Mark Yakich – författare

Interviews from the Edge presents a selection of conversations, drawn from 50 years of the international journal New Orleans Review, that dive head-first into the most enduring aesthetic and social concerns of the last half century.From reflections on the making of literature and films to personal accounts of writing inside racial divides and working against capital punishment, the writers, poets, and activists featured in this book offer not only a fresh perspective on our present struggles but also perhaps a way through them—for writers and readers alike. “I think it’s frightfully important, and this is really much more difficult than it sounds, only to say what you absolutely believe.” – Christopher Isherwood“Most American writers probably do not think of their writing as a kind of activism. And it shouldn’t have to be—I don’t think we can impose that on writers—but it can be. I think for many writers, the ones I admire—it is.” – Viet Thanh Nguyen“Do you become a writer because you desire to become famous and make a lot of money? Or do you become a writer because there’s something you discovered, this spark, this flash, that you want to share with other human beings knowing that they can enter into the words too?” – Sister Helen Prejean “The hardest part of developing a style is that you have to learn to trust your voice. If I thought of my style, I’d be crippled. Somebody else said to me a long time ago in France, ‘Find out what you can do, and then don’t do it.’” – James Baldwin“As I have grown older, I have come to see that the romantic notion of the outsider in love with death doesn't solve a thing. It only makes life worse. We have to find ways to create communities.” – Valerie Martin

Interviews from the Edge presents a selection of conversations, drawn from 50 years of the international journal New Orleans Review, that dive head-first into the most enduring aesthetic and social concerns of the last half century.From reflections on the making of literature and films to personal accounts of writing inside racial divides and working against capital punishment, the writers, poets, and activists featured in this book offer not only a fresh perspective on our present struggles but also perhaps a way through them—for writers and readers alike. “I think it’s frightfully important, and this is really much more difficult than it sounds, only to say what you absolutely believe.” – Christopher Isherwood“Most American writers probably do not think of their writing as a kind of activism. And it shouldn’t have to be—I don’t think we can impose that on writers—but it can be. I think for many writers, the ones I admire—it is.” – Viet Thanh Nguyen“Do you become a writer because you desire to become famous and make a lot of money? Or do you become a writer because there’s something you discovered, this spark, this flash, that you want to share with other human beings knowing that they can enter into the words too?” – Sister Helen Prejean “The hardest part of developing a style is that you have to learn to trust your voice. If I thought of my style, I’d be crippled. Somebody else said to me a long time ago in France, ‘Find out what you can do, and then don’t do it.’” – James Baldwin“As I have grown older, I have come to see that the romantic notion of the outsider in love with death doesn't solve a thing. It only makes life worse. We have to find ways to create communities.” – Valerie Martin

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.When is the “beautiful game” at its most beautiful? How does football function as a lens through which so many view their daily lives? What’s right in front of fans that they never see? Football celebrates and scrutinizes the world’s most popular sport—from top-tier professionals to children just learning the game. As an American who began playing football in the 1970s as it gained a foothold in the States, Mark Yakich reflects on his own experiences alongside the sport’s social and political implications, its narrative and documentary depictions, and its linguistic idiosyncrasies. Illustrating how football can be at once absolutely vital and "only a game," this book will be surprising and insightful for the casual and diehard fan alike.Object Lessons is published in partnership with an essay series in The Atlantic.

Poetry: A Survivor’s Guide has earned high praise from students, teachers, and readers from around the globe for its playful sincerity and idiosyncratic humor and for its approach to a subject both loved and feared. Updated and expanded, including six new sections, the second edition probes a range of strategies for inspiring students and aspiring poets on the ways poetry relates to their own lives. These include the delights and pitfalls of individual meditation, the complications of identity and appropriation, and the uses and utility of poetry as a tool of social change.The second edition also includes a curated companion website for teachers, students, and aspiring poets that features poetry examples, writing prompts and exercises, and resources for publishing poetry. Online resources to accompany this book are available at:https://bloomsbury.pub/poetry-a-survivors-guide-2e.

Poetry: A Survivor’s Guide has earned high praise from students, teachers, and readers from around the globe for its playful sincerity and idiosyncratic humor and for its approach to a subject both loved and feared. Updated and expanded, including six new sections, the second edition probes a range of strategies for inspiring students and aspiring poets on the ways poetry relates to their own lives. These include the delights and pitfalls of individual meditation, the complications of identity and appropriation, and the uses and utility of poetry as a tool of social change.The second edition also includes a curated companion website for teachers, students, and aspiring poets that features poetry examples, writing prompts and exercises, and resources for publishing poetry. Online resources to accompany this book are available at:https://bloomsbury.pub/poetry-a-survivors-guide-2e.

You have picked up this book because you are a poetry reader. Or you are about to be one. Because as soon as you read a poem, that’s what you are.Filled with the profound, the lyrical, the consoling, and the curious, The Poetry Reader: An Anthology is the book you would hope to find if you washed up alone on a deserted island: this companionable collection shows how poetry itself is a discussion, alive and flowing, and how poems speak to, with, and sometimes over one another. If you are a teacher, this is the anthology you wish you had as a student – a text that doesn’t try to survey entire time periods or aesthetic areas, but one that places side-by-side carefully selected poems that speak to each other over time as well as to today’s readers. - Section header notes provide critical commentary, framing the poems within their given topic- Discussion and writing suggestions give interesting and actionable prompts- Works as a standalone book, or can easily be used alongside Poetry: A Survivor's Guide, 2nd ed.Drawing on traditional poems and contemporary works, this anthology offers globe-spanning, stylistically diverse poetry, ranging from canonical poems by the likes of Sappho and Shakespeare to those of new voices such as Layli Long Soldier and Mukoma wa Ngugi. As a compact, eclectic, and approachable collection based on specific aspects of poetry and poetic practices – from identity and metaphor to sublimation and spirituality – The Poetry Reader acts as a guide to understanding the essentials of both reading and writing poetry.