrity. “A literary historian by training, Rose is completely at home in the world of law, as well as the history of photography and art. This is the work of an interdisciplinary scholar at the height of his powers. The arguments are sophisticated and the elegant text is a work of real craftsmanship. It is superb.”—Lionel Bently, University of Cambridge“Authors in Court is well-written, erudite, informative, and engaging throughout. As the chapters go along, we see the way that personalities inflect the supposedly impartial law; we see the role of gender in authorial self-fashioning; we see some of the fault lines which produce litigation; and we get a nice history of the evolution of the fair use doctrine. This is a book that should at least be on reserve for any IP–related course. Going forward, no one writing about any of the cases Rose discusses can afford to ignore his contribution.”—Lewis Hyde, Kenyon College